Queen Square, Bath

Last updated

The north side of Queen Square Queen Square Bath north side.jpg
The north side of Queen Square

Queen Square is a square of Georgian houses in the city of Bath, England. Queen Square is the first element in "the most important architectural sequence in Bath", [1] which includes the Circus and the Royal Crescent. All of the buildings which make up the square are Grade I listed.

Contents

The original development was undertaken by John Wood, the Elder in the early 18th century. He designed the building frontages following the rules of Palladian architecture and then sub-let to individual builders to put up the rest of the buildings. The obelisk in the centre of the square was erected by Beau Nash in 1738 in honour of Frederick, Prince of Wales.

During World War II several buildings on the south side of the square were damaged by bombing during the Bath Blitz. Following restoration many of the buildings are now offices with the west side housing the Bath Royal Literary and Scientific Institution and on the south side the Francis Hotel.

Vision

Queen Square was the first speculative development by the architect John Wood, the Elder, who later lived in a house on the square. [2]

Wood set out to restore Bath to what he believed was its former ancient glory as one of the most important and significant cities in Britain. In 1725 he developed an ambitious plan for his home town:

I began to turn [his] thoughts towards the improvement of the city by building. [3]

Wood's grand plans for Bath were consistently hampered by the Corporation (council), churchmen, landowners and moneymen. Instead he approached Robert Gay, a barber surgeon from London, and the owner of the Barton Farm estate in the Manor of Walcot, outside the city walls. [4] On these fields Wood established Bath’s architectural style, the basic principles of which were copied by all those architects who came after him. [4]

Development

Queen Square in 1864 Bath Queen Square.jpg
Queen Square in 1864

Queen Square is a key component of Wood's vision for Bath. Named in honour of Queen Caroline, wife of George II, [5] it was intended to appear like a palace with wings and a forecourt to be viewed from the south side:

Wood wrote that:

The intention of a square in a city is for people to assemble together. [3]

He understood that polite society enjoyed parading, and in order to do that Wood provided wide streets, with raised pavements, and a thoughtfully designed central garden. The formal garden was laid out with gravel pathways, low planting and was originally enclosed by a stone balustrade. [4] The current railings date from 1978, a replica of the pre-WW2 originals. The garden area within the railings is exactly one acre (63.6 metres by 63.6 metres).

With the Palladian buildings at Queen Square, Wood "set fresh standards for urban development in scale, boldness and social consequence." [1] The elegant and palatial north façade of seven individual townhouses, with emphasis only on the central house to suggest a grand entrance, is heralded as Wood’s greatest triumph, but the other three wings purposefully act as foils to this ostentatious palace front. The east and west sides of the square are the wings of the ‘palace’, enclosing a forecourt. Wood undoubtedly took his inspiration from Inigo Jones’s Covent Garden piazza (1631–37) in London and perhaps Dean Aldrick’s Peckwater Quadrangle at Christ Church, Oxford (1706–10). [1]

Speculative Building

At Queen Square, Wood introduced speculative building to Bath. This meant that whilst Wood leased the land from Robert Gay for £137 per annum, designed the frontages, and divided the ground into the individual building plots, he sub-let to other individual builders or masons. They had two years' grace in which to get the walls up and the roof on, after which they had to pay a more substantial rent. [9] As Bath was booming, most plots were reserved before the two years were up, providing the builder with the necessary income to complete the house. Ultimately this meant less work and risk for Wood; in addition he received £305 per annum in rents, leaving him a healthy profit of £168 – the equivalent today (in terms of average earnings) of £306,000. [4]

Obelisk

The 1738 Beau Nash Obelisk Queensquareobelisk.JPG
The 1738 Beau Nash Obelisk

The obelisk in the centre of the square, of which Wood was "inordinately proud", was erected by Beau Nash in 1738 in honour of Frederick, Prince of Wales. [10] It formerly rose from a circular pool to a point 70 feet (21 m) high, but a severe gale in 1815 truncated it. [5]

History

Wood chose to live at No.9, on the south side, until he died (No.9 is now the entrance to the Francis Hotel). It was here that he had the best view imaginable:

