Quellinus family

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Quellinus is the surname of a family of Flemish artists, painters and sculptors active in the 17th century in Antwerp. Members of the family include:

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Jan Siberechts

Jan Siberechts (1627–1703) was a Flemish landscape painter who after a successful career in Antwerp, emigrated in the latter part of his life to England. In his early works, he developed a personal style of landscape painting, with an emphasis on the Flemish countryside and country life. His later landscapes painted in England retained their Flemish character by representing a universal theme. Siberechts also painted hunting scenes for his English patrons. The topographical views he created in England stand at the beginning of the English landscape tradition.

Thomas Quellinus

Thomas Quellinus, also known, especially in Denmark, as Thomas Qvellinus, was a Flemish baroque sculptor. He was born in Antwerp as a member of the well-known Quellinus family of artists active in 17th century Antwerp. He worked most of his career in Copenhagen, Denmark, where he operated a workshop. He is especially known for the production of grandiose and sumptuous memorial chapels, sepulchral monuments and epitaphs, which can be found in churches throughout Denmark and northern Germany's Schleswig-Holstein area. His chapels and monuments are dramatically composed, executed in rare, differently coloured types of marble and framed by monumental architectural components.

Baroque sculpture Sculpture of the Baroque movement

Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.

Artus Quellinus the Elder

Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.

Jan Philip van Thielen

Jan Philip van Thielen or Jan Philips van Thielen was a Flemish painter who specialized in flower pieces and garland paintings. He was a regular collaborator with leading Flemish and Dutch figure painters of his time. Van Thielen was the most popular flower painter in Flanders and his patrons included Diego Felipez de Guzmán, 1st Marquis of Leganés and Leopold Wilhelm of Austria, the art-loving governor of the Southern Netherlands.

Erasmus Quellinus the Younger

Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a pupil of Peter Paul Rubens and one of the closest collaborators of Rubens in the 1630s. Following Rubens' death in 1640 he became one of the most successful painters in Flanders. He was a prolific draughtsman who made designs for decorative programmes in the context of official celebrations, for publications by the local publishers and for tapestries and sculptures realised by the local workshops. His work reveals the Classicist trend in the Baroque.

Pieter Verbrugghen I

Pieter Verbrugghen I was a Flemish sculptor from the Baroque.

Rombout Verhulst

Rombout Verhulst was a Flemish sculptor and draughtsman who spent most of his career in the Dutch Republic. An independent assistant of the Flemish sculptor Artus Quellinus the Elder in the sculptural decoration project for the new town hall in Amsterdam, he contributed to the spread of the Baroque style in Dutch sculpture. He became the leading sculptor of marble monuments, including funerary monuments, garden figures and portraits, in the Dutch Republic.

Jan Erasmus Quellinus

Jan Erasmus Quellinus was a Flemish painter and draughtsman and a member of the famous Quellinus family of artists. He was one of the last prominent representatives of the great Flemish school of history and portrait painting in the 17th century. His work displays the classicizing influences of his father Erasmus Quellinus the Younger and Paolo Veronese. Mainly active in his native Antwerp, he worked for some time in Vienna for the Habsburg court as a court painter to Emperor Leopold I.

Erasmus Quellinus I or Erasmus Quellinus the Elder was a Flemish sculptor best known for classically inspired ornamentation work and copies after the antique. He was the founder of an important Antwerp dynasty of artists.

Willem van Herp

Willem van Herp (I) or Willem van Herp the Elder was a Flemish Baroque painter specializing in religious paintings and small cabinet paintings of "low-life" genre scenes. He operated a large workshop and through his good connections with Antwerp art dealers helped spread the Flemish Baroque style internationally.

Hubertus Quellinus

Hubertus Quellinus or Hubert Quellinus was a Flemish printmaker, draughtsman and painter and a member of the prominent Quellinus family of artists. His engravings after the work of his brother, the Baroque sculptor Artus Quellinus the Elder, were instrumental in the spread of the Flemish Baroque idiom in Europe in the second half of the 17th century.

<i>Het Gulden Cabinet</i> Book by Cornelis de Bie

Het Gulden Cabinet vande Edel Vry Schilder-Const or The Golden Cabinet of the Noble Liberal Art of Painting is a book by the 17th-century Flemish notary and rederijker Cornelis de Bie published in Antwerp. Written in the Dutch language, it contains artist biographies and panegyrics with engraved portraits of 16th- and 17th-century artists, predominantly from the Southern Netherlands. The work is a very important source of information on the artists it describes. It formed the principal source of information for later art historians such as Arnold Houbraken and Jacob Campo Weyerman. It was published in 1662, although the work also mentions 1661 as date of publication.

Hendrik Frans Verbrugghen

Hendrik Frans Verbrugghen or Hendrik Frans Verbruggen was a Flemish sculptor and draftsman, who is best known for his Baroque church furniture in various Belgian churches.

Pieter Verbrugghen the Younger

Pieter Verbrugghen the Youngeror Pieter Verbrugghen II(1648, Antwerp - after 1691, Antwerp) was a Flemish sculptor, draughtsman, etcher and stone merchant.

Mattheus van Beveren

Mattheus van Beveren was a Flemish sculptor and medalist who is mainly known for his monumental Baroque church sculptures and small wood and ivory sculptures. He also made medals and die designs for the Antwerp Mint.

Artus Quellinus II

Artus Quellinus II or Artus Quellinus the Younger was a Flemish sculptor who played an important role in the evolution of Northern-European sculpture from High Baroque to Late Baroque.

Artus Quellinus III

Artus Quellinus III, known in England as Arnold Quellin was a Flemish sculptor who after training in Antwerp was mainly active in London. Here he worked in partnership with the English sculptor Grinling Gibbons on some commissions. Some of the works created during their partnership cannot with certainty be attributed to Quellinus or Gibbons. The drop in quality of the large-scale figurative works in the workshop of Gibbons following the early death of Quellinus has been seen as evidence of this.

Brueghel family

The Brueghel family, also spelled Bruegel or Breughel, is an extended family of Dutch and Flemish painters which played a major role in the development of the art in Brabant and Flanders throughout the 16th and 17th centuries. Due to the organisation in guilds and training being done with established painters and not in schools or academies, painters often passed on the knowledge from father to son, and there are many examples of Flemish painting families spanning two or more generations, e.g. the Francken family, which had at least ten painters spanning four generations. The Brueghel family produced the largest number of major painters of all Flemish families.

Lodewijk Willemsens

Lodewijk Willemsens or Ludovicus Willemsens (1630–1702) was a Flemish sculptor from Antwerp. His works comprise mostly sculptured church furniture, and to a lesser extent individual sculptures, both portrait busts as well as statues of saints for churches.

References

  1. Hubertus Quellinus at the Netherlands Institute for Art History (in Dutch)
  2. Hans Vlieghe and Iris Kockelbergh. "Quellinus." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 Mar. 2014.