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The Big Game is a 1942 German sports film directed by Robert A. Stemmle and starring René Deltgen, Gustav Knuth and Heinz Engelmann. It featured famous German footballers of the era. National coach Sepp Herberger arranged for many German international footballers to be recalled from fighting in the Second World War, ostensibly to improve the quality of the film, but actually to try to protect them from the horrors of war.
The Right of the Unborn is a 1929 German silent drama film directed by Adolf Trotz and starring Maly Delschaft, Elizza La Porta and Hans Adalbert Schlettow. The film is in the Weimar tradition of Enlightenment films. It examines the question of abortion of unborn children. Unlike several other German films of the era, it is generally anti-abortion. It was shot at the Halensee Studios in Berlin. The film's art direction is by Hans Jacoby.
Dear Homeland is a 1929 German silent comedy film directed by Carl Wilhelm and starring Renate Müller, Jakob Tiedtke and Hans Albers. The film's art direction was by Max Heilbronner. A German mechanic considers emigrating to the United States, but changes his mind when he falls in love with a local woman.
Josef the Chaste is a 1930 German comedy film directed by Georg Jacoby and starring Harry Liedtke, Iwa Wanja, and Elga Brink.
Iwa Wanja was a Bulgarian actress based in Germany. She moved to Berlin to pursue her career, appearing in around thirty German films. Married to Norbert Schultze, German composer, best remembered for having written the melody of the World War II classic Lili Marleen.
Women of Luxury is a 1925 German silent comedy film directed by Erich Schönfelder and starring Lee Parry, Hans Albers and Rudolf Lettinger. It was made at the Johannisthal Studios near Berlin. The film's sets were designed by the art directors Jacek Rotmil and Siegfried Wroblewsky.
The Girl on the Road is a 1925 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey and Hans Brausewetter. It was shot at the Johannisthal Studios in Berlin with location shooting in cities across Germany. The film's sets were designed by the art director Kurt Richter.
Flight Around the World is a 1925 German silent adventure film directed by Willi Wolff and starring Ellen Richter, Reinhold Schünzel, and Bruno Kastner. It was released in two parts. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle
Superfluous People is a 1926 German silent film directed by Aleksandr Razumny and starring Eugen Klöpfer, Camilla von Hollay and Heinrich George. It was made by Prometheus-Film which was affiliated to the German Communist Party and the Moscow-based Mezhrabpomfilm.
Love in the Snow is a 1929 German silent film directed by Max Obal and Rudolf Walther-Fein and starring Livio Pavanelli, Maria Paudler and Georg Alexander.
The Game of Love is a 1928 German silent film directed by Victor Janson and starring Harry Liedtke, Hilda Rosch and Kurt Vespermann.
Serenissimus and the Last Virgin is a 1928 German silent film directed by Leo Mittler and starring Hans Junkermann, Adolphe Engers and Adele Sandrock.
Honeymoon is a 1928 German silent film directed by E. W. Emo and starring Margot Landa, Harald Paulsen, and Geza L. Weiss.
The House Without Men is a 1928 German silent comedy film directed by Rolf Randolf and starring Ossi Oswalda, Iwa Wanja and Ida Renard.
A Life for Do is a 1954 West German drama film directed by Gustav Ucicky and starring Hans Söhnker, Paola Loew and Heidi Becker. It was shot at the Tempelhof Studios in West Berlin and on location around Lucerne and Zürich. The film's sets were designed by the art directors Emil Hasler and Walter Kutz.
Fresh Wind from Canada is a 1935 German comedy film directed by Erich Holder and starring Max Gülstorff, Dorit Kreysler and Paul Hörbiger. It was shot at the Babelsberg Studios in Potsdam outside Berlin. The film's sets were designed by the art directors Erich Kettelhut and Max Mellin.
The Dancer of Sanssouci is a 1932 German historical drama film directed by Frederic Zelnik and starring Otto Gebühr, Lil Dagover, and Rosa Valetti. Set at the court of Frederick the Great, the film is part of a group of Prussian films made during the era. It portrays the interaction between Frederick and the celebrated dancer Barberina Campanini. Gebühr had previously appeared as Frederick in a silent film The Dancer Barberina about their relationship.
The Prince's Child is a 1927 German silent drama film directed by Jacob Fleck and Luise Fleck and starring Harry Liedtke, Vivian Gibson and Evi Eva. It is based on Franz Lehár's 1909 operetta of the same name.
What Men Know is a 1933 German drama film directed by Gerhard Lamprecht and starring Hans Brausewetter, Erwin Kalser and Toni van Eyck. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Werner Schlichting. It was remade as the Swedish film What Do Men Know? the same year.
The Flower Girl from the Grand Hotel is a 1934 German drama film directed by Carl Boese and starring Elsa Merlini, Georg Alexander and Hans Brausewetter. The film's sets were designed by the art directors Gustav A. Knauer and Alexander Mügge. A separate Italian-language version The Lucky Diamond was also produced starring Merlini with a different supporting cast.
