| "Puer natus est nobis" | |
|---|---|
| Gregorian introit | |
 The chant in the codex Don Silvestro dei Gherarducci | |
| Occasion | Christmas |
| Language | Latin |
"Puer natus est nobis" (A boy is born for us) is a Gregorian chant, the introit for Christmas Day. [1] [2] Thomas Tallis wrote a Christmas mass on the chant.
The text of the antiphon is taken from Isaiah 9:6, while the psalm verse is verse 1 from Psalm 98, "Sing a new song to the Lord". [2]
Puer natus est nobis,
et filius datus est nobis :
cuius imperium super humerum eius :
et vocabitur nomen eius, magni consilii angelus.
Cantate Domino canticum novum :
quia mirabilia fecit.
A child is born to us,
and a Son is given to us:
Whose government is upon His shoulder:
and His Name shall be called, the Angel of Great Counsel.
Sing ye to the Lord a new canticle:
because He hath done wonderful things. [3]
The melody was used by composers in contrafacta such as the Christmas mass by Thomas Tallis. [4]
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A responsory or respond is a type of chant in western Christian liturgies.
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Psalm 96 is the 96th psalm of the Book of Psalms, a hymn. The first verse of the psalm calls to praise in singing, in English in the King James Version: "O sing a new song unto the Lord". Similar to Psalm 98 and Psalm 149, the psalm calls to praise God in music and dance, because he has chosen his people and helped them to victory. It is one of the royal psalms praising God as the King of His people.
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Chant Noël: Chants for the Holiday Season is a compilation album of plainsong sung in Latin by the Benedictine monks of Santo Domingo De Silos under the direction of Francisco Lara. It was released in November 1994 by Angel Records, following the success of Chant which had been released earlier the same year. As well as a number of items sung at Christmas, the album features Ubi Caritas, which is associated with Easter.
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O clap your hands is a motet by Ralph Vaughan Williams. He composed the anthem, a setting of verses from Psalm 47, in 1920 for a four-part choir, organ, brass, and percussion. He later also made versions for orchestra and for organ. The motet was often recorded.
