Priscilla Kepner Sage | |
---|---|
Born | 1936 (age 86–87) Allentown, Pennsylvania |
Nationality | American |
Education | MFA Drake University, Columbia University, BS Pennsylvania State University, |
Known for | Three dimensional and Bas Relief Contemporary Fiber Sculpture |
Movement | American Fiber Arts Movement; Women's Art Movement |
Spouse | Charles Russell Sage |
Website | www.priscillakepnersage.com |
Priscilla Kepner Sage (born 1936) is an American textile and fiber artist. She is an associate professor emeritus of art at Iowa State University. [1] Sage's work can be found in the permanent collections of the National Quilt Museum, [2] Brunnier Art Museum, [3] Museum of Quilts and Textiles and the Yamanashi Prefecture International Center in Kofu, Japan. Sage's suspended sculpture, two dimensional, and bas relief work, can be found in permanent corporate, residential, and healthcare collections throughout the United States and abroad. [4]
Sage was born in Allentown, Pennsylvania, the daughter of Mary Schwenk Kepner and Edward Arlington Kepner. She was the middle child of three. In Allentown, she attended the Kline-Baum Art School, graduating in 1951. Her family moved to Quakertown, Pennsylvania, where she graduated from Quakertown High School in 1954. Sage graduated from Pennsylvania State University with a bachelor's of science in art in 1958. She attended Columbia University from 1959 until 1960 for graduate studies in the Teachers College. [1]
Sage's family moved to Glen Ridge, New Jersey in 1956. From 1959 to 1962, she taught art in the West Orange, New Jersey school district. In 1962, she left New Jersey to move to Ames, Iowa. Sage attended the Iowa State University for graduate studies while working as an art teacher in Ames. She and her husband moved to Santa Barbara, California for from 1967 until 1969, returning to Ames. [4] Sage completed her master's degree in sculpture from Drake University in 1981. [1]
Sage is a fourth-generation textile artist. [5] [6] She has traveled to Japan, Guatemala, Ghana, and India for further textile study. [4] Her first solo exhibit was in 1965 at Grinnell College, Iowa.[ citation needed ] She was one of 48 American artists selected to exhibit in "The Definitive Contemporary Quilt", a collection of 72 works that toured the country in the 1990s. [7]
In September 2008, The Brunnier Art Museum exhibited a retrospective of Sage's work from 1958 to 2008. The exhibit was titled "Priscilla Sage 1958-2008 Fifty Years of Sculpture". [4] Her 2020 work "Floating Worlds" is part of "Contemplating Japan" at the Brunnier Art Museum. [8]
Sage was an arts educator at Drake University for 18 years. She subsequently taught at Iowa State University from 1984 to 2000. She retired as an associate professor from Iowa State University in 2000. [9]
Priscilla Sage married Charles Russell Sage in 1960. They have two children. Sage is involved in women's rights and women art activism. [4]
Iowa State University of Science and Technology is a public land-grant research university in Ames, Iowa. Founded in 1858 as the Iowa Agricultural College and Model Farm, Iowa State became one of the nation's first designated land-grant institutions when the Iowa Legislature accepted the provisions of the 1862 Morrill Act on September 11, 1862, making Iowa the first state in the nation to do so. On July 4, 1959, the college was officially renamed Iowa State University of Science and Technology.
Grant DeVolson Wood was an American painter and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art.
Daniel Rhodes was an American artist, known as a ceramic artist, muralist, sculptor, author and educator. During his 25 years (1947–1973) on the faculty at the New York State College of Ceramics at Alfred University, in Alfred, New York, he built an international reputation as a potter, sculptor and authority on studio pottery.
Toshiko Takaezu was an American ceramic artist, painter, sculptor, and educator with an oeuvre spanning a wide range of mediums, including ceramics, weavings, bronzes, and paintings. She is noted for her pioneer work in ceramics and has played an important role in the international revival of interest in the ceramic arts. Takaezu was known for her rounded, closed ceramic forms which broke from traditions of clay as a medium for functional objects to explore its potential for aesthetic expression, taking on Abstract Expressionist concepts and placing her work in the realm of postwar abstractionism. She is of Japanese descent and from Pepeeko, Hawaii.
The International Quilt Museum at the University of Nebraska–Lincoln in Lincoln, Nebraska is the home of the largest known public collection of quilts in the world. Also known as Quilt House, the current facility opened in 2008.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. Quilt art is typically hung or mounted.
The San Jose Museum of Quilts & Textiles is an art museum in Downtown San Jose, California, USA. Founded in 1977, the museum is the first in the United States devoted solely to quilts and textiles as an art form. Holdings include a permanent collection of over 1,000 quilts, garments and ethnic textiles, emphasizing artists of the 20th- and 21st-century, and a research library with over 500 books concerning the history and techniques of the craft.
