Projections | ||||
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Studio album by | ||||
Released | November 1966 | |||
Genre | Blues rock, psychedelic rock | |||
Length | 49:24 | |||
Label | Verve/Folkways | |||
Producer | Tom Wilson Billy James on "Flute Thing" and "Fly Away" | |||
The Blues Project chronology | ||||
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Singles from Projections | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Projections is the second album by the American blues rock band the Blues Project. Produced by Tom Wilson and released by Verve/Folkways in November 1966, the album was their first studio release and examined a more rock-based sound. [2] Jim Marshall was credited as the photographer of the album cover.
Soon after the release of this album, Al Kooper left the band in the spring of 1967 to form Blood, Sweat & Tears.
Keyboardist and vocalist Al Kooper was the most prominent member of the band, having recently played on Bob Dylan's seminal album Highway 61 Revisited . However, Projections was very much a group effort, developing the band's unique style that drew upon blues, jazz, folk, soul, and psychedelic influences. [3]
According to Danny Kalb, the record company was not interested in the band's artistic merit and "just wanted to make a few bucks". The band was disappointed by this lack of creative input and did not see the album cover or hear the mix until the record was released. [4]
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The Animals are an English rock band, formed in Newcastle upon Tyne in the early 1960s. The Animals are known for their deep-voiced frontman Eric Burdon and for their gritty, bluesy sound, exemplified by their signature song and transatlantic number-one hit single "The House of the Rising Sun" as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood". They balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material and were part of the British Invasion of the US.
Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
Child Is Father to the Man is the debut album by Blood, Sweat & Tears, released in February 1968. It reached number 47 on the Billboard pop albums chart in the United States.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Al Kooper is a retired American songwriter, record producer, and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale". Kooper produced a number of one-off collaboration albums, such as the Super Session album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction for the Rock and Roll Hall of Fame in 2023.
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
I Ain't Marching Any More is Phil Ochs' second LP, released on Elektra Records in 1965.
Harvey Brooks is an American bass guitarist.
B, S & T; 4 is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart.
Greatest Hits is a compilation album by the band Blood, Sweat & Tears, initially released in February 1972.
The Blues Project was an American formed in New York City's Greenwich Village neighborhood in 1965. The group's original iteration broke up in 1967. Their songs drew from a wide array of musical styles. They are most remembered as one of the most artful practitioners of pop music, influenced as it was by folk, blues, rhythm & blues, jazz and the pop music of the day.
Andy Kulberg was an American musician notable for his bass playing with the groups Blues Project and Seatrain.
Daniel Ira Kalb was an American blues guitarist and vocalist. He was an original member of the 1960s group the Blues Project.
Seatrain was an American roots fusion band based initially in Marin County, California, and later in Marblehead, Massachusetts. Seatrain was formed in 1969, subsequently drawing some members from the Blues Project when it broke up. Seatrain recorded four albums and disbanded in 1973.
Ten Years After is the debut album by English blues rock band Ten Years After. Recorded at Decca Studios in London in September 1967, and released on 27 October 1967, it was one of the first blues rock albums by British musicians.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Wow/Grape Jam is the second album by the rock band Moby Grape. It was first released in April 1968. It is different from most double album releases in that it was released as two different albums in separate covers, but packaged together and sold for only one dollar more than price of a single LP.
Live at the Cafe Au Go Go is the debut album by the American band the Blues Project, recorded live during the Blues Bag four-day concert on the evenings of November 24–27, 1965 at the Cafe Au Go Go in New York City. The recording finished up in January, 1966 at the same venue, by which time Tommy Flanders had left the band. They scaled down their usual lengthy arrangements for the album due to time constraints and record label wariness.
Watch is the fourth and final album of the band Seatrain, recorded in 1973. It is marked with the departure of Peter Rowan and Richard Greene and the use of more session musicians on instruments like vibraphone, cello, accordion, tuba and oboe. Original members Andy Kulberg and Jim Roberts still remained with the group, though Roberts only contributed to three of the album's nine tracks.
Steven Katz is a guitarist, singer, and record producer who is best known as a member of the rock-pop-jazz group Blood, Sweat & Tears. Katz was an original member of the rock bands the Blues Project and American Flyer. As a producer, his credits include the 1979 album Short Stories Tall Tales for the Irish band Horslips, and the Lou Reed albums Rock 'n' Roll Animal and Sally Can't Dance and the Elliott Murphy album Night Lights.