Plug Me In | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | March 14 & 15, 1968 New York City | |||
Genre | Jazz | |||
Length | 26:58 | |||
Label | Atlantic SD 1506 | |||
Producer | Joel Dorn | |||
Eddie Harris chronology | ||||
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Plug Me In is an album by American jazz saxophonist Eddie Harris recorded in 1968 and released on the Atlantic label. [1] [2] The title is a reference to Harris's use of a Varitone device to electronically amplify and process his saxophone.
This is the album referenced in the first line of Beastie Boys' song So What'cha Want, from their 1992 album Check Your Head .
The Allmusic review calls it "One of Eddie Harris's more underrated sessions... The only real fault to this enjoyable set is that the playing time is under 27 minutes". [3] The record was arranged by another Chicago musician, Charles Stepney, who was mainly associated with Chess Records as a staff writer, arranger and producer at the time. Atlantic's Joel Dorn produced the set.
Review scores | |
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Source | Rating |
Allmusic |
All compositions by Eddie Harris except as indicated
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
A Study in Jazz is the fourth album by American jazz saxophonist Eddie Harris, and the first to feature his compositions predominantly, recorded in 1962 and released on the Vee-Jay label.
Mean Greens is an album by American jazz saxophonist Eddie Harris recorded in 1966 and released on the Atlantic label.
The Tender Storm is an album by American jazz saxophonist Eddie Harris recorded in 1966 and released on the Atlantic label.
The Electrifying Eddie Harris is an album by American jazz saxophonist Eddie Harris recorded in 1967 and released on the Atlantic label.
Silver Cycles is an album by American jazz saxophonist Eddie Harris recorded in 1968 and released on the Atlantic label.
High Voltage is a live album by American jazz saxophonist Eddie Harris recorded in 1968 and 1969 and released on the Atlantic label.
Free Speech is an album by American jazz saxophonist Eddie Harris recorded in 1969 and released on the Atlantic label.
Come On Down! is an album by American jazz saxophonist Eddie Harris recorded in 1970 and released on the Atlantic label.
Live at Newport is a live album by American jazz saxophonist Eddie Harris recorded at the Newport Jazz Festival in 1970 and released on the Atlantic label.
Instant Death is an album by American jazz saxophonist Eddie Harris recorded in 1971 and released on the Atlantic label.
Eddie Harris Sings the Blues is an album by American jazz saxophonist Eddie Harris recorded in 1972 and released on the Atlantic label.
Excursions is an album by American jazz saxophonist Eddie Harris released on the Atlantic label, mainly recorded in 1973 but featuring some tracks recorded in 1966 and 1967. The album features two tracks recorded at the sessions for Mean Greens. Also included are four tracks recorded at the sessions for The Electrifying Eddie Harris.
E.H. in the U.K. is an album by American jazz saxophonist Eddie Harris recorded in England with prominent British rock musicians in 1973 and released on the Atlantic label.
Is It In is an album by American jazz saxophonist Eddie Harris recorded in 1973 and released on the Atlantic label. It reached number 100 on the Billboard 200 chart.
I Need Some Money is an album by American jazz saxophonist Eddie Harris recorded in 1974 and released on the Atlantic label.
How Can You Live Like That? is an album by American jazz saxophonist Eddie Harris recorded in 1976 and released on the Atlantic label.
Bad Luck Is All I Have is an album by American jazz saxophonist Eddie Harris recorded in 1974 and 1975 and released on the Atlantic label.
Second Movement is an album by American jazz saxophonist Eddie Harris and pianist/vocalist Les McCann recorded in 1971 and released on the Atlantic label. The album was a follow-up to the duo's highly successful live collaboration Swiss Movement.
For Bird and Bags is an album by American jazz saxophonist Eddie Harris recorded for the Vee-Jay label but released on Exodus when Vee-Jay was struggling financially. The album was also released on the Buddah label as Sculpture in 1969.