Jorge Francisco Isidoro Luis Borges Acevedo was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature. His best-known works, Ficciones (transl. Fictions) and El Aleph, published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magic realist movement in 20th century Latin American literature.
Kiss of the Spider Woman is a 1985 drama film, based on the 1976 novel of the same title by Argentine writer Manuel Puig. It is directed by Argentine-Brazilian filmmaker Héctor Babenco from a screenplay by Leonard Schrader, and stars William Hurt, Raul Julia, and Sônia Braga.
Mexican literature stands as one of the most prolific and influential within Spanish-language literary traditions, alongside those of Spain and Argentina. This rich and diverse tradition spans centuries, encompassing a wide array of genres, themes, and voices that reflect the complexities of Mexican society and culture. From ancient indigenous myths to contemporary urban narratives, Mexican literature serves as a poignant reflection of the nation's essence, inviting readers to explore its rich history, diverse culture, and collective aspirations.
Juan Manuel Puig Delledonne, commonly called Manuel Puig, was an Argentine author. Among his best-known novels are La traición de Rita Hayworth, Boquitas pintadas, and El beso de la mujer araña which was adapted into the film released in 1985, directed by the Argentine-Brazilian director Héctor Babenco; and a Broadway musical in 1993.
Juan Carlos Onetti Borges was a Uruguayan novelist and author of short stories.
Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sábato.
Hélène Elizabeth Louise Amélie Paula Dolores Poniatowska Amor, known professionally as Elena Poniatowska, is a French-born Mexican journalist and author, specializing in works on social and political issues focused on those considered disenfranchised, especially women and the poor. She was born in Paris to upper-class parents. Her mother's family fled Mexico during the Mexican Revolution. She left France for Mexico when she was ten to escape World War II. When she was 18, she began writing for the newspaper Excélsior, doing interviews and society columns. Despite the lack of opportunity for women from the 1950s to the 1970s, she wrote about social and political issues in newspapers and both fiction and nonfiction books. Her best-known work is La noche de Tlatelolco, about the repression of the 1968 student protests in Mexico City. Due to her left-wing views, she has been nicknamed "the Red Princess". She is considered "Mexico's grande dame of letters" and is still an active writer.
Ricardo Piglia was an Argentine author, critic, and scholar best known for introducing hard-boiled fiction to the Argentine public.
Latin American literature consists of the oral and written literature of Latin America in several languages, particularly in Spanish, Portuguese, and the indigenous languages of Latin America. It rose to particular prominence globally during the second half of the 20th century, largely due to the international success of the style known as magical realism. As such, the region's literature is often associated solely with this style, with the 20th century literary movement known as Latin American Boom, and with its most famous exponent, Gabriel García Márquez. Latin American literature has a rich and complex tradition of literary production that dates back many centuries.
Tango is a 1998 Argentine-Spanish musical drama film written and directed by Carlos Saura and starring Miguel Ángel Solá and Mía Maestro. It was photographed by cinematographer Vittorio Storaro.
Jaime Manrique is a bilingual Colombian American novelist, poet, essayist, educator, and translator. His work is a representation of his cultural upbringing and heritage mixed with the flavors of his education in English. A primary distinction of his work comes from his bilingualism, and his choice to write in both English and Spanish. Many of his novels are published in English whereas his poetry is often printed and shared in Spanish. Manrique's writing covers a variety of themes and topics with some of his more notable works ranging from talking about his father's corpse and the adventures of a young gay Colombian immigrant. Therefore, Manrique's personal life and experiences can clearly be visualized in his writing and appreciated in his bilingual works.
Mecha Ortiz was a classic Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Kiss of the Spider Woman is a 1976 novel by Argentine writer Manuel Puig. It depicts the daily conversations between two cellmates in an Argentine prison, Molina and Valentín, and the intimate bond they form in the process. It is generally considered Puig's most successful work.
China Zorrilla was an Uruguayan theater, film, and television actress, also director, producer and writer. An immensely popular star in the Rioplatense area, she is often regarded as a "Grand Dame" of the South American theater stage.
The Latin American Boom was a literary movement of the 1960s and 1970s when the work of a group of relatively young Latin American novelists became widely circulated in Europe and throughout the world. The Boom is most closely associated with Julio Cortázar of Argentina, Carlos Fuentes of Mexico, Mario Vargas Llosa of Peru, and Gabriel García Márquez of Colombia. Influenced by European and North American Modernism, but also by the Latin American Vanguardia movement, these writers challenged the established conventions of Latin American literature. Their work is experimental and, owing to the political climate of the Latin America of the 1960s, also very political. "It is no exaggeration", critic Gerald Martin writes, "to state that if the Southern continent was known for two things above all others in the 1960s, these were, first and foremost, the Cuban Revolution and its impact both on Latin America and the Third World generally, and secondly, the Boom in Latin American fiction, whose rise and fall coincided with the rise and fall of liberal perceptions of Cuba between 1959 and 1971."
The status of women in Argentina has changed significantly following the return of democracy in 1983; and they have attained a relatively high level of equality. In the Global Gender Gap Report prepared by the World Economic Forum in 2009, Argentine women ranked 24th among 134 countries studied in terms of their access to resources and opportunities relative to men. They enjoy comparable levels of education, and somewhat higher school enrollment ratios than their male counterparts. They are well integrated in the nation's cultural and intellectual life, though less so in the nation's economy. Their economic clout in relation to men is higher than in most Latin American countries, however, and numerous Argentine women hold top posts in the Argentine corporate world; among the best known are María Amalia Lacroze de Fortabat, former CEO and majority stakeholder of Loma Negra, the nation's largest cement manufacturer, and Ernestina Herrera de Noble, director of Grupo Clarín, the premier media group in Argentina.
Sara Facio was an Argentine photojournalist and publisher. She was best known for having photographed, along with Alicia D'Amico, various cultural personalities, including Argentine writers Julio Cortázar, María Elena Walsh and Alejandra Pizarnik. She co-founded the publishing house "La Azotea" alongside María Cristina Orive in 1973.
María Elena Lucena Arcuri was an Argentine film actress of the Golden Age of Argentine Cinema (1940–60). She began her career in radio in the 1930s and reached her greatest success with the role of "Chimbela", which was later depicted in film, theater and television. Her extensive film career includes approximately 50 films, including notable performances in Chimbela (1939) and Una noche cualquiera (1951). During the 1940s, she participated in films with comedians like Pepe Arias, Pepe Iglesias "El Zorro", Niní Gambier, Mirtha Legrand and Carlos Estrada. Her most acclaimed film work occurred in Elvira Fernández, vendedora de tienda (1942) by Manuel Romero, Cinco besos by Luis Saslavsky and La Rubia Mireya for which she received the 1948 Best Comedy Actress Award from the Argentine Film Critics Association.
LGBT Literature in Argentina comprises Argentine authors using themes or characters that form a part of, or are related to, sexual diversity. It forms part of a tradition dating back to the 19th century, although LGBT literature as its own category in the Argentine humanities did not occur until the end of the 1950s and beginning of the 1960s, on par with the birth of the LGBT rights movement in the country.
Ángeles Vicente García was a Spanish writer, author of Zezé, the first novel in Spanish-language literature to have a lesbian protagonist. From 1920 onwards, all traces of the author have been lost and nothing else is known of her later life.
