Stephen Richard Hackett is an English musician, songwriter, singer, and producer who gained prominence as the lead guitarist of the progressive rock band Genesis from 1971 to 1977. Hackett contributed to six Genesis studio albums, three live albums, seven singles and one EP before he left to pursue a solo career. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.
Nursery Cryme is the third studio album by the English rock band Genesis, released in November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy. At approximately 39 minutes long, it is the shortest studio album by the band to date.
Genesis Live is the first live album from the English rock band Genesis, released in July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program King Biscuit Flower Hour, the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album Foxtrot (1972).
"Supper's Ready" is a song by the band Genesis. A recorded version appeared on their 1972 album Foxtrot, and the band performed the song regularly on stage for several years following this. Live versions appear on the albums Live at the Rainbow recorded in 1973, Seconds Out recorded in 1977, the compilation Genesis Archive 1967–75, and the box set Genesis Live 1973–2007. A reworked version also appears on Steve Hackett's 2012 album Genesis Revisited II and its accompanying live albums Genesis Revisited: Live at Hammersmith and Genesis Revisited: Live at Royal Albert Hall.
Genesis Archive 1967–75 is a box set by the English progressive rock band Genesis, released in June 1998 on Virgin Records in the United Kingdom and by Atlantic Records in the United States. After the release of their studio album Calling All Stations in 1997, the band assembled recordings from their history for release which involved the participation of former members Peter Gabriel, Anthony Phillips, Steve Hackett, and Phil Collins. The set includes previously unreleased studio, live, and demo tracks, some of which include re-recorded vocal and guitar parts from Gabriel and Hackett, respectively.
Platinum Collection is a career-spanning box set by British veteran rock band Genesis. It was released in 2004 in the UK and 2005 in North America.
John Hackett is a British flautist, the younger brother of guitarist Steve Hackett. Although his primary instrument is the flute, he also plays guitar, bass, bass pedals and keyboards.
Voyage of the Acolyte is the first studio album by English guitarist, songwriter, and singer Steve Hackett, released in October 1975 on Charisma Records as his only album recorded and released while he was a member of Genesis. Hackett recorded the album during a break in group activity in mid-1975 and used guest musicians, including Genesis bassist Mike Rutherford and drummer Phil Collins, to play on the record. It has a loose concept with the title and lyrics of each track inspired by a Tarot card.
Genesis Revisited, called Watcher of the Skies: Genesis Revisited in the US, is the 12th studio album by Steve Hackett, paying tribute to his former band, Genesis. It mainly features songs originally released by Genesis during Hackett's tenure with the group (1971–77). The previously unreleased song "Déjà Vu" was started by Peter Gabriel in 1973 during the Selling England by the Pound sessions but not finished and Hackett completed the song for this album. There are also two new songs, "Valley of the Kings" and "Waiting Room Only"; the latter is named after and loosely inspired by "The Waiting Room", an instrumental from the 1974 Genesis album The Lamb Lies Down on Broadway. The Japanese version of the album contains one extra song called "Riding the Colossus".
Spectral Mornings is the third studio album by English guitarist and songwriter Steve Hackett, released in May 1979 on Charisma Records. It is his first to feature members of his touring band, which many Hackett fans consider as the "classic line-up". The musicians are his brother John Hackett, Nick Magnus, Dik Cadbury, John Shearer, and Pete Hicks.
Please Don't Touch! is the second studio album by English guitarist and songwriter Steve Hackett. It was released in April 1978 on Charisma Records, and it is his first album released after leaving the progressive rock band Genesis in 1977. Hackett had released Voyage of the Acolyte (1975) during his time in Genesis. For his next solo release he recorded in the United States and hired various guest artists, including singers Randy Crawford, Richie Havens, and Steve Walsh, drummers Phil Ehart and Chester Thompson, bassist Tom Fowler, with Van der Graaf Generator violinist Graham Smith.
"The Carpet Crawlers" is a song by the English progressive rock band Genesis, recorded for their sixth studio album The Lamb Lies Down on Broadway. Mike Rutherford and Tony Banks wrote most of the music, with the help of Peter Gabriel. Lyrically, the song tells the section of the album's story whereby Rael, the lead character, finds himself in a red carpeted corridor surrounded by kneeling people slowly crawling towards a wooden door. Rael dashes by them towards the door and goes through it. Behind the door is a table with a candlelit feast on it, and behind that, a spiral staircase that leads upwards out of sight.
Celebrate Me Home is the debut studio album by American singer-songwriter Kenny Loggins, released in 1977. The album, Loggins' first since splitting from Loggins and Messina, represents a slight move away from the folk-rock leanings of his previous recordings towards a more polished, soft rock sound.
"The Knife" is a song by progressive rock band Genesis from their second album, Trespass (1970).
"A Trick of the Tail" is a song by the progressive rock band Genesis taken from the 1976 album of the same name. It was written by the band's keyboard player Tony Banks.
Out of the Tunnel's Mouth is the 20th studio album by English guitarist and songwriter Steve Hackett, released in October 2009 by Wolfwork and EAR Music. Hackett started recording the album in 2008 while he was involved in a legal case against his ex-wife Kim Poor, which created problems regarding its release. As a result, recording took place in his living room with his touring keyboardist Roger King serving as co-producer. The album includes performances by founding Genesis guitarist Anthony Phillips and Yes bassist Chris Squire.
Ten Thousand Days is the first studio album by contemporary Christian musician Bebo Norman. The album was his only album released on Watershed Records, and his second album overall including his first independent release. This album was released on September 14, 1999, and the producers are Ed Cash and Bebo Norman.
"The Musical Box" is a song by English progressive rock band Genesis, which was originally released on their third studio album Nursery Cryme in 1971. The song is written in the key of F# major. This song is the longest song on the album at ten and a half minutes.
Genesis Revisited II is the 22nd studio album by musician Steve Hackett, released on 22 October 2012 by Inside Out Music label. It is a sequel to his 1996 album Genesis Revisited and largely consists of reworked versions of songs originally by Genesis with a variety of guest vocalists.
"Can-Utility and the Coastliners" is the fourth song on Genesis' fourth album, Foxtrot, released in 1972. "Can-Utility and the Coastliners", written mostly by guitarist Steve Hackett, is based on the legend of King Cnut of England, Norway, and Denmark, who supposedly ordered the seas to retreat to mock the sycophancy of his followers. An early, longer version of the song found its way into pre-album live sets ; known as "Bye Bye Johnny" or "Rock My Baby", it featured an extended instrumental section in which the Mellotron string sound dominated.
