Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampradaya and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from dhruva and pada. The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text Natyashastra, and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana, where the theories of music and devotional songs for Krishna are summarized.
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi.
Bengali music comprises a long tradition of religious and secular song-writing over a period of almost a millennium. Composed with lyrics in the Bengali language, Bengali music spans a wide variety of styles.
The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.
In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
Prabha Atre was an Indian classical vocalist from the Kirana gharana. She was awarded all three of the Padma Awards by the Government of India. She died after experiencing breathing difficulty in the early hours and was taken to Dinanath Mangeshkar Hospital. She died from cardiac arrest before reaching the hospital. Atre died on 13 January 2024, at the age of 91.
Bishnupur is a city and a municipality in Bankura district, West Bengal, India. It has terracotta temples built by the Malla rulers, historic Radha Krishna temples built during 1600–1800 CE and the Baluchari sarees. In 1997 the temples of Bishnupur were placed on the UNESCO World Heritage Site's Tentative list.
Ramanlal C. Mehta was an Indian musician and musicologist. In 2009, he was awarded the Padma Bhushan, India's third-highest civilian honour.
Bhaskar Raghunath Bakhale was a Hindustani classical vocalist, a composer, and a teacher.
The Bishnupur gharana is a form of singing that follows the dhrupad tradition of Hindustani music, one of the two forms of Indian classical music.
Arvind Parikh is an Indian classical sitar player.
National Institute of Kathak Dance, also known as Kathak Kendra, is the premier dance institution for the Indian classical dance form of Kathak, and a unit of the Sangeet Natak Akademi, India's National Academy of Music, Dance and Drama, situated in New Delhi. Established in 1964, the institution is primarily dedicated to Kathak, though it also offers courses in Hindustani classical music (Vocal) and Pakhawaj and Tabla.
Bharat Gupt is an Indian classicist, theatre theorist, sitar and surbahar player, musicologist, cultural analyst and newspaper columnist. He is also a retired Professor in English, who taught at the College of Vocational Studies of the University of Delhi. In February 2023, he received the Sangeet Natak Akademi Award by the President of India for his contribution to musicology.
Anokhelal Mishra — also spelled as Anokhe Lal Misra and commonly known as Pandit Anokhelal-ji — was an Indian Tablā Artist who belonged to the Banaras Gharana of Hindustani classical music.
Siyaram Tiwari was an Indian classical singer and leading exponent of Dhrupad-genre of Hindustani classical music. He belonged to the Darbhanga gharana and was based in Patna. Though Darbhanga gharana is known for its laykari techniques, he was the first exponent of the gharana to promote fast-paced laykari in Dhrupad, which developed in the second half of 20th-century.
Ashok Damodar Ranade was a scholar musician and ethnomusicologist. Ranade was a vocalist trained in traditional Hindustani Art music. He was a composer constantly experimenting with new uncharted vistas. A pioneer of Cultural Musicology in India, Dr Ranade was a missionary who contributed in enriching India's cultural life in the 21st century.
Gopeshwar Banerjee or Gopeshwar Bandopadhyay (1880–1963) was an Indian classical singer and musicologist, belonging to Bishnupur gharana of Hindustani music, which originated in Bishnupur in West Bengal. He was known for his khyal and dhrupad renditions, besides Rabindra Sangeet. He also sang thumri, and most notably the thumri, Kon Gali Gayo Shyam, in Raga Mishra Khamaj, which he popularised. As a musicologist, he published several books of rare compositions with musical notations, including dhrupad and Rabindra Sangeet.
Professor B. R. Deodhar was an Indian classical singer, musicologist and music educator. He was a vocalist of Khayal-genre of Hindustani classical music.
Rohini Bhate was among the senior most Kathak dance exponents in India, who developed as a performer, teacher, writer, researcher and critic this Indian classical dance. During her career, she was awarded with several recognitions, such as the Sangeet Natak Akademi Award, and the Kalidas Samman.
Pandit Manilal Nag is an Indian classical sitar player and an exponent of the Bishnupur gharana of Bengal. He was given the Padma Shri Award, the fourth highest civilian award in India in 2020.
