Prabir and The Substitutes | |
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Background information | |
Origin | Richmond, Virginia, U.S. |
Genres | Rock |
Years active | 2005 – 2009 |
Associated acts | The Head and the Heart |
Website | PrabirAndTheSubstitutes.com |
Members | Prabir Mehta Chris Smith Charlie Glenn Robbie King Tyler Willams |
Prabir and The Substitutes was an American pop-rock band from Richmond, Virginia. The band released multiple recordings while touring alongside Dr. Dog, The Silver Beats, The Parties, and The Old Ceremony. Although an independent band, the Substitutes received accolades from such national publications as the AllMusic Guide, Paste, and The A.V. Club . [1] [2] Additionally, the band won the Wammie Award for 2008 New Artist of the Year. [3]
Prabir and The Substitutes formed at the end of 2005, following the demise of Prabir Mehta's former group, The Rachel Nevadas. At the time of its inception, the band consisted of Mehta, guitarist Chris Smith, bassist Adam Thompson, and drummer Adam Palamore. Shawn Lynch soon replaced Palamore on drums, while Charlie Glenn joined in early 2007 as the group's organist. Later that year, bassist Robbie King and drummer Tyler Williams stepped in to solidify the Substitutes' current lineup.
The band toured alongside The Silver Beats in support of their album, 5 Little Pieces. [4]
The band announced it would play its last show at Gallery 5 in Richmond, VA on December 12, 2009. [5]
After Prabir and the Substitutes broke up, Mehta formed the band Goldrush with Richmond Symphony Orchestra members Matt and Treesa Gold, and drummer Gregg Brooks (formerly of River City High). [6] In 2012, Goldrush collaborated with Motion City Soundtrack to release a single on MAD Dragon Records. [7] Williams joined The Head and the Heart. Glenn co-founded Palm Palm with J. Roddy Walston (formerly of J. Roddy Walston and the Business). [8]
A blast beat is a drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal, and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by PopMatters contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
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