Purge & Slouch | ||||
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Studio album by | ||||
Released | 1993 | |||
Genre | Folk rock | |||
Label | Brake Out Restless | |||
Producer | Howe Gelb, Harvey Moltz, John Convertino | |||
Giant Sand chronology | ||||
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Purge & Slouch is an album by the American band Giant Sand, released in 1993 through the German label Brake Out Records. [1] It was released by Restless Records the following year. [2] [3] The band supported the album with a UK tour. [4] Frontman Howe Gelb referred to the music as "smash jazz". [5]
Giant Sand made the album in order to satisfy its contractual obligations to Restless. [6] It was recorded at a house in the Tucson area; Gelb allegedly taped his vocals and guitar playing while lounging on a couch. [7] The band improvised most of the music, which they had a difficult reproducing in a live setting. [4] Susan Cowsill and Vicki Peterson sang on "Corridor". [8] Rainer Ptacek played guitar on many of the tracks; Malcolm Burn contributed on bass. [9] "Dock of the Bay" is a cover of the Otis Redding song. [9] "Santana, Castanada & You" [sic] refers to two Carlos, Carlos Santana and Carlos Castaneda. [10] Gelb later acknowledged the informality and low stakes of the sessions, saying the he enjoyed what many journalists criticized. [11] Stromausfall, the band's next album, released in a press run of 2,000 copies, included music recorded during the same sessions. [12]
Review scores | |
---|---|
Source | Rating |
AllMusic | [13] |
Robert Christgau | [14] |
New York Daily News | [15] |
Rolling Stone | [8] |
Spin Alternative Record Guide | 7/10 [16] |
USA Today | [17] |
The Virgin Encyclopedia of Nineties Music | [18] |
USA Today called the album "charmingly tattered", noting that "Gelb mixes a half-dozen genres with his off-kilter sensibilities to produce addictive countrified folk-rock." [17] Rolling Stone advised: "The debate among cultists who've supported Gelb for more than a decade is whether such albums reveal a dismaying lack of craft or are works of disjointed brilliance. Make no mistake: Purge and Slouch is lazy." [8] The Press-Telegram said that "Gelb gets into some maddeningly introverted desert-jazz mumbling musings on occasion, but the disc's got some great high points scattered throughout". [19]
The Arizona Daily Star praised the "slight country lopes, lazy blues shouts, unvarnished honky-tonk jams and the occasional bout of impatient guitar skronking." [9] Trouser Press opined that "much jam-session tomfoolery ensues, with the sole reward being a chance to hear Arizona legend Al Perry scrabble out some proto-garage licks on 'Slander'." [20] LA Weekly called the album "ragged-edged, tumultuous, inward and poetic". [21] The New York Daily News stated that "Gelb has given his rundown, dusty music an unrushed allure and made a sound as expansive as a desert sky." [15]
No. | Title | Length |
---|---|---|
1. | "Slander" | |
2. | "Bender" | |
3. | "Swamp Thing" | |
4. | "Santana, Castanada & You" | |
5. | "Blue Lit Rope" | |
6. | "Overture (Part 1)" | |
7. | "Rice Road Rumba" | |
8. | "Corridor" | |
9. | "Slice & Dice Blues" | |
10. | "High Lonesome Curl" | |
11. | "New Carjack City Blues" | |
12. | "Owed Ode" | |
13. | "Overture, Pt. 2" | |
14. | "Here on the Planet" | |
15. | "Elevator Music" | |
16. | "Song for the Accountants" | |
17. | "Dock of the Bay" | |
18. | "Tripping Moon" | |
19. | "Thin Lizzy Tribute/Personality Flaws/Last Word Jonny" | |
20. | "Bed of Nails" | |
21. | "Dance of Cicadas" |
Carlos Humberto Santana Barragán is an American guitarist, best known as a founding member of the rock band Santana. Born and raised in Mexico where he developed his musical background, he rose to fame in the late 1960s and early 1970s in the United States with Santana, which pioneered a fusion of rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Calexico is an American indie rock band based in Tucson, Arizona. Founded in 1996, the band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records and City Slang, and their 2005 EP, In the Reins, recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock.
Restless Records was started in El Segundo, California in 1986 by Enigma Records and primarily released alternative, metal and punk records. Restless also licensed and released records from Bar/None Records, Metal Blade Records and Mute Records. And Restless had a fully owned subsidiary Pink Dust Records.
Giant Sand is an American musical group from Tucson, Arizona, United States. Its most constant member is singer-songwriter Howe Gelb. The groups have developed idiosyncratic sound rooted in alternative country, but touching on a wide range of other styles and featuring Gelb's beatnik-influenced vocals and songwriting. Since about 2012, they have also performed as Giant Giant Sand when featuring a larger ensemble than their traditional four to six musicians.
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Howard “Howe” Gelb is an American singer-songwriter, musician and record producer based in Tucson, Arizona.
The Dusty Chaps was an American country rock band based in Tucson, AZ from 1969 through the early 1980s. In 1975 they released their first album Honky Tonk Music on a small Tucson label, Bandoleer Records. The band subsequently signed with Capitol Records and rerecorded Honky Tonk Music with an added track in 1977. They released another album on Capitol, Domino Joe (1978). Band members included Peter Gierlach ; George Hawke ; Pat McAndrew ; Leonardo Lopez ; Steve Solomon ; Bill Emrie (violin); Red Davidson ; and Ted Hockenbury. For some time the Chaps were the house band at Tucson's renowned Stumble Inn as well as the Poco Loco.
Rainer Ptacek, also known mononymously as Rainer, was a German-American guitarist and singer-songwriter based in Tucson, Arizona for much of his adult life. His guitar technique, which incorporated slide, finger-picking, tape loops and electronic manipulation, earned him the admiration of notable musicians such as Robert Plant and Billy Gibbons.
The Sidewinders was a rock band from Tucson, Arizona, who released two major-label albums and scored two radio hits in the US before a lawsuit forced a change of name. Another album was released on a major label but by that time the band had nearly broken up. Since then the band has reunited and dissolved several times.
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