Railton Road runs between Brixton and Herne Hill in the London Borough of Lambeth. The road is designated the B223. At the northern end of Railton Road it becomes Atlantic Road, linking to Brixton Road at a junction where the Brixton tube station is located. At the southern end is Herne Hill railway station. Squatted in the 1970s, it won renown in the Black community as the "frontline" of the 1981 Brixton riot. Its leading establishment is the 198 Contemporary Arts and Learning centre.
Railton Road in its present form dates from a renumbering and renaming of streets in 1888. This incorporated buildings that had started life as properties on Station Road [1] and Lett Street. [2] It was in this late Victorian period that the road developed as a residential street. Built in 1878, the St. George’s Residences, 78-80 Railton Road, (with a water tank in the central tower) is an early example of a purpose-built block of flats. [3]
After the Second World War, in which the Blitz damaged and destroyed much of the local housing stock, Lambeth Borough Council used new compulsory purchasing powers to buy out private landlords. A result was that, while plans for new public housing were being brought forward, many properties in Brixton, including on Railton Road, lay vacant and in disrepair. This contributed to an acute housing crisis in which West Indian immigrants and a growing Black community, in particular, found themselves crowded into substandard tenements. [4] Combined with a developing counter-cultural scene in London, these conditions opened Railton Road in the 1970s to extensive squatting.
In 1972, the British Black Panthers, Olive Morris and Liz Obi, occupied a flat above a launderette on Railton Road. After fighting off attempts at illegal eviction, and taking cue from a group of white women who had also moved into the road to run women’s centre, they opened a larger corner-shop building, 121 Railton Road. This became a centre, first for Black organisations including the Brixton Black Women's Group, and later for anarchists. [5] Others followed: by the mid-1970s there was a second women’s centre at number 80; next to it in 78, the South London Gay Community Centre (evicted 1976); [6] the collective producing Race Today, edited by Darcus Howe, whose uncle, the Trinidadian historian C. L. R. James, lived – and in 1989 was to die – at number 165 (now the Brixton Advice Centre); [7] a Claimants’ Union; [6] and, underneath her dress shop at 103, Pearl Alcock’s Shebeen (patronised by Caribbean gay men, it was closed by the police in 1979). [8] [9]
In 1981, Albert Meltzer, who established the Kate Sharpley Library (KSL) in the "121 Centre", [10] recalls the police doing "their best" to blame the onset of the Brixton riot on he and his fellow anarchists, but that this had been "rather difficult as the rioters were Black youths pushed by harassment". [11] [5] The trigger to the riots, which began in Railton Road, is commonly ascribed to the police's increased use of stop-and-search and to tensions arising from the deaths of 13 black teenagers and young adults in a suspicious house fire in New Cross. [12]
In the riot, the George public house was burnt down and a number of other buildings were damaged, and the area became known as the "Front Line". In their search of the source of petrol bombs, police were accused of damaging homes, smashing televisions and ripping furniture. [13] The George was replaced with a Caribbean bar called Mingles in 1981, which lasted in one form or another (later called Harmony) as a late-night mostly Caribbean-British attended club/bar until the 2000s. Despite its reputation as run-down, violent and racially tense – a "no-go" area – it was a hotbed of Afro-Caribbean culture, radical political activity and working-class community. The 121 Centre, in which the anarchists later ran a bookshop, a cafe and a disco, and published their news sheet Black Flag , was one legacy of squatting in Railton Road that survived until its heavily contested eviction in 1999. [11] [14]
After the riot, the authorities had saturated the area with police and social workers, and demolished half of both Railton and Mayall Roads, clearing them of shops, homes and clubs, [15] although not without incident. In November 1982, following evictions from nine houses, riot squads broke through a makeshift barricade and batoned a large crowd of youths. [16] In advance of demolition, squatters who had held out around the corner, in Effra Parade, were turned out of their row of seven workers' cottages by a force of 200 police in 1984. [17]
In 1994, an organisation, originally named Roots Community, founded in 1988 by John "Noel" Morgan, a minicab driver and Zoe Lindsay-Thomas, manager of the Vargus Social Club in Landor Road, [18] established an arts centre at 198 Railton Road. 198 Contemporary Arts and Learning, also known as the 198 Gallery or 198, describes itself as a "Black-led, arts, creative and cultural organisation which nurtures and supports the careers of young Black, Asian and Minority Ethnic artists, curators, creatives and entrepreneurs". [19]
198 has hosted projects and solo exhibitions showcasing the work of more than four hundred British and international artists, including: Keith Piper, Eva Sajovic, [20] Hew Locke, Brian Griffiths, Fernando Palma Rodriguez, [21] Quilla Constance, [22] Barby Asante, Delaine Le Bas, [23] and Godfried Donkor [24] In 2022, it mounted a retrospective, "Coming Home", for the drawings and paintings of Pearl Alcock [25] who, after her shebeen was closed at 103, continued to run a cafe at 105 until, following the 1981 riot, her electricity was cut. [9]
On 30 October 2022, 21-year-old Deliveroo driver Guilherme Messias Da Silva, and 27-year-old Lemar Urquhart were killed as a result of a gang-related incident on Railton Road. Da Silva was fatally injured after his moped collided with a car being driven by Urquhart who was at the time of the collision being pursued by another vehicle. Urquhart escaped his car before being chased down and fatally shot. [26]
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