It was in keeping with Wood’s robust sense of self-satisfaction that he should have made his home in...the central house of the...south side. There he could enjoy, on an axial line, his Egyptian obelisk and the 23-bay palace of the north side. [11]

Although outside the city walls, Queen Square quickly became a popular residence for Bath's Georgian society. It was away from the crowded streets of medieval Bath, but only a short walk to the Abbey, Pump Room, Assembly Rooms and baths. To the north, Wood's vision continued with Gay Street where Jane Austen lived; the Circus, which became home to Georgian artist Thomas Gainsborough; and then along Brock Street to the Royal Crescent. [12]

Second World War

During the Second World War, between the evening of 25 April and the early morning of 27 April 1942, [13] Bath suffered three air raids in reprisal for RAF raids on the German cities of Lübeck and Rostock, part of the Luftwaffe campaign popularly known as the Baedeker Blitz. During the Bath Blitz, [13] over 400 people were killed, and more than 19,000 buildings were damaged or destroyed. [14]

During the raids, a 500-kilogram (1,100 lb) high explosive bomb landed on the east side of the square, resulting in houses on the south side being damaged. [13] The Francis Hotel lost 24 metres (79 ft) of its hotel frontage, and most of the buildings on the square suffered some level of schrapnel damage. Casualties on the square were low considering the devastation, the majority of hotel guests and staff having taken shelter in the hotel's basement. [13]

The buildings have subsequently been restored, although there are still some signs of the bombing. [13] [14]

Present

All of the buildings have been designated by Historic England as Grade I listed buildings.

Numbers 16–18 are now occupied by the Bath Royal Literary and Scientific Institution (BRLSI). The south side (numbers 5–11), which was originally left open, is now occupied by the 4-star Francis Hotel. [15]

The square hosts many attractions all year, such as a French market, Italian market, and boules weekend. [16]

On 30 October 2011, the square was occupied as part of the global Occupy movement, with protesters, under the banner of Occupy Bath, pitching tents and creating other temporary structures. [17] The protestors held a variety of debates, talks and musical events related to financial inequality and were runners up in the 2011 Bath Chronicle Campaign of the Year. [18] The camp dismantled on 10 December 2011, the protesters vowing to continue via other means. [19]

Related Research Articles

<span class="mw-page-title-main">Bath, Somerset</span> City in Somerset, England

Bath is a city in the Bath and North East Somerset unitary area in the county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 101,557. Bath is in the valley of the River Avon, 97 miles (156 km) west of London and 11 miles (18 km) southeast of Bristol. The city became a World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the "Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset.

<span class="mw-page-title-main">The Circus, Bath</span> Circular Georgian street in Bath, Somerset

The Circus is a historic ring of large townhouses in the city of Bath, Somerset, England, forming a circle with three entrances. Designed by architect John Wood, the Elder, it was built between 1754 and 1769, and is regarded as a pre-eminent example of Georgian architecture. The name comes from the Latin circus, meaning a ring, oval or circle. It has been designated as a Grade I listed building.

<span class="mw-page-title-main">Royal Crescent</span> Georgian crescent in Bath, Somerset

The Royal Crescent is a row of 30 terraced houses laid out in a sweeping crescent in the city of Bath, England. Designed by the architect John Wood, the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a Grade I listed building. Although some changes have been made to the various interiors over the years, the Georgian stone facade remains much as it was when first built.

The year 1970 in architecture involved some significant architectural events and new buildings.

<span class="mw-page-title-main">Prior Park</span> Grade I listed Palladian building in south west England

Prior Park is a Neo-Palladian house that was designed by John Wood, the Elder, and built in the 1730s and 1740s for Ralph Allen on a hill overlooking Bath, Somerset, England. It has been designated as a Grade I listed building.

<span class="mw-page-title-main">John Wood, the Elder</span> English architect (1704–1754)

John Wood, the Elder was an English architect, working mainly in Bath.

<span class="mw-page-title-main">John Wood, the Younger</span> English architect, son of John Wood the elder

John Wood, the Younger was an English architect, working principally in the city of Bath, Somerset. He was the son of the architect John Wood, the Elder. His designs were highly influential during the 18th century and the Royal Crescent is considered to be one of the best examples of Georgian Neo-Classical architecture in Britain.

