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Post-surrealism is a movement that arose in Southern California in 1934 when Helen Lundeberg and Lorser Feitelson wrote a manifesto explaining their desire to use art to convey the relationship between the perceptual and the conceptual. [1] [2]
Sometimes this term is used to refer to art movement related to or influenced by surrealism, which occurred after a so-called period of "historical surrealism". According to an article on the website acearchive.org, some surrealists have claimed that the term is unnecessary, because surrealism continues to the present day. [3] Modern-day surrealist activity is sometimes called "post surrealism" by advocates of the idea that surrealism is "dead".
Both Lundeberg and Feitelson participated in a showing of art for the Los Angeles Art Association on Wilshire Boulevard in 1954. Along with Stephen Longstreet and Elise Cavanna, the artists whose paintings were presented were known collectively as Functionists West. Feitelson and Cavanna showed only non-objective works. Both artists employed flat-colored and near geometrical shapes.
Post-Surrealism was an American spin on the European-born art movement of the 20th Century. Beginning in the 1930s, artists searched for a style that would differentiate themselves from the dreamlike surrealism of Europe and more sub-conscious, earlier movements of Romanticism and Modernism. This new form of "Americana Dream" art began in Los Angeles, California. The cities' fanciful, other-worldly architecture and extravagant city-scape provided ample inspiration for burgeoning artists. Other cities such as San Francisco, New York, and Dallas became hotbeds for these creators.
While exhibiting in California in 1934, Lorser Feitelson and Helen Lundberg displayed their work under the name post-surrealism. For the first time, artists were able to separate themselves through their own name, and even formed a Surrealism group which boasted such great artists as Philip Guston, Reuben Kadish, Knud Merrild, and Grace Clements.
As a social movement as well as art, the works being created at this time reflected the prevalent issues throughout the country. Undoubtedly, the war was a major factor in the surrealism movement. Although the works which focused on these events were surrealist, they are now classified as Social-surrealism. Dalí influenced many social surrealists, including O. Louis Guglielmi, James Guy, Walter Quirt and David Smith, whose techniques can be seen in all of the aforementioned artists' works.
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
The Laguna Art Museum (LAM) is a museum located in Laguna Beach, California, on Pacific Coast Highway. LAM exclusively features California art and is the oldest cultural institution in the area. It has been known as the Laguna Beach Art Association, as well as the Laguna Beach Museum of Art.
Dorr Hodgson Bothwell was an American artist, designer, educator, and world-traveler. A varied artist, Bothwell was considered a part of the Bay Area Surrealist artist scene and has paintings, drawings, collages, and prints in notable museums throughout the world. She was particularly known for her innovative use of serigraphy as a fine art form. Born in San Francisco, California, and later raised in San Diego, California, Bothwell knew from the age of 4 that she wanted to be an artist. As a teenager, she studied dance at the Ratliff School for Dancing. Her art career began at the California School of Fine Arts in 1921 under the tutelage of Gottardo Piazzoni and Rudolph Schaeffer. Bothwell was married to sculptor Donal Hord in 1932 but divorced shortly after likely due to her independence in traveling and difference of opinion on "domestic duties".
Elise Alyse Cavanna was an American film actress, stage comedian, dancer, and fine artist. She went by the following names: Elise Seeds, Alyse Seeds, Elise Armitage, Elise Cavanna, and Elise Welton.
Helen Lundeberg (1908–1999) was an American painter. Along with her husband Lorser Feitelson, she is credited with establishing the Post-Surrealist movement. Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard-edge painting and Subjective Classicism.
César Moro is the pseudonym of Alfredo Quíspez-Asín Mas, a Peruvian poet and painter. Most of his poetic works are written in French; he was the only Latin American poet included in the 1920s and '30s surrealist journals of André Breton and the first Latin American artist to join the surrealist group on his own initiative, as opposed to being recruited by Breton.
