Out of the Past is a 1947 American film noir directed by Jacques Tourneur and starring Robert Mitchum, Jane Greer, and Kirk Douglas. The film was adapted by Daniel Mainwaring from his 1946 novel Build My Gallows High, with uncredited revisions by Frank Fenton and James M. Cain.
Robert Charles Durman Mitchum was an American actor. He is known for his antihero roles and film noir appearances. He received nominations for an Academy Award and a BAFTA Award. He received a star on the Hollywood Walk of Fame in 1984 and the Golden Globe Cecil B. DeMille Award in 1992. Mitchum is rated number 23 on the American Film Institute's list of the greatest male stars of classic American cinema.
William Franklin Holden was an American actor and one of the biggest box-office draws of the 1950s. Holden won the Academy Award for Best Actor for the film Stalag 17 (1953) and the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie for the television miniseries The Blue Knight (1973). Holden starred in some of Hollywood's most popular and critically acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), Picnic (1955), The Bridge on the River Kwai (1957), The Wild Bunch (1969) and Network (1976). He was named one of the "Top 10 Stars of the Year" six times, and appeared as 25th on the American Film Institute's list of 25 greatest male stars of Classical Hollywood cinema.
The year 1949 in film involved some significant events.
Susan Hayward was an Academy Award-winning American film actress, best known for her film portrayals of women that were based on true stories.
Jean Merilyn Simmons was a British actress and singer. One of J. Arthur Rank's "well-spoken young starlets", she appeared predominantly in films, beginning with those made in Britain during and after the Second World War, followed mainly by Hollywood films from 1950 onwards.
Gloria Grahame Hallward was an American actress. She began her acting career in theatre, and in 1944 made her first film for MGM.
They Live by Night is a 1948 American film noir directed by Nicholas Ray, in his directorial debut, and starring Cathy O'Donnell and Farley Granger. Based on Edward Anderson's Depression-era novel Thieves Like Us, the film follows a young convict on the run who falls in love with a woman and attempts to begin a life with her.
The Set-Up is a 1949 American film noir boxing drama directed by Robert Wise and starring Robert Ryan and Audrey Totter. The screenplay was adapted by Art Cohn from a 1928 narrative poem of the same name by Joseph Moncure March. The Set-Up was the last film Wise made for RKO, and he named it his favorite of the pictures he directed for the studio, as well as one of his top ten of his career.
The Big Steal is a 1949 American black-and-white film noir reteaming Out of the Past stars Robert Mitchum and Jane Greer. The film was directed by Don Siegel, based on the short story "The Road to Carmichael's" by Richard Wormser.
Blood on the Moon is a 1948 RKO black-and-white "psychological" Western film noir starring Robert Mitchum, Barbara Bel Geddes, Robert Preston and Walter Brennan. Directed by Robert Wise, the cinematography is by Nicholas Musuraca. The movie was shot in California as well as some of the more scenic shots at Red Rock Crossing, Sedona, Arizona. The picture is based on the novel Gunman's Chance by Luke Short.
His Kind of Woman is a 1951 film noir starring Robert Mitchum and Jane Russell. The film features supporting performances by Vincent Price, Raymond Burr and Charles McGraw. The direction of the film, which was based on the unpublished story "Star Sapphire" by Gerald Drayson, is credited to John Farrow.
The Locket is a 1946 American psychological thriller with noirish undertones directed by John Brahm, starring Laraine Day, Brian Aherne, Robert Mitchum, and Gene Raymond, and released by RKO Pictures. The film is based on a screenplay by Sheridan Gibney, adapted from "What Nancy Wanted" by Norma Barzman, wife of later-blacklisted writer Ben Barzman. It is noted for its complex and confusing use of layered flashbacks within flashbacks to give psychological depth to the narrative.
The Lusty Men is a 1952 Western film released by Wald-Krasna Productions and RKO Radio Pictures starring Susan Hayward, Robert Mitchum, Arthur Kennedy and Arthur Hunnicutt. The picture was directed by Nicholas Ray and produced by Jerry Wald and Norman Krasna from a screenplay by David Dortort and Horace McCoy, with uncredited contributions by Alfred Hayes, Andrew Solt, and Wald, that was based on the novel by Claude Stanush. The music score was by Roy Webb and the cinematography by Lee Garmes.
Susan Slept Here is a 1954 American romantic comedy film directed by Frank Tashlin and starring Dick Powell and Debbie Reynolds. Shot in Technicolor, the film is based on the play of the same name by Steve Fisher and Alex Gottlieb. Tashlin later revised the film's plotline and reused it in 1962 for the production Bachelor Flat. Comedian Red Skelton has a minor role.
A Dangerous Profession is a 1949 American film noir directed by Ted Tetzlaff, written by Warren Duff and Martin Rackin, and starring George Raft, Ella Raines, and Pat O'Brien. The supporting cast features Jim Backus.
Easy Living is a 1949 American drama film directed by Jacques Tourneur, starring Victor Mature, Lucille Ball and Lizabeth Scott. The film features the real-life Los Angeles Rams football team.
Waiting for Forever is a 2010 American romance film directed by James Keach and starring Rachel Bilson and Tom Sturridge. The film had a limited theatrical release beginning February 4, 2011.
Harry Marker was an American Oscar-nominated film editor, who also worked in the television medium. Over the course of his 45-year career, he worked on more than 100 films and television shows. In 1946 he was nominated for an Oscar for Best Film Editing for The Bells of St. Mary's.
Hugh McGary was an Irish-born American military officer and landowner who was the founder of McGary Station in present-day Oregon, Kentucky.
