The Belgian Prix de Rome (Dutch : Prijs van Rome) is an award for young artists, created in 1832, following the example of the original French Prix de Rome. The Royal Academy of Fine Arts Antwerp organised the prize until 1920, when the national government took over. The first prize is also sometimes called the Grand Prix de Rome. There were distinct categories for painting, sculpture, architecture and music. [ citation needed ]
The Prix de Rome was a scholarship for arts students. It was created in 1663 in France under the reign of Louis XIV. It was an annual burse for promising artists (painters, sculptors, and architects) who proved their talents by completing a very difficult elimination contest. The prize, organised by the Royal Academy of Painting and Sculpture (Académie royale de peinture et de sculpture), was open to their students. The award winner would win a stay at the Palazzo Mancini in Rome at the expense of the King of France. The stay could be extended if the director of the institution deemed it desirable.
Expanded after 140 years into five categories, the contest started in 1663 as three categories – painting, sculpting, and architecture; in 1803, music was added; in 1804, engraving was added. The winner of the "First Grand Prize" (called the agréé) [1] would be sent to The Academy of France in Rome founded by Jean-Baptiste Colbert in 1666. In 1807, Louis Napoleon created the Dutch version of the Prix de Rome. After the creation of Belgium as an independent state in 1830, the Belgian government started their own version of the Prix de Rome in 1832. [ citation needed ]
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The Conservatoire de Paris, also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'.
Simha Arom is a French-Israeli ethnomusicologist who is recognized as a world expert on the music of central Africa, especially that of the Central African Republic. His books include African Polyphony and Polyrhythm: Musical Structure and Methodology (1991) ISBN 0-521-24160-X. He also made some historical field recordings of the Aka Pygmy music.
Abraham Louis Niedermeyer was a Swiss and naturalized French composer.
Maximilien-Paul-Marie-Félix d'Ollone was a 20th-century French composer.
Thierry Sandre was a French writer, poet, and essayist. He won the Prix Goncourt in 1924 for Le Chèvrefeuille.
Marie Gabriel Augustin Savard was a French composer and teacher.
Jean-Paul C. Montagnier is a French musicologist. He studied at the Conservatoire National Supérieur de Musique de Paris, where he received two first prizes in musical analysis and music history, before completing a PhD at Duke University under the supervision of Professor Peter Williams (1994). He is currently Professor of musicology at the University of Lorraine, and Associate Member of the Institut de Recherche en Musicologie (CNRS). He also was adjunct professor at McGill University (2007-2017). He was involved with Musica Gallica, an edition of the works of the musical patrimony of France (2000-2017). He was the secretary of the research program "Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation" supported by the European Science Foundation (1998-2002), and the secretary (1994-2004), then the editor (2004) of the Revue de musicologie. He was a member of the editorial board of Eighteenth-Century Music published by Cambridge University Press (2002-2013). He currently serves on the editorial board of the Collected Works of Jean-Baptiste Lully published by Olms (Germany), and on the editorial board of the Revue belge de musicologie. He was made Officer in the Order of Arts and Letters by the French Government in 2012, and Chevalier in the Ordre National du Mérite in 2021. He was nominated to become a Robert M. Trotter Visiting Distinguished Professor at the University of Oregon School of Music and Dance during the 2018–2019 academic year.
René Dumesnil was a French physician, literary critic and musicologist.
Marc Honegger was a French musicologist and choirmaster.
Brigitte Massin was a French musicologist and journalist.
Alain Cophignon is a French writer, photographer and aesthetician.
Caroline Giron-Panelnée Giron is a French historian and musicologist.
François Porcile is a French film director, essayist, film historian and musicologist.
Brigitte François-Sappey is a French musicologist, educator, radio producer, and lecturer.
Rémy Stricker was a French pianist, music educator, radio producer, musicologist and writer.
Alexandre Dratwicki is a contemporary French musicologist.
André Lischke is a French musicologist and translator, specialising in Russian classical music.
Marie Bobillier, real name Antoinette Christine Marie Bobillier was a French musicologist, music critic, writing under her pseudonym Michel Brenet.
Gérard Condé is a French composer and music critic.
Karol Beffa, born on 27 October 1973 in Paris, is a French and Swiss composer and pianist.
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