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The Ranworth Antiphoner is a 15th-century illuminated antiphoner of the Sarum Rite. It was commissioned for the Church of St Helen in Ranworth in Norfolk, where it is on permanent display. The volume comprises 285 vellum pages of writing and illustrations, with daily services in medieval Latin and 19 miniatures.
The manuscript was probably the Antiphoner bequeathed to the church in 1478 by William Cobbe. [1] Previously thought to have been produced by the monks of Langley Abbey, examinations of the illuminations suggest that the Antiphoner was manufactured by a Norwich workshop – a basic antiphoner could be produced on spec, and personalised to order. [2] Two things may back this up: 1) the insertion at the end, out of order, of the office of St Helen; 2) Revd. Enraght's suggestion of a terminus ante quem of 1443, owing to the lack of a feast of St Raphael, which was instituted in that year. Recent research has shown that it was not uncommon for churches to invest in liturgical music books by the later fifteenth century. [3]
The Antiphoner miraculously survived the Reformation, probably thanks to the local Holdych family. It fell into private hands, including, in the 1850s, those of Henry Huth, and eventually re-surfaced at auction in 1912, where it was bought and returned to St Helen's Church.
Norwich is a cathedral city and district of the county of Norfolk, England of which it is the county town. Norwich is by the River Wensum, about 100 mi (160 km) north-east of London, 40 mi (64 km) north of Ipswich and 65 mi (105 km) east of Peterborough. As the seat of the See of Norwich, with one of the country's largest medieval cathedrals, it is the largest settlement and has the largest urban area in East Anglia. The population of the Norwich City Council local authority area was estimated to be 144,000 in 2021, which was an increase from 143,135 in 2019. The wider built-up area had a population of 213,166 in 2019.
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.
The Bishop of Norwich is the ordinary of the Church of England Diocese of Norwich in the Province of Canterbury. The diocese covers most of the county of Norfolk and part of Suffolk. The bishop of Norwich is Graham Usher.
Norwich Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is a Church of England cathedral in the city of Norwich, Norfolk, England. The cathedral is the seat of the bishop of Norwich and the mother church of the diocese of Norwich. It is administered by its dean and chapter, and there are daily Church of England services. It is a grade I listed building.
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance. However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
Stephen George Platten, is a retired Anglican prelate, the last to serve as diocesan Bishop of Wakefield in the Church of England.
Richard William Enraght was an Irish-born Church of England priest of the late nineteenth century. He was influenced by the Oxford Movement and was included amongst the priests commonly called "Second Generation" Anglo-Catholics.
Margaret Bent CBE, is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple.
The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book:
The Church of St Helen, Ranworth, Norfolk is a church of medieval origins notable for its collection of church paintings. Known as "the Cathedral of The Broads", the church dates from the 14th century, although with origins in Saxon times. It contains a major collection of medieval artefacts, in particular the church's rood screen and the Ranworth Antiphoner, a liturgical manuscript.
Norwich Over the Water is a district located in the north of the city centre of the English city of Norwich. In previous centuries, the area of Ulta Aquam was confined to within the medieval city walls. The modern term Silver Triangle refers to the expanse of Victorian terraced housing beyond the walls in the direction of the Norwich suburb of Sprowston.
Norwich 12 was an initiative by the Norwich Heritage Economic and Regeneration Trust (HERT) to develop 12 of Norwich's most iconic buildings into an integrated family of heritage attractions to act as an international showcase of English urban and cultural development over the last 1,000 years.
The Gorleston Psalter is a 14th-century manuscript notable for containing early music instruction and for its humorous marginalia. It is named for the town of Gorleston in Norfolk.
Peter Erik Lasko was a British art historian, Professor of Visual Art at the University of East Anglia, from 1965 to 1974, Director of the Courtauld Institute of Art, London, from 1974–85 and a Fellow of the British Academy.
The Ranworth rood screen at Church of St Helen, Ranworth, Norfolk, is a wooden medieval rood screen that divides the chancel and nave, and was originally designed to act to separate the laity from the clergy. It is described by English Heritage as "one of England's finest painted screens".
Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century. The sources for Scottish Medieval music are extremely limited. There are no major musical manuscripts for Scotland from before the twelfth century. There are occasional indications that there was a flourishing musical culture. Instruments included the cithara, tympanum, and chorus. Visual representations and written sources demonstrate the existence of harps in the Early Middle Ages and bagpipes and pipe organs in the Late Middle Ages. As in Ireland, there were probably filidh in Scotland, who acted as poets, musicians and historians. After this "de-gallicisation" of the Scottish court in the twelfth century, a less highly regarded order of bards took over the functions of the filidh and they would continue to act in a similar role in the Scottish Highlands and Islands into the eighteenth century.
Osbert Parsley was an English Renaissance composer and chorister. Few details of his life are known, but he evidently married in 1558, and lived for a period in the parish of St Saviour's Church, Norwich. A boy chorister at Norwich Cathedral, Parsley worked there throughout his musical career. He was first mentioned as a lay clerk, was appointed a "singing man" in c. 1534, and was probably the cathedral's unofficial organist for half a century. His career spanned the reigns of Henry VIII and all three of his children. After the Reformation of 1534, the lives of English church musicians changed according to the official policy of each monarch.
George Herbert Palmer was an English Anglo-Catholic priest, musicologist, organist, and expert on plainchant, particularly of the Sarum Use. Named after the priest and poet George Herbert, he was ordained a priest in Chester in 1871 and later was organist of St Margaret's Church in Toxteth Park, Liverpool, and St Barnabas, Pimlico, London. He helped found the Plainsong and Medieval Music Society (PMMS) in 1888. The majority of his extensive editions of liturgical music and texts were produced by the PMMS and the Community of St Mary the Virgin at Wantage in Oxfordshire. He was notable and influential for his musically sensitive translations of Latin hymns into English.
The Selden Carol Book is a medieval carol manuscript held by the Bodleian Library in Oxford. Along with the Trinity Carol Roll, with which it shares five contemporaneous carols and texts, it is one of the main sources for 15th century English carols, and like the Trinity Roll contains the music as the well as the texts. The inclusion of Deo Gracias Anglia referencing Henry V's victory at Agincourt in 1415 gives an indication of the date of composition of the carols.