Quicksilver Messenger Service | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1968 | |||
Recorded | December 1967 | |||
Genre | Psychedelic rock, acid rock | |||
Length | 31:46 | |||
Label | Capitol (US) | |||
Producer | Nick Gravenites, Harvey Brooks, Pete Welding | |||
Quicksilver Messenger Service chronology | ||||
|
Quicksilver Messenger Service is the debut studio album of Quicksilver Messenger Service, released in May 1968. The group were among the last of the original major San Francisco bands to secure a recording contract, which meant that the album appeared many months after the debut efforts of Jefferson Airplane, Grateful Dead, Country Joe and the Fish, Moby Grape, and Big Brother and the Holding Company. Despite this, the album received acclaim and is considered a cornerstone release in the late '60s Haight discography.
This was Quicksilver Messenger Service's first album, although they had already recorded two songs in 1967 ("Codine" and "Babe I'm Gonna Leave You") for the soundtrack of the 1968 movie Revolution. Original singer/guitarist Jim Murray quit the group in August 1967, [1] prior to this album's recording in December, as they adjusted to a four-man format. Production was handled by Nick Gravenites and Harvey Brookes of The Electric Flag along with Pete Welding. [2] Sessions originally began with Brooks in Los Angeles but were considered unsatisfactory, so a few months later they moved San Francisco with Gravenites and Welding to re-record most of the material. Parts of "Pride of Man" and "The Fool" from the Los Angeles sessions still appear on the final product. [1]
The album varies between the group's extended jam sound and lighter pop-oriented songs. Unlike contemporaries such as the Grateful Dead, Quicksilver's jams were highly planned as can be heard by comparing the studio versions of songs with those from archival live performances. Gary Duncan and John Cipollina displayed an innovative dueling lead guitar style on extended jam tracks such as "Gold and Silver" and "The Fool", with Cipollina making use of the wah-wah.
"Pride of Man", "Dino's Song", and "Gold And Silver" (in a shortened 3 minute version) had appeared regularly in the group's live setlists as far back as 1966. Hamilton Camp's folk protest number "Pride of Man" features horns courtesy of The Electric Flag. [1] "Dino's Song" was written by Dino Valenti who was at that time in prison due to marijuana-related offenses; he would eventually rejoin the group at the start of 1970 and radically alter its sound. "Gold And Silver" had begun as a three-minute instrumental variation of Brubeck's "Take Five", [3] gradually lengthened over live performances into a showcase for the group's improvisational technique (live versions usually featured an additional lengthy drum solo from Elmore). Elsewhere, "It's Been Too Long" had been penned by the group's manager Ron Polte while "Light Your Windows" was a Duncan-Freiberg original. [3] Another original, the multi-sectional, quasi-symphonic closing psych epic "The Fool" had begun with lyrics typed on a typewriter by Freiberg during an LSD trip. [1] It was first premiered for shows in May 1967 and gradually extended and polished into what appears on the album; the studio take features expressive viola work from Freiberg as well as uncredited backing vocals by the all-female Haight band The Ace of Cups.
Many cover songs which had been regulars of the group's live show in 1966 and 1967, including "Long Distance Call", "Smokestack Lightning", "All Night Worker", "Susie Q", "Got My Mojo Workin'", "Walkin' Blues" and "I Hear You Knocking" were passed over for recording while other popular early staples like their interpretations of "Mona" and "Who Do You Love?" would be saved for the next release Happy Trails .
Review scores | |
---|---|
Source | Rating |
Allmusic | [4] |
Rolling Stone | (favorable) [5] |
Sputnikmusic | [6] |
The self-titled album eventually came out in May 1968, housed in a sleeve whose front cover was designed by famed San Francisco poster artist Rick Griffin, with back cover photographs by Jim Marshall. [2] It charted at #63 on Billboard that summer as the group continued to play shows across the country, with a specific preference for the Bay Area. Writing at the time of release, Barry Gifford at Rolling Stone thought the group's sound now resembled that of The Electric Flag a little too closely, but concluded that "the formula works" and was "a much finer record debut than The Grateful Dead's." [5] In the UK, Disc & Music Echo ecstatically opined "beautiful music, carrying you several miles up from your room into the ionosphere and then smashing you back to earth again with things which just shouldn't be...possible on record." [7] Retrospectively, Richie Unterburger at AllMusic called it "inarguably their strongest set of studio material, with the accent on melodic folk-rock." [4]
Side one
Side two
Billboard (United States)
Year | Chart | Position |
---|---|---|
1968 | Pop Albums | 63 |
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles. Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of that era."
Chester William Powers, Jr. was an American singer-songwriter, and under the stage names Dino Valenti or Dino Valente, one of the lead singers of the rock group Quicksilver Messenger Service. As a songwriter, he was known as Jesse Oris Farrow. He is best known for having written the quintessential 1960s love-and-peace anthem "Get Together", and for writing and singing on Quicksilver Messenger Service's two best-known songs, "Fresh Air" and "What About Me?"
