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| Established | 1868 |
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| Type | Nonprofit |
| Headquarters | Atlanta, Georgia, United States |
Region served | Worldwide |
Membership | 35,000 |
| Website | www |
Professional Photographers of America (PPA) is a nonprofit trade association of professional photographers. As of August 2022, PPA has 35,000 members. [1]
The association began in December 1868 as the National Photographic Association of the United States (NPA). [2] The group was against the Ambrotype patent restrictions. Although it succeeded in preventing the reissue of the patent, the executive committee of the NPA became discouraged, and the group disbanded in 1876 because of a lack of interest. [3]
The Professional Photographers of America, as it is known today, was officially founded in April 1880 as the Photographers Association of America, Inc., [4] by members of the Chicago Photographic Association and the former National Photographic Association. In their first meeting in April, PAA elected John Ryder from Cleveland, Ohio, as its first president. From August 23–26, 1880, 237 photographers attended PAA's first convention in Chicago. At the 1880 convention, a committee demonstrated the new gelatin dry plate imaging process. American daguerreotype pioneers also attended the early PAA conventions, including John H. Fitzgibbon. The daguerreotype, introduced in 1839–1840, was the first profitable photographic process. [5] [2]
In 1909, the membership installed its first governing body, the Congress of Photography. The Congress was composed of delegates from around the country who transacted official association business. Previously, all association business had been conducted by those who happened to attend conventions, resulting in problems of organizational continuity. The Congress continued until 1929, when the National Council became the official governing body, representing 37 associations and clubs nationwide.
By 1913, the photography association had grown to 725 members, expanding to 2,272 members in 1916. When World War I began, many PAA members joined the photography section of the Signal Corps, which were made honorary PAA members through the Liberty War Section of the association after the war ended.
In 1921, The Daguerre Club of Indiana donated to PAA a building in Winona Lake, Indiana, to establish a photography school. The school was to become the Winona International School of Professional Photography. Winona operated classes for professional photographers each summer until 1984, when the school was relocated to its Mount Prospect, Illinois campus, where it operated until 1994 when it was relocated again to Atlanta, Georgia.
On its 50th anniversary in 1930, the Great Depression hit. From 1931–34, the association suffered from cut budgets, canceled memberships, and no held conventions. By 1934, association leaders were spearheading efforts to build membership and combat price-cutting under the National Recovery Act, which was signed into law that year. They developed the Code of Fair Competition for the Photographic and Photofinishing Industry, which would require every person or firm selling photographic products or services to comply with requirements for wages, hours, prices, and trade practices. The National Recovery Act was declared unconstitutional, affecting all such codes under its jurisdiction. The association suffered a further setback when World War II erupted.
PAA offered the Directory of Professional Photography, which first appeared in 1938, and the degree program, which awarded its first Master of Photography degree in 1939.[ citation needed ]
The organization changed its name to Professional Photographers of America, Inc. in 1958 to distinguish the association from amateur photography organizations. That same year, PPA joined the Mississippi-Alabama Associated Photographers (later renamed the Professional Photographers of Mississippi-Alabama) and the University of Mississippi to hold the first conference on professional photography with joint participation from a local association, national association, and major university.
In 1993, the association moved its headquarters from Chicago to Atlanta.[ citation needed ]
In 2001, PPA was lobbying on behalf of photographers on Capitol Hill.[ citation needed ]
In 2015, PPA acquired PhotoVision, an online educational platform that offers its member photographers educational videos. [6]
PPA has published Professional Photographer magazine since 1907.
