Political Essays

Last updated

Political Essays, with Sketches of Public Characters
Hazlitt, Political Essays (1819) title page.jpg
Title page of Political Essays, 1st edition
Author William Hazlitt
CountryEngland
LanguageEnglish
Genre Political journalism, social criticism
Publisher William Hone
Publication date
14 August 1819 [1]
OCLC 3137957
Preceded byLectures on the English Comic Writers 
Followed byLectures Chiefly on the Dramatic Literature of the Age of Elizabeth 

Political Essays, with Sketches of Public Characters is a collection of essays by William Hazlitt, an English political journalist and cultural critic. Published in 1819, two days before the Peterloo Massacre, the work spans the final years of the Napoleonic Wars and the social and economic strife that followed. Included are attacks on monarchy, defences of Napoleon, and critical essays on Samuel Taylor Coleridge, Robert Southey, and Edmund Burke. The collection compiles Hazlitt's political writings, drawn largely from his newspaper articles. [2]

Contents

Background

Hazlitt was electorally disenfranchised for most of his life, except the six-year period before 1819, in which he was eligible to vote in Westminster. Many of Hazlitt's most political writings stem from this period. [3]

William Hone, publisher of the Political Essays, was a radical publisher, better-known for publishing "crude political squibs". [1] Hone contracted Hazlitt on 25 January 1819, and published Political Essays on 14 August 1819. [4] For the critic Stanley Jones, the association with Hone reflects the "relatively downmarket" nature of the text. [1] Whereas for Tom Paulin, the book "draws sustenance" from the Hone connection, which Hazlitt "obviously welcomed". [5]

Political Essays contains nineteen pieces originally published in The Examiner , and is dedicated to The Examiner's publisher, John Hunt. For Paulin, this dedication represents "a public affirmation of [Hazlitt's] friendship with one of London's leading liberal reformers." The proximity of this dedication to Hone's name on the title page, for Paulin, marks the book's location in a "collaborative radical network". [6]

Content

For Paul Hamilton, the aim of Political Essays was to combat the reactionary "superstitions, prejudices, traditions, laws, usages" which are (quoting Hazlitt's preface) "enshrined in the very idioms of language". With such a shapeless opposition, Hazlitt's writing is "of necessity various and miscellaneous". In this, Hamilton identifies two key principles in Hazlitt's cause: the right to self-government, and the natural disinterestedness of the human mind. The appearance of the second principle, throughout such a miscellaneous collection of writings, is an assertion of its fundamental importance. [7]

Hazlitt's essays had appeared in periodicals of the liberal "middling sort", and for Gilmartin their author was "removed from the day-to-day activity of political organization" associated with writer-publishers such as William Cobbett and Thomas Wooler. Nonetheless, the periodical essay had a "dynamic presence in radical print culture", and Hazlitt made use of "vigorous and direct address", "self-dramatization", "irony and disguise", and "rapid and improvised movement through a range of topical and occasional matter". [8] Essays such as "What Is the People?" and Hazlitt's review of Robert Southey's Letter to William Smith display the "forthright manner" and "vernacular radical journalism" associated with William Cobbett. [9]

More broadly, literary critics have identified the "flexible critical method that exploited paradox and contradiction" developed by Hazlitt. [10] The placement of Hazlitt's writing within contemporary genres has also been an area of critical discussion. For E. P. Thompson, Hazlitt was "the most 'Jacobin' of the middle-class radicals", with Political Essays aimed "not towards the popular, but towards the polite culture of his time". Hazlitt's style, "with its sustained and controlled rhythms, and its antithetical movements", place Hazlitt in "the polite culture of the essayist". [11] These antitheses and contradictions have complicated the interpretation of Hazlitt's political writing: disinterestedness, power and consistency emerge as themes. [12] Critics have also noted that Hazlitt's political writing is distinguished by an "antagonistic" manner focused on attacking Hazlitt's enemies, rather than the "associative" writing of other radicals which focused on political movements and the progress of parliamentary reform. [13] Enemies attacked in Political Essays include the Duke of Wellington, Robert Southey, Samuel Taylor Coleridge, Lord Castlereagh, Edmund Burke, William Pitt and Thomas Malthus.

Reception

The immediate reception of Political Essays was, to quote Duncan Wu, "disappointing". Sales were slow, and few contemporary politicians mention the work in their private writings. [14] Later critics such as Herschel Baker in 1962 found the volume "angry and uneven". [15]

Wu describes Political Essays as "one of Hazlitt's best" works, which "attracts less attention than it deserves". [16] For Paulin, Political Essays is "angry, rough, vigorous, wild". [17] For Kevin Gilmartin, the book "gathers some of Hazlitt's most energetic political writing". [18] Jonathan Bate describes Political Essays as:

a fine introduction to the sharpness of Hazlitt's prose and the spice of his convictions—his faith in Napoleon, his hatred for Pitt, his uneasy admiration of Burke, his dismay at the apostasy of Coleridge and Southey [2]

Notes

  1. 1 2 3 Jones 1989, p. 303.
  2. 1 2 Bate 2004.
  3. Jones 1989, 239.
  4. Jones 1989, p. 30.
  5. Paulin 1998, p. 49.
  6. Paulin 1998, p. 48-9.
  7. Hamilton 2011, pp. 33–4.
  8. Gilmartin 2015, pp. 49–51.
  9. Gilmartin 2015, pp. 55.
  10. Gilmartin 2015, pp. 15.
  11. Thompson 1963, pp. 820–2.
  12. Gilmartin 2015, pp. 26–8.
  13. Gilmartin 2015, pp. 60–1.
  14. Wu 2008, pp. 275.
  15. Gilmartin 2015, pp. 10.
  16. Wu 2008, pp. 265–6.
  17. Paulin 1998, p. 51.
  18. Gilmartin 2015, pp. 95.