John Cipollina was a guitarist best known for his role as a founder and the lead guitarist of the prominent San Francisco rock band Quicksilver Messenger Service. After leaving Quicksilver he formed the band Copperhead, was a member of the San Francisco All Stars and later played with numerous other bands.
Happy Trails is the second album of the American band Quicksilver Messenger Service. Most of the album was recorded from two performances at the Fillmore East and Fillmore West, although it is not clear which parts were recorded at which Fillmore. The record was released by Capitol Records in 1969 in stereo.
Gary Duncan was an American guitarist, singer and songwriter. He was guitarist with The Brogues, then most notably with Quicksilver Messenger Service, where the complex interplay between himself and fellow-guitarist John Cipollina did much to define the unique sound of that San Francisco based band.
Jim Murray was a guitarist and harmonica player for the psychedelic blues rock band Quicksilver Messenger Service. He also handled lead and background vocals on some songs. He left the band in late 1967 shortly before they recorded their first album.
Shady Grove is a 1969 studio album by Quicksilver Messenger Service.
Nick Gravenites is an American blues, rock and folk singer, songwriter, and guitarist, best known for his work with Electric Flag, Janis Joplin, Mike Bloomfield and several influential bands and individuals of the generation springing from the 1960s and 1970s. He has sometimes performed under the stage names Nick "The Greek" Gravenites and Gravy.
Just for Love is the fourth album by American psychedelic rock band Quicksilver Messenger Service. Released in August 1970, it marks the culmination of a transition from the extended, blues- and jazz-inspired improvisations of their first two albums to a more traditional rock sound. Founding member Dino Valenti, who returned to the band after a stint in prison on drug charges, was largely responsible for the new sound. Valenti's influence is readily apparent throughout; he composed eight of the album's nine tracks under the pen name Jesse Oris Farrow. Despite the marked change in the band's sound, it was their third straight album to reach the Top 30 on the Billboard charts, peaking at number 27. The only single culled from the album, "Fresh Air", became the band's biggest hit, reaching number 49.
What About Me is the fifth album by American psychedelic rock band Quicksilver Messenger Service. Released in December 1970 and recorded partly at the same sessions that produced Just for Love, the album is the last to feature pianist Nicky Hopkins and the last pre-reunion effort to feature founding members David Freiberg and John Cipollina. Several tracks, including "Baby Baby", "Subway" and "Long Haired Lady" had been played regularly at shows through 1970, previewing the album.
Quicksilver is the sixth album by American psychedelic rock band Quicksilver Messenger Service.
Comin' Thru is the seventh album by American psychedelic rock band Quicksilver Messenger Service. The album is marked by the debut of a horn section, while Chuck Steaks replaced Mark Naftalin on keyboards. Dino Valenti's songs dominate as they had on the last three albums, with his tune "Mojo" having appeared in their live setlist since 1970. It is generally regarded as their weakest effort, failing to chart higher than #134 and more or less marked the end of Quicksilver as anything other than a part-time band.
Solid Silver is the eighth album by American psychedelic rock band Quicksilver Messenger Service and their mid-1970s comeback album, reuniting the band's entire core lineup.
At The Kabuki Theatre is a live album by American psychedelic rock band Quicksilver Messenger Service. The last four tracks are taken from studio rehearsal tapes, probably made in 1970 and not in 1969 which is stated on the album cover.
Unreleased Quicksilver Messenger Service — Lost Gold and Silver is a compilation album by American psychedelic rock band Quicksilver Messenger Service. The album is made up of the European 2-LP release Maiden of the Cancer Moon from 1983, two tracks from the 1967 soundtrack album Revolution, both sides from a non-LP single released in late 1968 and some studio outtakes from the late 1960s.
Maiden of the Cancer Moon is a live album by American psychedelic rock band Quicksilver Messenger Service.
Ace of Cups is an American rock band formed in San Francisco in 1967 during the Summer of Love era. It has been described as one of the first all-female rock bands.
David Freiberg is an American musician best known for contributing vocals, keyboards, electric bass, rhythm guitar, viola and percussion as a member of Quicksilver Messenger Service, Jefferson Airplane, and Jefferson Starship. Among other tracks, he co-wrote "Jane", a hit for Jefferson Starship.
"Fresh Air" is a 1970 song written by Gary Duncan with lyrics by Jesse Oris Farrow, the pen name of Chester William "Chet" Powers, Jr., who also used the stage name of Dino Valenti. It was first recorded by the San Francisco-based band Quicksilver Messenger Service, which Valenti had recently rejoined at the start of 1970. "Fresh Air" was the only single released from the album Just for Love. The single peaked at No. 49 on November 7, 1970 during a nine-week stay on the Billboard Hot 100, making it the band's most successful single.
Ronald Thomas Polte was an American manager in the California Bay Area rock and roll scene. He was well known as the manager of the psychedelic music groups, The Ace of Cups quintet, one of the earliest all-female groups, the renowned Quicksilver Messenger Service, which featured a host of major talents, and briefly, the Sons of Champlin.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)