Portrait of Alessandro Manzoni is an 1841 oil-on-canvas portrait of Alessandro Manzoni by the Italian painter Francesco Hayez, now in the Pinacoteca di Brera. [1] [2] It was commissioned in 1840 by Manzoni's second wife countess Teresa Borri Stampa and his son Stefano. After fifteen sittings the painter completed the work on 26 June 1841. [3] Eight years later Teresa commissioned a portrait of herself by the same artist.
Alessandro Francesco Tommaso Antonio Manzoni was an Italian poet, novelist and philosopher. He is famous for the novel The Betrothed (1827), generally ranked among the masterpieces of world literature. The novel is also a symbol of the Italian Risorgimento, both for its patriotic message and because it was a fundamental milestone in the development of the modern, unified Italian language. Manzoni also contributed to the stabilization of the modern Italian language and helped to ensure linguistic unity throughout Italy. He was an influential proponent of Liberal Catholicism in Italy. His work and thinking has often been contrasted with that of his younger contemporary Giacomo Leopardi by critics.
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Elena Clara Antonia Carrara Spinelli was an Italian woman of letters and backer of the Risorgimento, usually known by her married name of countess Clara Maffei or Chiarina Maffei.
The Museum of the Risorgimento, located in the 18th-century Milanese Palazzo Moriggia, houses a collection of objects and artworks which illustrate the history of Italian unification from Napoleon's first Italian campaign of 1796 to the annexation of Rome in 1870. The city of Milan played a key role in the process, most notably on the occasion of the 1848 uprising against the Austrians known as the Five Days of Milan.
Giuseppe Molteni was an Italian painter.
The art collections of Fondazione Cariplo are a gallery of artworks with a significant historical and artistic value owned by Fondazione Cariplo in Italy. It consists of 767 paintings, 116 sculptures, 51 objects and furnishings dating from the first century AD to the second half of the twentieth.
The Galleria d'Arte Moderna is a modern art museum in Milan, in Lombardy in northern Italy. It is housed in the Villa Reale, at Via Palestro 16, opposite the Giardini Pubblici Indro Montanelli. The collection consists largely of Italian and European works from the eighteenth to the twentieth centuries.
Francesco Barzaghi (1839–1892) was an Italian sculptor.
Luigi Boscolo was an Italian engraver, active in Venice.
Teodoro Matteini was an Italian painter, mainly of historical and religious subjects in a Neoclassical style.
Archibald Colquhoun (1912–1964) was a leading translator of modern Italian literature into English. He studied at Ampleforth College, Oxford University, and the Royal College of Art. Originally a painter, he worked as director of the British Institute in Naples before the Second World War, and in Seville after the war. He worked in British intelligence during wartime. He later headed Oxford University Press' initiative to bring out Italian literary classics in translation. He scored his biggest success with Lampedusa's The Leopard, a translation that is still in print. He was also one of the first translators to introduce Italo Calvino to Anglophone readers. He was the first winner of the PEN Translation Prize, which he won for his translation of Federico de Roberto's The Viceroys. He also wrote a biography of Alessandro Manzoni.
Monna Vanna is an 1866 oil on canvas painting by Dante Gabriel Rossetti. It was acquired by the collector William Henry Blackmore and later entered the collection of George Rae, one of Rossetti's patrons. It later passed from Rae to the joint ownership of Arthur Du Cros and Otto Beit and it was purchased from them by the Tate Gallery in 1916 via the NACF – it is now in the collection of Tate Britain in London.
The Victorious Athlete or The Triumphant Athlete is an oil-on-canvas painting by the Italian artist Francesco Hayez, from 1813. It is held in the Accademia di San Luca, in Rome.
Lampugnani's Conspiracy is an 1826 oil-on-canvas painting by the Italian artist Francesco Hayez, now in the pinacoteca di Brera in Milan, which acquired it in 1907. It shows the conspiracy led by Giovanni Andrea Lampugnani, Girolamo Olgiati, Carlo Visconti and Cola Montano to overthrow the tyranny of Galeazzo Maria Sforza, killed on 26 December 1476 in Santo Stefano church in Milan.
Pietro Rossi is an oil-on-canvas painting created in 1818–1820 by the Italian artist Francesco Hayez, now in the San Fiorano collection in Milan. A copy is in the Pinacoteca di Brera, also in Milan. Both show Pietro Rossi, accepting an invitation from Francesco Dandolo via a messenger to take command of the Venetian resistance to the expansionist Scaligeri. The work links a heroic past event to contemporary events and a Romantic sensitivity, as in historical novels of the same period such as Alessandro Manzoni's 1840 The Betrothed.
Portrait of Countess Antonietta Negroni Prati Morosini as a Child is an 1858 oil-on-canvas portrait by the Italian artist Francesco Hayez, commissioned by the subject's father Alessandro Negroni Prati Morosini. It is now in the Galleria d'Arte Moderna, in Milan, to which it was given in 1935 by Anna Cristina del Mayno Casati.
Portrait of Teresa Manzoni Stampa Borri is an 1849 oil-on-canvas painting by the Italian artist Francesco Hayez, now in the Pinacoteca di Brera in Milan, to which it was given in 1900 by Stefano Stampa, the subject's son by her first marriage. She had also commissioned Portrait of Alessandro Manzoni from Hayez, showing her second husband, also in the Brera.
Cousin Argia is an 1861 oil on card painting by Giovanni Fattori, now in the Gallery of Modern Art in Florence. A label on the reverse is inscribed "Gio. Fattori alla sua cugina Argia. Anno 1861", but this may not be in the artist's own hand and no Argia is known in his family.
Theseus and the Minotaur is a 1781-1782 white marble sculpture by Antonio Canova, now in the Victoria and Albert Museum in London, which bought it in 1962.
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