<span class="mw-page-title-main">Bath Assembly Rooms</span> Grade I listed building in Bath, England

The Bath Assembly Rooms, designed by John Wood the Younger in 1769, are a set of assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.

<span class="mw-page-title-main">Great Pulteney Street</span> Street in Bath, England

Great Pulteney Street is a grand thoroughfare that connects Bathwick on the east of the River Avon with the City of Bath, England via the Robert Adam designed Pulteney Bridge. Viewed from the city side of the bridge the road leads directly to the Holburne Museum of Art that was originally the Sydney Hotel where tea rooms, card rooms, a concert room and a ballroom were installed for the amusement of Bath's many visitors.

<span class="mw-page-title-main">Franklin Place</span>

Franklin Place, designed by Charles Bulfinch and built in Boston, Massachusetts in 1793-95, included a row of sixteen three-story brick townhouses that extended in a 480-foot curve, a small garden, and four double houses. Constructed early in Bulfinch's career, Franklin Place came after he had seen the possibilities of modern architecture in Europe and had determined to reshape his native city. It was the first important urban housing scheme undertaken in the United States, and the city's first row-house complex. However, years of decline and the push of industry into the area forced its demolition in 1858.

<span class="mw-page-title-main">Grade I listed buildings in Bath and North East Somerset</span>

Bath and North East Somerset is a unitary authority created on 1 April 1996, following the abolition of the County of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area.

<span class="mw-page-title-main">South Parade, Bath</span> Historic site in Somerset, England

South Parade in Bath, Somerset, England is a historic terrace built around 1743 by John Wood, the Elder. All of the houses have been designated as Grade I listed buildings.

<span class="mw-page-title-main">Buildings and architecture of Bath</span> Permanent structures including significant examples of English architecture from the Roman Baths

The buildings and architecture of Bath, a city in Somerset in the south west of England, reveal significant examples of the architecture of England, from the Roman Baths, to the present day. The city became a World Heritage Site in 1987, largely because of its architectural history and the way in which the city landscape draws together public and private buildings and spaces. The many examples of Palladian architecture are purposefully integrated with the urban spaces to provide "picturesque aestheticism". In 2021, the city was added to a second World Heritage Site, a group of historic spa towns across Europe known as the "Great Spas of Europe". Bath is the only entire city in Britain to achieve World Heritage status, and is a popular tourist destination.

<span class="mw-page-title-main">Palmeira Square</span> 19th century residences in Hove, England

Palmeira Square is a mid-19th-century residential development in Hove, part of the English city and seaside resort of Brighton and Hove. At the southern end it adjoins Adelaide Crescent, another architectural set-piece which leads down to the seafront; large terraced houses occupy its west and east sides, separated by a public garden; and at the north end is one of Hove's main road junctions. This is also called Palmeira Square, and its north side is lined with late 19th-century terraced mansions. Commercial buildings and a church also stand on the main road, which is served by many buses.

<span class="mw-page-title-main">Francis Hotel, Bath</span> Hotel in Bath, England

The Francis Hotel is a four star hotel located in a Grade 1 listed building on the south side of Queen Square, Bath, Somerset, England. It was part of Accor's MGallery luxury boutique hotel collection. On 1st April 2022, the Francis Hotel left the Accor chain.

<span class="mw-page-title-main">Bath Blitz</span> Air raids on Bath, Somerset, during WWII

The term Bath Blitz refers to the air raids by the German Luftwaffe on the British city of Bath, Somerset, during World War II.

<span class="mw-page-title-main">Timeline of Bath, Somerset</span>

The following is a timeline of the history of the city of Bath, Somerset, England.

<span class="mw-page-title-main">Adelaide Mansions</span> Historic site in Brighton and Hove , United Kingdom

Adelaide Mansions is a residential building on the seafront in Hove, part of the city of Brighton and Hove in East Sussex, England. The "handsome block", decorated with ornate details, was erected in 1873 to the design of local architect Thomas Lainson. English Heritage has listed the building at Grade II for its architectural and historical importance.