Lorser Feitelson (1898–1978) was an artist known as one of the founding fathers of Southern California–based hard-edge painting. Born in Savannah, Georgia, Feitelson was raised in New York City, where his family relocated shortly after his birth. His rise to prominence occurred after he moved to California in 1927.
Harry Carmean was an American painter known for his figurative paintings based on the work of the old masters. The ideas of the Renaissance, Baroque, Mannerist and Impressionist art can all be seen in his work to varying degrees. He was renown for practicing a form of drawing known as "draughstmanship" in which specific art ideas are consistently applied throughout a drawing. He was an instructor at Art Center College of Design from 1952 through 1996 and had taught thousands of students.
Joan Wheeler Ankrum was an American film actress and founder of the Ankrum Gallery on La Cienega Boulevard in Los Angeles.
Meg Linton is an American curator of contemporary art and a writer. Her curatorial efforts have ranged from historical investigations such as "Doin’ It in Public: Feminism and Art at the Woman’s Building", "The Los Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, John McLaughlin", and "In the Land of Retinal Delights: The Juxtapoz Factor" to showcasing the work of single artists who are stylistically different such as "Alison Saar: STILL.. .", "Robert Williams: Through Prehensile Eye," and "Joan Tanner: On Tenderhook" to group exhibitions such as "Mexicali Biennial 2010," "Do It Now: Live Green!" and "Tapping the Third Realm."
Miriam Slater is an American artist who paints both objects and paintings. She studied painting at California State University, Fullerton. After graduating in 1975 she began exhibiting in Los Angeles in shows such as “Imagination” curated by Llyn Foulkes at LAICA. She developed a celebrity clientele including Jack Nicholson, Brooke Astor, Quincy Jones and Jeff Bridges. From 1980 to 1990 she studied figure drawing with Harry Carmean at Art Center College of Design in Pasadena and exhibited at the Tobey Moss Gallery in Los Angeles with Lorser Feitelson and Helen Lundeberg.
Suzanne Muchnic is an art writer who was a staff art reporter and art critic at the Los Angeles Times for 31 years. She has also written books on artists, collectors, and museums.
Grace Richardson Clements (1905–1969) was an American painter, mosaicist, and art critic. She was active as an artist in the 1920s, 1930s and early 1940s.
Elizabeth McCord was an American modernist painter whose colorful biomorphic and architectural abstractions influenced the hard-edge movement of the 1950s and were uniquely poised at the intersection of Southern California’s thriving mid-century art, design, and architecture scenes. Her work frequently appeared in shows at the Los Angeles County Museum of Art, the Long Beach Museum of Art, the Los Angeles Art Association, and the Art Center College of Design alongside works by Lorser Feitelson, Helen Lundeberg, Josef Albers, June Wayne, and Knud Merrild, among others.
Louis Stern Fine Arts is an art gallery located at 9002 Melrose Avenue in West Hollywood, California, in the heart of the city’s Avenue of Art and Design.
June Harwood was an American painter based in California who made a name for herself in the 1960s as an inventive artist of the hard-edge movement.
Louis Stern is a Los Angeles art dealer and President of Louis Stern Fine Arts in West Hollywood, California. Stern deals in the secondary market for Impressionist and Modern works. His gallery’s program specializes primarily in west coast hard-edge geometric abstraction.
Gerrie J. Gutmann, also known as Gerrie Current, Gerrie von Pribosic, Gerrie Bollas (1921–1969) was an American post-surrealist painter from California. The imagery in her paintings was fantasy and often overlapped with autobiographical themes, expressing her struggles for an identity as a woman, an artist, and a mother.
Stickney Memorial Art School, also known as Stickney Art Institute and Stickney Memorial School of Fine Arts, was an art school in operation between c.1912 until 1934 in Pasadena, California. The school was an early precursor to the Norton Simon Museum, founded in 1969.
Harold Lehman (1913–2006) was an American artist known for his murals for the Works Progress Administration (WPA).
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