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Rainer Polak is an ethnomusicologist [1] and djembe drummer who has researched in the field of West African celebration music performances and written in the field of ethnomusicology. He is also an associate professor at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, and at the Department of Musicology at the University of Oslo [2]
Rainer Polak studied social anthropology, African linguistics, Bambara language, and History of Africa from 1989 to 1996 at Bayreuth University (Germany), and jenbe music performance from 1991 until today in Bamako (Mali). All of his studies and work in Bamako were accomplished with the help of locally and traditionally minded drummers whose playing is presented in his book and the corresponding CD.
Polak worked as a professional jenbe player in Bamako for one year in 1997/98, performing at well over a hundred traditional weddings, spirit possession dances and other celebrations on the basis of being hired by the late Jaraba Jakite, most of the times, and occasionally by the late Yamadu Bani Dunbia, by Jeli Madi Kuyate, and by Drissa Kone. The ethnomusicological dissertation and book he wrote on that experience won the academic prize of the German African Studies Association in 2003/04. Polak ranks as an outstanding jenbe soloist in Germany. As a teacher he has specialized in giving focused classes on micro-timing, and master-classes in jenbe solo performance.
Bambara, also known as Bamana or Bamanankan, is a lingua franca and national language of Mali spoken by perhaps 14 million people, natively by 4.2 million Bambara people and about 10 million second-language users. It is estimated that about 80 percent of the population of Mali speak Bambara as a first or second language. It has a subject–object–verb clause structure and two lexical tones.
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea, Burkina Faso, Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most West African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
A djembe or jembe is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa. According to the Bambara people in Mali, the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose. In the Bambara language, "djé" is the verb for "gather" and "bé" translates as "peace."
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
Guinea is a West African nation, composed of several ethnic groups. Among its most widely known musicians is Mory Kanté – 10 Cola Nuts saw major mainstream success in both Guinea and Mali while "Yé ké yé ké", a single from Akwaba Beach, was a European success in 1988.
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
The music of the Gambia is closely linked musically with that of its neighbor, Senegal, which surrounds its inland frontiers completely. Among its prominent musicians is Foday Musa Suso. Mbalax is a widely known popular dance music of the Gambia and neighbouring Senegal. It fuses popular Western music and dance, with sabar, the traditional drumming and dance music of the Wolof and Serer people.
Dunun is the generic name for a family of West African drums that have developed alongside the djembe in the Mande drum ensemble.
Toumani Diabaté was a Malian kora player. In addition to performing the traditional music of Mali, he was involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles of music. In 2006, the London-based newspaper The Independent named him one of the fifty best African artists. In its obituary, The Times described him as "a bold and innovative musical visionary".
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
Djelimady Tounkara is a Malian musician and one of the foremost guitarists in Africa.
Kouroussa is a prefecture located in the Kankan Region of Guinea. The capital is Kouroussa. The prefecture covers an area of 14,050 km.² and has a population of 268,630. With Kouroussa town by far the largest in the Prefecture numbering only 10,000, the vast majority of the Prefecture's population live in small rural communities, making their living from subsistence and small scale cash crop agriculture, as well as small scale trade and mining. The majority of the population are members of the Malinke ethnic group or related Mande speakers. The eastern portion of the prefecture is formed from the Niger River valley, while most of the area characterized by low rolling hills and dry savanna grasslands or scrub-like forest.
Ngoma are musical instruments used by certain Bantu populations of Africa. Ngoma is derived from the Kongo word for "drum". Different Bantu-inhabited regions have their own traditions of percussion, with different names for their instruments. In Kikongo, "ngoma" is used by extension to signify specific dances, social occasions, and rhythms. In Swahili, Ngoma music is used to describe music, dance, instruments including the drums, and events together as a joint cultural practice.
Kouroussa or Kurussa is a town located in northeastern Guinea, and is the capital of Kouroussa Prefecture. As of 2014 it had a population of 39,611 people. A trade center and river port from at least the time of the Mali Empire, Kouroussa has long relied upon its position near the upstream limit of navigation of the Niger River to make it an important crossroads for people and goods moving between the Guinea coast and the states of the western Soudan and Niger River valley. The town and surrounding area is a center of Malinke culture, and is known for its Djembe drumming tradition.
Articles related to Mali include:
Yamadu Bani Dunbia (1917–2002) was a notable djembe master drummer from Bamako, Mali. Although recordings of his playing are scarce, he was well known across Bamako. He recorded his first songs at the age of 78.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Sub-Saharan African music is characterised by a "strong rhythmic interest" that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. C. K. Ladzekpo also affirms the profound homogeneity of approach. West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in 20th century popular music. The drum is renowned throughout Africa.
Nahawa Doumbia is a singer from Mali's Wassoulou region.