In August 2019, the National Press Photographers Association and the American Society of Media Photographers filed an amicus brief in support of Jim Olive in University of Houston System vs. Jim Olive Photography, D/B/A Photolive, Inc. The brief was attended by the North American Nature Photography Association, the Graphic Artists Guild, American Photographic Artists, and Professional Photographers of America. "The case began when Texas photographer Jim Olive discovered that the University of Houston was using one of his aerial photographs for marketing purposes without permission. When Olive asked the University to pay for the use, they refused and told him they were shielded from suit because of sovereign immunity, which protects state government entities from many lawsuits." [7] After a negative ruling from a Texas appellate court, Olive hopes to continue his fight. [8] [9] [10]
In 2019, the Supreme Court of the United States granted certiorari in Allen v. Cooper, raising the question of whether Congress validly abrogated state sovereign immunity via the Copyright Remedy Clarification Act in providing remedies for authors of original expression whose federal copyrights are infringed by states. [11] [12] [13] [14] Thirteen amici, including the United States Chamber of Commerce, the Recording Industry Association of America, the Copyright Alliance, the Software and Information Industry Association, Professional Photographers of America, and the National Press Photographers Association, filed briefs in support of Allen. [15] [16] [17] Those briefs proposed various doctrines under which the CRCA could validly abrogate sovereign immunity and variously re-asserted and supported the reasons why Congress examined and enacted CRCA, claiming that Congress was fair in finding that states had abused immunity and that an alternative remedy was needed. [18] On November 5, 2019, the United States Supreme Court heard oral arguments in Allen v. Cooper. A decision in the case is expected in the late spring of 2020. [19]
Burrow-Giles Lithographic Co. v. Sarony, 111 U.S. 53 (1884), was a case decided by the Supreme Court of the United States that upheld the power of Congress to extend copyright protection to photography.
The American Society of Media Photographers, abbreviated ASMP, is a professional association of imaging professionals, including photojournalists, architectural, underwater, food/culinary and advertising photographers as well as video/film makers and other specialists. Its members are primarily those who create images for publications, though many cross over into wedding and portrait photography.
The North American Nature Photography Association or NANPA is an organization dedicated to photography of nature. The association's headquarters were originally in Wheat Ridge, Colorado, and now are in Alma, Illinois. Established in 1994, NANPA joined forces with ASMP at the end of 2022. Together, the two organizations have about 6,500 members in North America and internationally. Several categories of membership are available, including discounts for students. The association annually sponsors a variety of activities. Among them are regional events, nature photo competitions, and webinars throughout the United States. NANPA sponsored a Nature Photography Celebration in 2018. The NANPA Foundation, established in 1997, funds scholarships, photo blinds for wildlife photography, and grants for conservation photography projects, and to photography students. NANPA also markets books of interest to members, including those by members, through Amazon.com.
The National Press Photographers Association (NPPA) is an American professional association made up of still photographers, television videographers, editors, and students in the journalism field. Founded in 1946, the organization is based in at the Grady College of Journalism and Mass Communication at the University of Georgia. The NPPA places emphasis on photojournalism, or journalism that presents a story through the use of photographs or moving pictures. The NPPA holds annual competitions as well as several quarterly contests, seminars, and workshops designed to stimulate personal growth in its members. It utilizes a mentor program which offers its members the opportunity to establish a relationship with a veteran NPPA member and learn from them. The organization also offers a critique service, a job bank, an online discussion board, and various member benefits.
Jerry Interval,, was an American portrait photographer and educator.
The intellectual property rights on photographs are protected in different jurisdictions by the laws governing copyright and moral rights. In some cases photography may be restricted by civil or criminal law. Publishing certain photographs can be restricted by privacy or other laws. Photography can be generally restricted in the interests of public morality and the protection of children.
Bridgeman Art Library v. Corel Corp., 36 F. Supp. 2d 191, was a decision by the United States District Court for the Southern District of New York, which ruled that exact photographic copies of public domain images could not be protected by copyright in the United States because the copies lack originality. Even though accurate reproductions might require a great deal of skill, experience, and effort, the key element to determine whether a work is copyrightable under US law is originality.
The Federation of European Professional Photographers or Federation of European Photographers (FEP) is a nonprofit organization that organizes national professional photographers associations in the geographic area represented by the Council of Europe and has 25 member organizations in some 21 countries (2024). FEP is officially headquartered in Brussels. The Secretariat is in Rome. As the central reference authority for Photography in the European Union, it represents over 50.000 professional photographers in Europe.
Ralph Oman is an American lawyer and former Register of Copyrights. He is currently the Pravel, Hewitt, Kimball and Kreiger Professorial Lecturer in Intellectual Property and Patent Law at The George Washington University Law School.