Related Research Articles

<span class="mw-page-title-main">Samuel Taylor Coleridge</span> English poet, literary critic and philosopher (1772–1834)

Samuel Taylor Coleridge was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism.

<span class="mw-page-title-main">Robert Southey</span> English romantic poet (1774–1843)

Robert Southey was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem "After Blenheim" and the original version of "Goldilocks and the Three Bears".

<span class="mw-page-title-main">William Hazlitt</span> 19th-century English essayist and critic

William Hazlitt was an English essayist, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print.

<span class="mw-page-title-main">Thomas De Quincey</span> English essayist, translator and political economist 1785-1859

Thomas Penson De Quincey was an English writer, essayist, and literary critic, best known for his Confessions of an English Opium-Eater (1821). Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West.

This article contains information about the literary events and publications of 1794.

<span class="mw-page-title-main">Charles Lamb</span> English essayist, poet, and antiquarian (1775–1834)

Charles Lamb was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764–1847).

<span class="mw-page-title-main">William Gifford</span> 18th/19th-century English critic, editor, and poet

William Gifford was an English critic, editor and poet, famous as a satirist and controversialist.

Nationality words link to articles with information on the nation's poetry or literature.

Robert Allen (1772–1805) was a British journalist and surgeon, famous for having introduced Robert Southey and Samuel Taylor Coleridge.

Sonnets on Eminent Characters or Sonnets on Eminent Contemporaries is an 11-part sonnet series created by Samuel Taylor Coleridge and printed in the Morning Chronicle between 1 December 1794 and 31 January 1795. Although Coleridge promised to have at least 16 poems within the series, only one addition poem, "To Lord Stanhope", was published.

<i>Characters of Shakespears Plays</i> Book by William Hazlitt

Characters of Shakespear's Plays is an 1817 book of criticism of Shakespeare's plays, written by early nineteenth century English essayist and literary critic William Hazlitt. Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's genius that was characteristic of later nineteenth-century criticism. It was also the first book to cover all of Shakespeare's plays, intended as a guide for the general reader.

<i>The Feast of the Poets</i>

The Feast of the Poets is a poem by Leigh Hunt that was originally published in 1811 in the Reflector. It was published in an expanded form in 1814, and revised and expanded throughout his life. The work describes Hunt's contemporary poets, and either praises or mocks them by allowing only the best to dine with Apollo. The work also provided commentary on William Wordsworth and Romantic poetry. Critics praised or attacked the work on the basis of their sympathies towards Hunt's political views.

<span class="mw-page-title-main">William Hazlitt (Unitarian minister)</span>

William Hazlitt was a Unitarian minister and author, and the father of the Romantic essayist and social commentator of the same name. He was an important figure in eighteenth-century English and American Unitarianism, and had a major influence on his son's work.

<i>Peter Bell</i> (Wordsworth) Poem by William Wordsworth

Peter Bell: A Tale in Verse is a long narrative poem by William Wordsworth, written in 1798, but not published until 1819.

<span class="mw-page-title-main">John Hazlitt</span> English painter

John Hazlitt was an English artist who specialised in miniature portrait painting. He was the eldest brother of William Hazlitt – a major essayist of the English Romantic period, as well as an artist and radical social commentator – and had a significant influence on his career.

<i>The Spirit of the Age</i> Collection of character sketches

The Spirit of the Age is a collection of character sketches by the early 19th century English essayist, literary critic, and social commentator William Hazlitt, portraying 25 men, mostly British, whom he believed to represent significant trends in the thought, literature, and politics of his time. The subjects include thinkers, social reformers, politicians, poets, essayists, and novelists, many of whom Hazlitt was personally acquainted with or had encountered. Originally appearing in English periodicals, mostly The New Monthly Magazine in 1824, the essays were collected with several others written for the purpose and published in book form in 1825.

<i>Table-Talk</i> 19th-century essay collection by William Hazlitt

Table-Talk is a collection of essays by the English cultural critic and social commentator William Hazlitt. It was originally published as two volumes, the first of which appeared in April 1821. The essays deal with topics such as art, literature and philosophy. Duncan Wu has described the essays as the "pinnacle of [Hazlitt's] achievement", and argues that Table-Talk and The Plain Speaker (1826) represent Hazlitt's masterpiece.

The Round Table is a collection of essays by William Hazlitt and Leigh Hunt published in 1817. Hazlitt contributed 40 essays, while Hunt submitted 12.

<span class="mw-page-title-main">Romantic literature in English</span> Era in English-language literature

Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, it arrived around 1820.

Sarah Stoddart Hazlitt (1774–1843) was an English journalist and walker, and wife of the essayist William Hazlitt.

References