Sterling Ruby is an American artist who works in a large variety of media including ceramics, painting, drawing, collage, sculpture, video, and textiles. Often, his work is presented in large and densely packed installations. The artist has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist's works often appear scratched, defaced, camouflaged, dirty, or splattered. Proclaimed as one of the most interesting artists to emerge this century by New York Times art critic Roberta Smith, Ruby's work examines the psychological space where individual expression confronts social constraint. Sterling Ruby currently lives and works in Los Angeles. His studio is located in Vernon, south of downtown Los Angeles.
Christian Petersen (1885–1961) was a Danish-born American sculptor and university teacher. He was the first permanent artist in residence at a U.S. college or university, and he is noted for the large body of sculpture associated with a single place, Iowa State College, now Iowa State University.
Michael Francis James is an American artist, educator, author, and lecturer. He is best known as a leader of the art quilt movement that began in the 1970s. He currently lives and maintains a studio in Lincoln, Nebraska.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Yvonne Porcella was an American art quilter.
Jean Ray Laury was an American artist and designer. She was one of the first fine artists to move to quilting as a medium of choice in the late 1950s. Her quilts followed neither traditional method nor pattern; they were bold, modern, colorful collages, often laced with humor and satire. Penning over twenty books and teaching over 2,000 workshops, Laury helped women see the creative possibilities in everyday objects and awake their sense of inspiration. Laury has been called a "foremother of a quilt revival", and "one of the pioneers" of non-traditional quilts.
Junco Sato Pollack is a textile artist. As a native of Japan, having lived in the United States for more than 30 years, she aims to combine Eastern and Western influences in her art and create work that has a modernist, minimal design.
Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.
Bisa Butler is an American fiber artist who has created a new genre of quilting that has transformed the medium. Although quilting has long been considered a craft, her interdisciplinary methods -- which create quilts that look like paintings -- have catapulted quilting into the field of fine art. She is known for her vibrant, quilted portraits celebrating Black life, portraying both everyday people and notable historical figures. Her works now count among the permanent collections at the Smithsonian National Museum of African American History and Culture, the Art Institute of Chicago, Pérez Art Museum Miami and about a dozen other art museums nationwide. She has also exhibited at the Smithsonian Museum of American History, the Epcot Center, the National Underground Railroad Freedom Center, and many other venues. In 2020, she was commissioned to quilt cover images for Time magazine, including the "Person of the Year" issue and its "100 Women of the Year" issue. With a multi-year wait list for private commissions, one of Butler's quilts sold at auction in 2021 for $75,000 USD.
Mary Alice Barton was a nationally recognized American quilter, quilt historian, collector and philanthropist. She was inducted into the Quilters Hall of Fame as of September 29, 1984, for greatly contributing "through her collecting, researching and sharing of information." In 1999, her work as a quilter was recognized when her "Heritage Quilt" was chosen as one of the 100 Best American Quilts of the 20th century.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Lillian Wolock Elliott (1930–1994) was an American fiber artist, and textile designer. She is known for her innovative basket craft.
Sharon Kerry-Harlan is an African-American artist active in Hollywood, Florida and Wauwatosa, Wisconsin who is known for her textile art. She was born in Miami, Florida in 1951. She graduated with a Bachelor of Arts degree from Marquette University and studied at the Milwaukee Institute of Art & Design. She went on to work at Marquette University as an Academic Coordinator and to teach textile courses at University of Wisconsin–Milwaukee as an adjunct professor. From July to August 2019, Kerry-Harlan had a solo exhibition at the James Watrous Gallery at the Overture Center for the Arts. Throughout August 2019, her work was on display in the AndStill We Rise: Race Culture and Visual Conversations exhibit at the Mariposa Museum & World Cultural Center in Oak Bluff, Massachusetts. In early 2021, Kerry-Harlan participated in the Textile Center and Women of Color Quilters Network’s juried exhibit Racism: In the Face of Hate We Resist. Later that year, Kerry-Harlan's work was displayed in the Museum of Wisconsin Art's Claiming Space Exhibition. In 2022, her work, Portrait of Resilience, from the Flag Series, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign in 2022. That same year, Kerry-Harlan's work was displayed in the Madison Museum of Contemporary Art's exhibit Ain’t I A Woman? in celebration of the 2022 Wisconsin Triennial. She also had work displayed in the 2022 Uncovering Black History: Quilts from the Collection of Carolyn Mazloomi exhibition at the International Quilt Museum in Lincoln, Nebraska.