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Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
John Smith Hurt, better known as Mississippi John Hurt, was an American country blues singer and guitarist.
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Gustavus "Gus" Cannon was an American blues musician who helped to popularize jug bands in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874.
The Stanley Brothers were an American bluegrass duo of singer-songwriters and musicians, made up of brothers Carter Stanley and Ralph Stanley. Ralph and Carter performed as The Stanley Brothers with their band, The Clinch Mountain Boys, from 1946 to 1966. Ralph kept the band name when he continued as a solo artist after Carter's death, from 1967 until his own death in 2016.
Booker T. Washington "Bukka" White was an American Delta blues guitarist and singer.
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
Jack N. Johnson, known as Big Jack Johnson was an American electric blues musician, one of the "present-day exponents of an edgier, electrified version of the raw, uncut Delta blues sound." He was one of a small number of blues musicians who played the mandolin. He won a W. C. Handy Award in 2003 for best acoustic blues album.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.
A string band is an old-time music or jazz ensemble made up mainly or solely of string instruments. String bands were popular in the 1920s and 1930s, and are among the forerunners of modern country music and bluegrass. While being active countrywide, in Philadelphia and its surrounding suburbs they are a huge part of its musical culture and traditions, appearing, among others, in the yearly Mummers Parade.
Ishmon Bracey, sometimes credited as Ishman Bracey, was an American Delta blues singer-guitarist. Alongside his contemporary Tommy Johnson, Bracey was a highly influential bluesman in Jackson, Mississippi, and was one of the area's earliest figures to record blues material. Bracey's recordings include "Trouble Hearted Blues" and "Left Alone Blues", both of which appear on several compilation albums.
The Mississippi Sheiks were a popular and influential American guitar and fiddle group of the 1930s. They were notable mostly for playing country blues but were adept at many styles of popular music of the time. They recorded around 70 tracks, primarily in the first half of the 1930s. In 2004, they were inducted into the Mississippi Musicians Hall of Fame.
ArmenterChatmon, known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also managed that group, which included his brothers Lonnie Chatmon on fiddle and, occasionally, Sam Chatmon on bass, and their friend Walter Vinson on guitar and lead vocals.
Frank Stokes was an American blues musician, songster, and blackface minstrel, who is considered by many musicologists to be the father of the Memphis blues guitar style.
Jim Jackson was an American blues and hokum singer, songster, and guitarist, whose recordings in the late 1920s were popular and influential on later musicians.
Willard "Ramblin'" Thomas was an American country blues singer, guitarist and songwriter. He is best remembered for his slide guitar playing and for several recordings he made in the late 1920s and early 1930s. Blues scholars seem undecided if his nickname referred to his style of playing or to his itinerant nature. He was the brother of the blues musician Jesse Thomas.
Walter Vinson was an American Memphis blues guitarist, singer and songwriter. He was a member of the Mississippi Sheiks, worked with Bo Chatmon and his brothers, and co-wrote the blues standard "Sitting on Top of the World". He is erroneously known as Walter Vincson or Walter Vincent. He sometimes recorded as Walter Jacobs, using his mother's maiden name.
"Blues fiddle" is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin".
Ida May Mack or Ida Mae Mack was an American classic female blues, country blues, and Texas blues singer and songwriter. She recorded eight songs in 1928, four of which she recorded twice. Six of these tracks were released at the time.
References
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- 1 2 3 4 Sullivan, Steve (October 2015). Encyclopedia of Great Popular Song Recordings, Volume 1. Vol. 1. Scarecrow Press. p. 446. ISBN 978-0810882959.
- 1 2 Eagle, Bob; LeBlanc, Eric S. (2013). Blues – A Regional Experience. Santa Barbara: Praeger Publishers. p. 110. ISBN 978-0313344237.
- ↑ Oliver, Paul (February 22, 2001). Yonder Come the Blues: The Evolution of a Genre . Cambridge University Press. p. 168. ISBN 978-0521787772.
Prater .
- 1 2 3 4 5 6 Rust, Brian; Shaw, Malcolm. Jazz and Ragtime Records (1897–1942): A-K. Mainspring Press. p. 755. ISBN 978-0967181929.