| Purge & Slouch | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | 1993 | |||
| Genre | Folk rock | |||
| Label | Brake Out Restless | |||
| Producer | Howe Gelb, Harvey Moltz, John Convertino | |||
| Giant Sand chronology | ||||
| ||||
Purge & Slouch is an album by the American band Giant Sand, released in 1993 through the German label Brake Out Records. [1] It was released by Restless Records the following year. [2] [3] The band supported the album with a UK tour. [4] Frontman Howe Gelb referred to the music as "smash jazz". [5]
Giant Sand made the album in order to satisfy its contractual obligations to Restless. [6] It was recorded at a house in the Tucson area; Gelb allegedly taped his vocals and guitar playing while lounging on a couch. [7] The band improvised most of the music, which they had a difficult reproducing in a live setting. [4] Susan Cowsill and Vicki Peterson sang on "Corridor". [8] Rainer Ptacek played guitar on many of the tracks; Malcolm Burn contributed on bass. [9] "Dock of the Bay" is a cover of the Otis Redding song. [9] "Santana, Castanada & You" [sic] refers to two Carlos, Carlos Santana and Carlos Castaneda. [10] Gelb later acknowledged the informality and low stakes of the sessions, saying the he enjoyed what many journalists criticized. [11] Stromausfall, the band's next album, released in a press run of 2,000 copies, included music recorded during the same sessions. [12]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Robert Christgau | |
| New York Daily News | |
| Rolling Stone | |
| Spin Alternative Record Guide | 7/10 [16] |
| USA Today | |
| The Virgin Encyclopedia of Nineties Music | |
USA Today called the album "charmingly tattered", noting that "Gelb mixes a half-dozen genres with his off-kilter sensibilities to produce addictive countrified folk-rock." [17] Rolling Stone advised: "The debate among cultists who've supported Gelb for more than a decade is whether such albums reveal a dismaying lack of craft or are works of disjointed brilliance. Make no mistake: Purge and Slouch is lazy." [8] The Press-Telegram said that "Gelb gets into some maddeningly introverted desert-jazz mumbling musings on occasion, but the disc's got some great high points scattered throughout". [19]
The Arizona Daily Star praised the "slight country lopes, lazy blues shouts, unvarnished honky-tonk jams and the occasional bout of impatient guitar skronking." [9] Trouser Press opined that "much jam-session tomfoolery ensues, with the sole reward being a chance to hear Arizona legend Al Perry scrabble out some proto-garage licks on 'Slander'." [20] LA Weekly called the album "ragged-edged, tumultuous, inward and poetic". [21] The New York Daily News stated that "Gelb has given his rundown, dusty music an unrushed allure and made a sound as expansive as a desert sky." [15]
| No. | Title | Length |
|---|---|---|
| 1. | "Slander" | |
| 2. | "Bender" | |
| 3. | "Swamp Thing" | |
| 4. | "Santana, Castanada & You" | |
| 5. | "Blue Lit Rope" | |
| 6. | "Overture (Part 1)" | |
| 7. | "Rice Road Rumba" | |
| 8. | "Corridor" | |
| 9. | "Slice & Dice Blues" | |
| 10. | "High Lonesome Curl" | |
| 11. | "New Carjack City Blues" | |
| 12. | "Owed Ode" | |
| 13. | "Overture, Pt. 2" | |
| 14. | "Here on the Planet" | |
| 15. | "Elevator Music" | |
| 16. | "Song for the Accountants" | |
| 17. | "Dock of the Bay" | |
| 18. | "Tripping Moon" | |
| 19. | "Thin Lizzy Tribute/Personality Flaws/Last Word Jonny" | |
| 20. | "Bed of Nails" | |
| 21. | "Dance of Cicadas" |