<span class="mw-page-title-main">Adelaide Crescent</span> 19th century residences in Hove, England

Adelaide Crescent is a mid-19th-century residential development in Hove, part of the English city and seaside resort of Brighton and Hove. Conceived as an ambitious attempt to rival the large, high-class Kemp Town estate east of Brighton, the crescent was not built to its original plan because time and money were insufficient. Nevertheless, together with its northerly neighbour Palmeira Square, it forms one of Hove's most important architectural set-pieces. Building work started in 1830 to the design of Decimus Burton. The adjacent land was originally occupied by "the world's largest conservatory", the Anthaeum; its collapse stopped construction of the crescent, which did not resume until the 1850s. The original design was modified and the crescent was eventually finished in the mid-1860s. Together with the Kemp Town and Brunswick Town estates, the crescent is one of the foremost pre-Victorian residential developments in the Brighton area: it has been claimed that "outside Bath, [they] have no superior in England". The buildings in the main part of Adelaide Crescent are Grade II* listed. Some of the associated buildings at the sea-facing south end are listed at the lower Grade II.

<span class="mw-page-title-main">Buxton Baths</span> Listed buildings in Derbyshire, England

The Buxton Baths using natural thermal spring water are in Buxton, Derbyshire, England. The baths date back to Roman times and were the basis for developing Buxton as a Georgian and Victorian spa town. The present buildings of the Thermal Baths and the Natural Mineral Baths were opened in the 1850s. They are positioned either side of the Buxton Crescent at the foot of The Slopes in the town's Central Conservation Area. They are both Grade II listed buildings designed by Henry Currey, architect for the 7th Duke of Devonshire.

References

  1. 1 2 3 4 Forsyth, Michael (2003). Bath: Pevsner Architectural Guides. London: Yale University Press. ISBN   0300101775.
  2. "Queen Square". UK attractions. Archived from the original on 19 April 2008. Retrieved 10 January 2008.
  3. 1 2 Wood, John (1969) [1765]. Essay Towards a Description of Bath. Bath: Kingsmead Reprints.
  4. 1 2 3 4 Spence, Cathryn (2012). Water, History & Style: Bath World Heritage Site. Stroud: The History Press. ISBN   9780752488141.
  5. 1 2 Ison, Walter (2004). The Georgian Buildings of Bath. Spire Books. p. 129. OCLC   604318205.
  6. "Queen Square (north side)". Images of England. Archived from the original on 18 October 2012. Retrieved 10 January 2008.
  7. "Queen Square". Bath Net. Archived from the original on 28 September 2007. Retrieved 10 January 2008.
  8. "Queen Square (west side)". Images of England. Archived from the original on 18 October 2012. Retrieved 10 January 2008.
  9. Woodward, Christopher (2000). The Building of Bath. Bath: Bath Preservation Trust.
  10. "Queen Square obelisk". Images of England. Archived from the original on 22 October 2012. Retrieved 10 January 2008.
  11. Mowl, Tim; Earnshaw, Brian (1988). John Wood: Architect of Obsession. Bath: Millstream Books. ISBN   094897513X.
  12. Spence, Cathryn (2010). Bath: City on Show. Stroud: The History Press. ISBN   9780752456744.
  13. 1 2 3 4 5 Spence, Cathryn (2012). Bath in the Blitz: Then and Now. Stroud: The History Press. p. 55. ISBN   9780752466392.
  14. 1 2 "Royal Crescent History: The Day Bombs fell on Bath". Royal Crescent Society, Bath. Archived from the original on 31 January 2008. Retrieved 9 December 2007.
  15. "Queen Square (south side)". Images of England. Archived from the original on 18 October 2012. Retrieved 10 January 2008.
  16. "Queen Square". City of Bath. Archived from the original on 31 August 2012. Retrieved 9 September 2012.
  17. "Occupy Bath group hope for numbers boost as council issues warning". This Is Bath. Retrieved 11 May 2011.
  18. Bath Chronicle, 29 December 2011
  19. "Occupy Bath protesters leave Queen Square" . Retrieved 2 December 2012.

Coordinates: 51°23′01″N2°21′49″W / 51.38361°N 2.36361°W / 51.38361; -2.36361