Poison in the Zoo | |
---|---|
Directed by | |
Written by | Edgar Kahn |
Produced by | Werner Ludwig |
Starring | |
Cinematography | Ekkehard Kyrath |
Edited by | Anneliese Schönnenbeck |
Music by | Marc Hendriks |
Production company | Camera-Filmproduktion |
Distributed by | National-Film |
Release date |
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Running time | 84 minutes |
Country | West Germany |
Language | German |
Poison in the Zoo (German : Gift im Zoo) is a 1952 West German thriller film directed by Hans Müller and Wolfgang Staudte and starring Irene von Meyendorff, Carl Raddatz and Petra Peters.
During production in 1951, director Wolfgang Staudte was removed and replaced when the West German authorities refused to consider the production eligible for state subsidies unless Staudte declared that he would no longer work for the DEFA studios of the Communist East German state. Staudte, who had made several major productions for DEFA, refused and was replaced by Müller. [1]
The film was shot at the Wandsbek Studios in Hamburg and on location in the city's Tierpark Hagenbeck. The sets were designed by Albrecht Becker and Herbert Kirchhoff.
After a series of mysterious deaths of animals at a zoo the police are called in to investigate.
Wolfgang Staudte, born Georg Friedrich Staudte, was a German film director, script writer and actor. He was born in Saarbrücken.
Rotation is a 1949 East German drama film directed by Wolfgang Staudte and starring Paul Esser, Irene Korb and Werner Peters. It was produced under the auspices of the DEFA film studio in East Germany. It began filming on 29 September 1948 and premiered in theaters on 16 September 1949.
The Marriage of Figaro is a 1949 East German musical film directed by Georg Wildhagen and starring Angelika Hauff, Willi Domgraf-Fassbaender and Sabine Peters. It was based on the opera The Marriage of Figaro by Wolfgang Amadeus Mozart and Lorenzo Da Ponte, which was itself based on the play The Marriage of Figaro by Pierre Beaumarchais. The film was made by DEFA, the state production company of East Germany, in their Babelsberg Studio and the nearby Babelsberg Park. It sold 5,479,427 tickets.
The Kaiser's Lackey is a 1951 East German film directed by Wolfgang Staudte, based on Heinrich Mann's 1918 satirical novel by the same name.
The Axe of Wandsbek is a 1951 East German film, directed by Falk Harnack.
The Three from the Filling Station is a 1955 West German musical film directed by Hans Wolff and starring Adrian Hoven, Walter Müller and Walter Giller. It was shot at the Tempelhof Studios in West Berlin and on location around the city. The film's sets were designed by the art directors Kurt Herlth and Hans Kuhnert.
Carl Raddatz was a German stage and film actor. Raddatz was a leading man of German cinema during the Nazi era appearing in a number of propaganda films and romances. Later in his career he developed a reputation for playing benevolent father figures.
Wibbel the Tailor is a 1939 German historical comedy film directed by Viktor de Kowa and starring Erich Ponto, Fita Benkhoff and Irene von Meyendorff. It is an adaptation of the 1913 play Wibbel the Tailor by Hans Müller-Schlösser. It is set in Düsseldorf during its occupation by French troops during the Napoleonic Wars (1803-1815).
The Cousin from Nowhere is a 1953 West German operetta film directed by Karl Anton and starring Vera Molnar, Gerhard Riedmann and Grethe Weiser. It was shot at the Wiesbaden Studios in Hesse and on location around Markgröningen, Tübingen, Bietigheim and Bad Urach. The film's sets were designed by the art directors Erich Kettelhut and Max Vorwerg. It is based on the 1921 operetta The Cousin from Nowhere composed by Eduard Künneke.
Whom the Gods Love is a 1942 Austrian historical musical film directed by Karl Hartl and starring Hans Holt, Irene von Meyendorff, and Winnie Markus. The film is a biopic of the Austrian composer Wolfgang Amadeus Mozart. It was made as a co-production between the giant German studio UFA and Wien-Film which had been set up following the German annexation of Austria. The film was part of a wider attempt by the Nazis to portray Mozart as an authentic German hero. Like many German biopics of the war years, it portrays the composer as a pioneering visionary.
We Danced Around the World is a 1939 German musical film directed by Karl Anton and starring Charlotte Thiele, Irene von Meyendorff, and Carola Höhn. It is a backstage musical. The film's sets were designed by Paul Markwitz and Fritz Maurischat.
The Orplid Mystery or Epilogue is a 1950 West German thriller film directed by Helmut Käutner and starring Horst Caspar, Bettina Moissi, and O.E. Hasse. The film did not perform well at the box office on its release.
The Muzzle is a 1958 West German comedy film directed by Wolfgang Staudte and starring O.E. Hasse, Hertha Feiler and Hansjörg Felmy. It is a remake of the 1938 film of the same title.
Second Hand Destiny is a 1949 West German drama film directed by Wolfgang Staudte and starring Erich Ponto, Heinz Klevenow and Marianne Hoppe. It is sometimes considered a film noir. At the time the director Staudte was mostly known for his work for the East German studio DEFA.
Petra Peters was a German stage and film actress. In the late 1940s she made her name appearing in films made by the East German DEFA studio.
Regina Amstetten is a 1954 West German drama film directed by Kurt Neumann and starring Luise Ullrich, Carl Raddatz, and Carl Esmond.
Holiday in Tyrol is a 1956 West German drama film directed by Wolfgang Schleif and starring Hans Söhnker, Edith Mill and Michael Ande. It was shot at the Bavaria Studios in Munich and on location in Bavaria, Austria and Switzerland. The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter.
Stronger Than Regulations is a 1936 German mystery film directed by Jürgen von Alten and starring Paul Hartmann, Karl Hellmer and Manja Behrens. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by the art directors Otto Guelstorff and Hans Minzloff.
Nicolas Koline (1878–1973) was a Russian stage and film actor. He established himself in Russia as a stage performer with the Moscow Art Theatre. He emigrated from Russia after the October Revolution of 1917 and came to France with La Chauve-Souris cabaret run by Nikita Balieff. In Paris he then joined Joseph Ermolieff's film company at Montreuil. He appeared in numerous French and German films during his career, initially often as a leading player during the silent era and later in supporting roles.