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Odysseus at the Court of Alcinous is an oil-on-canvas painting by the Italian artist Francesco Hayez, [1] painted between 1814 and 1816 and now in the National Museum of Capodimonte in Naples. It was commissioned for Gioacchino Murat by Naples' interior minister Giuseppe Zurlo, using dimensions, price and subject specified by Hayez's patron and protector Leopoldo Cicognara, president of the Accademia di Venezia. [2]
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
The Astronomical Observatory of Capodimonte is the Neapolitan department of Istituto Nazionale di Astrofisica, the most important Italian institution promoting, developing and conducting scientific research in the fields of astronomy, astrophysics, and space science.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Maria Amalia was Queen of Spain from 10 August 1759 until her death in 1760 as the wife of King Charles III. Previously, she had been Queen of Naples and Sicily since marrying Charles on 19 June 1738. She was born a princess of Poland and Saxony, daughter of King Augustus III of Poland and Princess Maria Josepha of Austria. Maria Amalia and Charles had thirteen children, of whom seven survived into adulthood. A popular consort, Maria Amalia oversaw the construction of the Caserta Palace outside Naples as well as various other projects, and she is known for her influence upon the affairs of state.
Francesco de Mura was an Italian painter of the late-Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism.
The Royal Palace of Capodimonte is a large palazzo in Naples, Italy. It was formerly the summer residence and hunting lodge of the Bourbon kings of the Two Sicilies, one of the two royal palaces in Naples. Today, it comprises the National Museum of Capodimonte and the Royal Forest. The palace was constructed on its somewhat cooler hilltop location just outside the city, with urban Naples ultimately expanding around it.
Portrait of Francesco Gonzaga is a painting by Italian Renaissance artist Andrea Mantegna. It is now at the National Museum of Capodimonte, Naples, Italy.
Giovanni De Min was an Italian painter and engraver, active in a Neoclassic style.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Charles of Bourbon Visiting St Peter's Basilica is an oil-on-canvas painting by Italian artist Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Charles of Bourbon Hunting Coots on Lake Licola is an oil painting on canvas by the French artist Claude Joseph Vernet, commissioned by Charles III of Spain during Vernet's second stay in Naples in 1746. A slightly larger copy now in the Palace of Versailles was commissioned by the Marquis de L'Hôpital, French ambassador to Naples. The prime version was moved from the palace at Caserta in 1938 to the Capodimonte Palace in Naples and now hangs in the National Museum of Capodimonte.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte, in Naples.
Francesco Liani was an Italian painter, mainly known for his portraits of the Neapolitan royal family.
Self-Portrait Aged 71 is an 1862 oil-on-canvas painting by the Italian artist Francesco Hayez. The Uffizi had been requesting a self-portrait from him since 1858 via Andrea Appiani's daughter-in-law Giuseppina Appiani Strigelli and it finally arrived in 1863. It is still in the Uffizi's Vasari Corridor.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Cardinal Alessandro Farnese is a c. 1545 – 46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
The Return of the Prodigal Son is a 1656 oil on canvas painting by Mattia Preti, now in the Museo nazionale di Capodimonte in Naples.
Saint Joseph's Dream is an oil-on-canvas painting executed ca. 1615–1650 by the Italian Baroque artist Guercino, now in the Royal Palace of Naples.
A preparatory study for the monumental canvas representing Ulysses at the Court of Alcinous destined for the Royal Palace of Capodimonte in Naples.
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