Marino Marini was an Italian sculptor and educator.
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
BernardoZenale was an Italian painter and architect.
Antonio d'Enrico, called Tanzio da Varallo, or simply il Tanzio was an Italian painter of the late-Mannerist or early Baroque period.
Francesco Morone was an Italian painter, active in his native city of Verona in a Renaissance style. He was the son of the Veronese painter Domenico Morone. The art biographer Vasari praised his frescoes (1505-7) for the cupola of the sacristy in Santa Maria in Organo, Verona. He also painted the organ shutters in that church. Paolo Cavazzola was said to have been a pupil, but may have more aptly worked with one of his family members.
Cherubino Cornienti was an Italian painter, active in a Romantic style mainly in Northern Italy.
Giuseppe Amisani was an Italian portrait painter of the Belle Époque.
Self-Portrait in a Group of Friends is an 1824 or 1827 oil-on-canvas painting by the Italian artist Francesco Hayez, now in the Museo Poldi Pezzoli in Milan. The other people in the painting have been identified as : the painters Giovanni Migliara, Pelagio Palagi, and Giuseppe Molteni, and the scholar Tommaso Grossi.
Theseus Killing the Minotaur is an oil-on-panel painting by Cima da Conegliano, created c. 1505, now in the Museo Poldi Pezzoli in Milan. It depicts a scene of Greek mythology, when Theseus killed the Minotaur in Crete's labyrinth.
Allegory of Happiness is an oil on copper painting by Bronzino, probably first produced for the Studiolo of Francesco I, signed BROZ. FAC. and now in the Uffizi in Florence. It is now in a fluted and gilded 17th century wooden frame. Most art historians date it to around 1567, and it is first mentioned in the Uffizi inventory in 1635/8.
The Chess Game is a painting of c. 1530 by Giulio Campi, a Renaissance painter from Cremona. Since 1970, it has been in the Museo Civico d'Arte Antica in Turin.
The Child Bitten by A Lobster is a drawing by the Italian painter Sofonisba Anguissola, executed in chalk and pencil on light blue paper, and dated to around 1554. It is in the collection of the Museo di Capodimonte, in Naples.
The Revenge Triptych is a set of three mid-19th-century oil-on-canvas paintings by Francesco Hayez. They centre on a woman named Maria and her revenge upon a lover who has betrayed her.
Portrait of Countess Antonietta Negroni Prati Morosini as a Child is an 1858 oil-on-canvas portrait by the Italian artist Francesco Hayez, commissioned by the subject's father Alessandro Negroni Prati Morosini. It is now in the Galleria d'Arte Moderna, in Milan, to which it was given in 1935 by Anna Cristina del Mayno Casati.
Woman Searching for Fleas, The Flea or Woman Getting out of Bed is a 1710-1730 oil on copper painting by Giuseppe Maria Crespi, a painter from Bologna. The main version is now in the collection of the Uffizi in Florence, whilst variants survive, including one at the Museo nazionale di palazzo Reale in Pisa, also originating in the Guardaroba of the Grand Dukes of Tuscany.
Judith is an oil on panel painting, attributed to Palma Vecchio, and created in 1525-1528. It is held in the Uffizi, in Florence. The attribution to Palma Vecchio was questioned in the past but is now usually accepted. Art historians Giovanni Battista Cavalcaselle and Joseph Archer Crowe have attributed it to Palma Vecchio, also identifying damage from heavy-handed cleaning, especially on the head of Holofernes. This attribution has been confirmed by György Gombosi and Giovanni Mariacher, who identified it as a mature work of that artist.
Holy Family with the Infant Saint John the Baptist and Saint Mary Magdalene is a 1508–1512 oil-on-panel painting by the Venetian painter Palma Vecchio. It was in archduke Leopold William of Austria's collection in Brussels from 1653 to 1662 before being moved to the Imperial Galleries in Vienna, before finally being exchanged for another work with the Uffizi in Florence in 1793, where it is now inventory number 950.
The Raising of Lazarus is a 1461 three-panel oil on oak panel altarpiece by the French painter Nicolas Froment, now inventory number 1065 in the Uffizi Gallery in Florence, which restored it in 2017.
Eugenio Riccomini was an Italian art historian. He died on 25 December 2023, at age of 87.
Francesco Hayez, Self-Portrait in a Group of Friends , circa 1824, Museo Poldi Pezzoli (Milan)
Francesco Hayez, Self-Portrait with a Lion and a Tiger in a Cage, circa 1830, Museo Poldi Pezzoli, (Milan)
Francesco Hayez, Self-Portrait Aged 57, Pinacoteca di Brera (Milan)
Francesco Hayez, Self-Portrait Aged 88, Galleria internazionale d'arte moderna (Venice)
