Wolfgang Staudte, born Georg Friedrich Staudte, was a German film director, script writer and actor. He was born in Saarbrücken.
Marianne Hoppe was a German theatre and film actress.
The Big Game is a 1942 German sports film directed by Robert A. Stemmle and starring René Deltgen, Gustav Knuth and Heinz Engelmann. It featured famous German footballers of the era. National coach Sepp Herberger arranged for many German international footballers to be recalled from fighting in the Second World War, ostensibly to improve the quality of the film, but actually to try to protect them from the horrors of war.
The Ruler is a 1937 German drama film directed by Veit Harlan. It was adapted from the play of the same name by Gerhart Hauptmann. Erwin Leiser calls it a propagandistic demonstration of the Führerprinzip of Nazi Germany. The film's sets were designed by the art director Robert Herlth. Location shooting took place around Oberhausen and Pompeii near Naples. It premiered at the Ufa-Palast am Zoo in Berlin.
The Kaiser's Lackey is a 1951 East German film directed by Wolfgang Staudte, based on Heinrich Mann's 1918 satirical novel by the same name.
Dr. Ahrendt's Decision is an East German black-and-white film, directed by Frank Vogel. It was released in 1960.
Heinz Klevenow was a German actor.
Love '47 is a 1949 German drama film directed by Wolfgang Liebeneiner and starring Dieter Horn, Hilde Krahl and Sylvia Schwarz. It was part of the cycle of rubble films made in post-war Germany. A young man and a woman about to commit suicide by jumping into a river, recount to each other their experiences of the Second World War and the struggles of the immediate post-war situation. Eventually they convince each other that life is worth living after all.
Erich Johannes Bruno Ponto was a German film and stage actor.
I Need You is a 1944 German comedy film directed by Hans Schweikart and starring Marianne Hoppe, Willy Birgel and Paul Dahlke. The film's sets were designed by the art director Hans Sohnle.
Above All Else in the World is a 1941 German drama film directed by Karl Ritter and starring Paul Hartmann, Hannes Stelzer and Fritz Kampers. The title refers to the second line of the German national anthem. It was made as a propaganda film designed to promote Nazi Germany's war aims in the Second World War.
Inquest is a 1931 German crime film directed by Robert Siodmak and starring Albert Bassermann, Gustav Fröhlich and Hans Brausewetter. Along with another film that Siodmak made the same year Storms of Passion, it anticipates the later development of film noir. It was made by German's largest studio Universum Film, with sets designed by art director Erich Kettelhut. Paul Martin, who soon after emerged as a leading director, was assistant director to Siodmak on the film. It was based on a 1927 play of the same title by Max Alsberg and Ernst Hesse. A separate French-language version About an Inquest was also produced.
By a Silken Thread is a 1938 German drama film directed by Robert A. Stemmle and starring Willy Fritsch, Carl Kuhlmann and Käthe von Nagy. The film was intended to be an exposure of "crooked Jewish capitalists" in line with Nazi racial policy of the era. It was shot at the Babelsberg Studios of UFA in Potsdam. The film's sets were designed by the art director Otto Hunte.
The Forger of London is a 1961 West German crime film directed by Harald Reinl and starring Karin Dor, Hellmut Lange and Siegfried Lowitz. It is an adaptation of Edgar Wallace's 1927 novel The Forger, and part of a long-running series of German Wallace films made during the decade.
The Man Who Murdered is a 1931 German crime drama film directed by Curtis Bernhardt and starring Conrad Veidt, Trude von Molo and Heinrich George. It is adapted from the 906 novel L'homme qui assassina by Claude Farrère. The film's sets were designed by the art directors Heinrich Richter and Hermann Warm. It was shot at the Babelsberg Studios in Potsdam. Location filming took place in Istanbul and around the Bosphorus. It premiered at the Gloria-Palast in Berlin. The following year a separate English version, Stamboul, was made.
Not Afraid of Big Animals is a 1953 West German comedy film directed by Ulrich Erfurth and starring Heinz Rühmann, Ingeborg Körner and Gustav Knuth. It is a circus film and a remake of the French film Le Dompteur (1938). It was shot at the Wandsbek Studios of Real Film in Hamburg. The film's sets were designed by the art directors Albrecht Becker and Herbert Kirchhoff.
Ripening Youth is a 1955 West German drama film directed by Ulrich Erfurth and starring Adelheid Seeck, Maximilian Schell, and Albert Lieven. It was shot at the Göttingen Studios in Göttingen. The film's sets were designed by the art director Alfred Bütow.
The Man of My Life is a 1954 West German drama film directed by Erich Engel and starring Marianne Hoppe, René Deltgen and Otto Gebühr. It was shot at the Göttingen Studios and on location in Hamburg. The film's sets were designed by the art director Fritz Maurischat.
The Lost Face is a 1948 German drama film directed by Kurt Hoffmann and starring Marianne Hoppe, Gustav Fröhlich and Richard Häussler. The plot of a woman with two divided personalities caused by a recent trauma drew inspiration from the Gainsborough Melodrama Madonna of the Seven Moons which had been extremely popular on its release in Germany.
Detours to Happiness is a 1939 German drama film directed by Fritz Peter Buch and starring Ewald Balser, Lil Dagover and Viktor Staal. It was shot at the Tempelhof Studios in Berlin and on location in Kitzbühel in the Tyrol in annexed Austria. The film's sets were designed by the art directors Wilhelm Depenau and Ludwig Reiber. It was distributed by UFA, Germany's largest film company of the era.
