Mukherjee's practice includes painting, installation, sculpture, video art, performance, hybrid films, works on paper, and collaborative projects. Her work focuses on processes of creolization, the figure of the nomad, and speculative narratives. Mukherjee’s work also generally refers to embodiment, ecology, science fiction, and the unknown to explore the narrative excess and material conditions brought on by global capitalism.[3]
Best known for creating strongly colored large scale installations that combine mediums such as print, paint, and drawings,[7] her work has focus on topics such as colonialism, feminism, and ecology.[2][3]
Mukherjee has stated that most of her work comes from a neo-futurist perspective as she aims to generate creative thinking among her audience. She also penned the term "hybrid film" as a label for her animated art that combines painted, photographic, and digital work into unique pieces.[2][8]
Ranu Mukherjee co-founded 0rphan Drift, a collaborative artist and avatar, in London in 1994. For a decade, 0rphan Drift collaborated with numerous people on mostly site-specific works. As an artistic entity, 0rphan Drift is known for immersive and visually complex works which use the sample and the remix extensively. It produced video and AV performance, collage, text and print works, and published the cyberpunk novel 0(rphan)<d(rift) Cyberpositive.[9]
In 2006, Ranu Mukherjee and fellow co-founder Maggie Roberts restarted 0rphan Drift as a duo. They believed 0rphan Drift’s approach could be applied to the new era of social media, Artificial Intelligence and virtual reality. In its latest manifestation, 0rphan Drift considers AI through the octopus – as a distributed, many-minded consciousness.[10]
Mukherjee worked solely with the artist collaborative between 1994 and 2005.[4][11]
Four of her short films were noted in the Momentum Cataloge as showing ordinary images "where the social merges with the material" in digital and no-digital realms.[12]
Select exhibitions
Solo exhibitions
2018 A Bright Stage, de Young Museum, San Francisco, CA[13][14][15]
2017 Shivery Proof, Pennsylvania College of Art and Design, Lancaster, PA[16][15]
2017 Shadowtime, Gallery Wendy Norris, San Francisco, CA[17][15]
2016 Phantasmagoria, Table Arts Center, Charleston, IL[18][15]
2015 Extracted: A Trilogy by Ranu Mukherjee, Asian Art Museum, San Francisco, CA[19][20][15]
2016 Phantasmagoric, Los Angeles County Museum of Art, Los Angeles CA[21][15]
1 2 3 Waraich, Sonia (January 22, 2016). "Asian Art Museum celebrates South Asia as Part of Golden Jubilee". India West. San Leandro, Calif: India West.
↑ Momentum: Women/Art/Technology: An exploration into the intersection of technology, art practice, and feminism. Retrieved from https://doi.org/doi:10.7282/t3-hjr1-4k84
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