Carol McKinney Highsmith is an American photographer, author, and publisher who has photographed in all the states of the United States as well as the District of Columbia and Puerto Rico. She photographs the entire American vista in all fifty U.S. states as a record of the early 21st century.
The Dansk Fotografisk Forening (DFF) or Danish Photographers Association is a non-profit organization for photographers who earn a living from photography. Since 1879, it has been supporting professional photography and assisting its members.
The Graphic Artists Guild is a guild of graphic designers, illustrators, and photographers and is organized into seven chapters around the United States. It is a member of the international organization Icograda.
Amory Nelson Hardy or A.N. Hardy (1835–1911) was a photographer in Boston, Massachusetts, in the 19th century. Portrait subjects included US president Chester A. Arthur, clergyman Henry Ward Beecher, politician James G. Blaine, abolitionist William Lloyd Garrison, doctor Oliver Wendell Holmes Sr., jurist Oliver Wendell Holmes Jr., writer Julia Ward Howe, labor activist Florence Kelley, suffragist Mary Livermore, philanthropist Isabella Somerset, and suffragist Frances Willard. He also made "electric-light portraits" of roller skaters in 1883.
The Copyright Alliance is a nonprofit, nonpartisan 501(c)(4) organization representing artistic creators across a broad range of copyright disciplines.
Louise Ozelle Martin was an American professional photographer who received recognition for her photographs of Houston Freedom Riders, Dr. Martin Luther King Jr., and beyond. She is known as a pioneer for African-American female photographers.
David Guttenfelder is an American photojournalist focusing on geopolitical conflict, conservation, and culture. He is currently a photographer with National Geographic, based in Minneapolis. He is known for his photos of North Korea.
The Copyright Remedy Clarification Act (CRCA) is a United States copyright law that attempted to abrogate sovereign immunity of states for copyright infringement. The CRCA amended 17 USC 511(a):
In general. Any State, any instrumentality of a State, and any officer or employee of a State or instrumentality of a State acting in his or her official capacity, shall not be immune, under the Eleventh Amendment of the Constitution of the United States or under any other doctrine of sovereign immunity, from suit in Federal Court by any person, including any governmental or nongovernmental entity, for a violation of any of the exclusive rights of a copyright owner provided by sections 106 through 122, for importing copies of phonorecords in violation of section 602, or for any other violation under this title.
Nautilus Productions LLC is an American video production, stock footage, and photography company incorporated in Fayetteville, North Carolina in 1997. The principals are producer/director Rick Allen and photographer Cindy Burnham. Nautilus specializes in documentary production and underwater videography, and produced QAR DiveLive, a live webcast of underwater archaeology filmed at the wreck of the Queen Anne's Revenge in 2000 and 2001.
Emme Gerhard (1872–1946) and Mayme Gerhard (1876–1955), the Gerhard Sisters, were among the first women photographers to establish a studio in St. Louis, Missouri, in 1903. At the time newspapers and magazines rarely hired women as staff photographers to capture late breaking news.
On August 18, 2015, then North Carolina Governor Pat McCrory (R) signed "Blackbeard's Law," N.C. General Statute §121-25(b), into law. The statute stated that, "All photographs, video recordings, or other documentary materials of a derelict vessel or shipwreck or its contents, relics, artifacts, or historic materials in the custody of any agency of the North Carolina government or its subdivisions shall be a public record pursuant to G.S. 132-1. There shall be no limitation on the use of or no requirement to alter any such photograph, video recordings, or other documentary material, and any such provision in any agreement, permit, or license shall be void and unenforceable as a matter of public policy." The statute was inserted into another bill by Representatives Norman Sanderson and Jim Davis at the request of the North Carolina Department of Natural and Cultural Resources (NCDNCR). One year later, the North Carolina Legislature amended the statute to read, "All photographs, video recordings, or other documentary materials of a derelict vessel or shipwreck or its contents, relics, artifacts, or historic materials in the custody of any agency of North Carolina government or its subdivisions shall be a public record pursuant to Chapter 132 of the General Statutes." The moniker "Blackbeard's Law" refers to the pirate Blackbeard and was first penned by reporter Paul Woolverton of the Fayetteville Observer.
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