Popeye (Faulkner character)

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Popeye is a character in William Faulkner's 1931 novel Sanctuary . He is a Memphis, Tennessee-based criminal who rapes Temple Drake and introduces her into a criminal world which corrupts her.

Contents

Popeye is unable to sexually perform. [1] Owing to this aspect of his body, in the original novel, Popeye instead uses a corncob to violate her. Doreen Fowler, author of "Reading for the "Other Side": Beloved and Requiem for a Nun," wrote that Popeye wished to "despoil and possess the secret dark inner reaches of woman." [2]

Adaptations

In the 1933 film The Story of Temple Drake he is replaced by Trigger, played by Jack La Rue. Trigger is able to sexually perform. [1]

In the 1961 film Sanctuary the equivalent character is named Candy Man, played by Yves Montand. He is an amalgamation of the original Popeye; Red, another gangster; and Pete, Red's brother. Pauline Degenfelder, who analyzed several Faulkner stories and wrote academic articles about them, described him as Cajun, [3] while a publicity poster called him "Creole". [4] Gene D. Phillips of Loyola University of Chicago wrote that Candy's "French accent gives him an exotic quality" attracting Temple to him; the film has the character originate in New Orleans to match the change. [5] Candy Man is able to sexually perform, and Phillips stated that when Temple is raped, Candy Man "demonstrates his virility unequivocally". [6] According Degenfelder, the new character name is a reference to his sexual allure and his job illegally transporting alcohol, as "candy" also referred to alcohol. [7] Phillips stated that the merging of Pete into Candy Man means the film is made "more tightly into a continuous narrative" from the plots of the two original works, and also that the film does not have to make efforts to establish a new character towards the film's end. [8]

Analysis

T. H. Adamowski wrote in Canadian Review of American Studies that usual characterizations of Popeye reflect an ""electric-light-stamped-tin" syndrome". [9] Philip G. Cohen, David Krase, and Karl F. Zender, authors of a section on William Faulkner in Sixteen Modern American Authors, wrote that Adamowski's analysis of Popeye was "philosophically and psychologically sophisticated". [10]

Legacy

Gene D. Phillips of Loyola University of Chicago wrote that Slim Grisson of No Orchids for Miss Blandish was "modeled after Popeye." [11]

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References

Notes

  1. 1 2 Phillips, Gene D. (Summer 1973). "Faulkner And The Film: The Two Versions Of "Sanctuary"". Literature/Film Quarterly . Salisbury University. 1 (2): 263–273. JSTOR   43795435. - Cited: p. 269.
  2. Fowler, Doreen. "Reading for the "Other Side": Beloved and Requiem for a Nun." In: Kolmerton, Carol A., Stephen M. Ross, and Judith Bryant Wittenberg (editors). Unflinching Gaze: Faulkner and Morrison Re-Imagined. University Press of Mississippi, 1997. ISBN   1617035297, 9781617035296. Start: p. 139. CITED: p. 142.
  3. Degenfelder, E. Pauline (Winter 1976). "The Four Faces of Temple Drake: Faulkner's Sanctuary, Requiem for a Nun, and the Two Film Adaptations". American Quarterly . 28 (5): 544–560. doi:10.2307/2712288. JSTOR   2712288. - Cited: p. 554.
  4. https://immortalephemera.com/wp-content/uploads/2018/04/requiem-for-a-nun-ad-box-office-feb-27-1961-554x767.jpg.{{cite web}}: Missing or empty |title= (help) (from here)
  5. Phillips, Gene D. (Summer 1973). "Faulkner And The Film: The Two Versions Of "Sanctuary"". Literature/Film Quarterly . Salisbury University. 1 (2): 263–273. JSTOR   43795435. - Cited: p. 271.
  6. Phillips, Gene D. Fiction, Film, and Faulkner: The Art of Adaptation. University of Tennessee Press, 2001. ISBN   1572331666, 9781572331662. p. 81.
  7. Phillips, Gene D. Fiction, Film, and Faulkner: The Art of Adaptation. University of Tennessee Press, 2001. ISBN   1572331666, 9781572331662. p. 80.
  8. Phillips, Gene D. Fiction, Film, and Faulkner: The Art of Adaptation. University of Tennessee Press, 2001. ISBN   1572331666, 9781572331662. p. 82-83.
  9. Adamowski, page unknown.
  10. Cohen, Philip G., David Krause, and Karl F. Zender. "William Faulkner." In: Sixteen Modern American Authors Volume 2. Duke University Press, 1990. Start: p. 210. CITED: p. 276-275.
  11. Phillips, Gene D. (Summer 1973). "Faulkner And The Film: The Two Versions Of "Sanctuary"". Literature/Film Quarterly . Salisbury University. 1 (2): 263–273. JSTOR   43795435. - Cited: p. 273.

Further reading