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Huon of Bordeaux is the title character of a 13th-century French epic poem with romance elements.
The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
The 12th-century chanson de geste of Garin le Loherain, together with the slightly later Girbert de Metz, form the core and initial parts of the so-called Lorraine cycle, which was expanded in the 13th century by a prequel and three sequels. The cycle is one of the fiercest and most sanguinary narratives left by the trouvères. This local cycle of Lorraine appears to have a historical basis. Although the actions as recorded cannot be identified with specific historical events, the poems are valuable depictions of the savage feudal wars in the 11th and 12th centuries.
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century.
Maugris or Maugis was one of the heroes of the chansons de geste and romances of chivalry and the Matter of France that tell of the legendary court of King Charlemagne. Maugis was cousin to Renaud de Montauban and his brothers, son of Beuves of Aygremont and brother to Vivien de Monbranc. He was brought up by Oriande the fairy, and became a great enchanter. He won the magical horse Bayard and the sword Froberge which he later gave to Renaud.
The Valois was a region in the valley of the Oise river in Picardy in the north of France. It was a fief in West Francia and subsequently the Kingdom of France until its counts furnished a line of kings, the House of Valois, to succeed the House of Capet in 1328. It was, along with the counties of Beauvais, the Vexin, Vermandois, and Laon, part of the "Oise line" of fiefdoms which were held often by one individual or an individual family as a string of defences against Viking assault on Paris.
Vermandois was a French county that appeared in the Merovingian period. Its name derives from that of an ancient tribe, the Viromandui. In the 10th century, it was organised around two castellan domains: St Quentin (Aisne) and Péronne (Somme). In today's times, the Vermandois county would fall in the Picardy region of northern France.
La Geste de Garin de Monglane is the second cycle of the three great cycles of chansons de geste created in the early days of the genre. It centres on Garin de Monglane. One of its main characters is William of Gellone.
Fierabras or Ferumbras is a fictional Saracen knight appearing in several chansons de geste and other material relating to the Matter of France. He is the son of Balan, king of Spain, and is frequently shown in conflict with Roland and the Twelve Peers, especially Oliver, whose prowess he almost rivals. Fierabras eventually converts to Christianity and fights for Charlemagne.
A laisse is a type of stanza, of varying length, found in medieval French literature, specifically medieval French epic poetry, such as The Song of Roland. In early works, each laisse was made up of (mono) assonanced verses, although the appearance of (mono) rhymed laisses was increasingly common in later poems. Within a poem, the length of each separate laisse is variable.
Girart de Vienne is a late twelfth-century (c.1180) Old French chanson de geste by Bertrand de Bar-sur-Aube. The work tells the story of the sons of Garin de Monglane and their battles with the Emperor Charlemagne, and it establishes the friendship of the epic heroes Olivier and Roland.
Aymeri de Narbonne is a legendary hero of Old French chansons de geste and the Matter of France. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of Charlemagne's wars with the Saracens after the Battle of Roncevaux Pass. He is son of Hernaut and the grandson of Garin de Monglane. He conquers the city of Narbonne, marries a princess named Hermengarde or Hermenjart, and fathers seven sons, the most famous being Guillaume d'Orange, the hero of several popular chansons de geste.
The Chanson de Guillaume, also called Chançun de Willame, is a chanson de geste from the first half of the twelfth-century. The work is generally considered to have two distinct halves: the first tells of Guillaume of Orange, his nephew Vivien and the latter's young brother Gui and their various battles with Saracens at L'Archamp; in the second half of the poem, Guillaume is aided by Rainouard, a giant.
The Charroi de Nîmes, is an Old French chanson de geste from the first half of the twelfth-century, part of the cycle of chansons concerning Guillaume of Orange, generally referred to collectively as the Geste de Guillaume d'Orange. The poem exists in 8 manuscripts which all include other chansons from the same cycle. The poem comprises 1,486 decasyllable verses in 57 assonanced laisses; there is no shorter syllable lines. 63% of the lines are in direct discourse, which give this chanson a distinctly spoken character.
Prise d'Orange is a mid-12th century chanson de geste written in Old French. Its fictional story follows the hero Guillaume as he captures the walled city of Orange from Saracens and marries Orable, its queen. Other characters include Arragon, the king of Orange, and Tibaut, Orable's erstwhile husband and Arragon's father. The anonymously written poem, part of a larger cycle about Guillaume called La Geste de Garin de Monglane, consists of 1,888 decasyllable verses in laisses. It combines motifs of courtly love with an epic story of military conquest. The narrative is humorous and parodies the tropes of epic poetry.
Gormond et Isembart is an Old French chanson de geste from the second half of the eleventh or first half of the twelfth century. Along with The Song of Roland and the Chanson de Guillaume, it is one of the three chansons de geste whose composition incontestably dates from before 1150; it may be slightly younger than The Song of Roland and, according to one expert, may date from as early as 1068. The poem tells the story of a rebellious young French lord, Isembart, who allies himself with a Saracen king, Gormond, renounces his Christianity, and battles the French king. The poem is sometimes grouped with the Geste de Doon de Mayence or "rebellious vassal cycle" of chansons de geste.
The Four Sons of Aymon, sometimes also referred to as Renaud de Montauban is a medieval tale spun around the four sons of Duke Aymon: the knight Renaud de Montauban, his brothers Guichard, Allard and Richardet, their magical horse Bayard, their adventures and revolt against the emperor Charlemagne. The story had a European success and echoes of the story are still found today in certain folklore traditions.
Jordain de Blaivies is an Old French chanson de geste written in decasyllables around 1200. It is an adventure story, largely inspired by the ancient story of Apollonius of Tyre. It survives in a single manuscript. The original was never popular, but it was reworked into a different metre and also adapted into prose in the 15th century. The prose version was printed with illustrations in 1520.
Ralph II was a French Count of the Vexin, Amiens and Valois from 926 to 943.
References
- Raoul de Cambrai, French translation by William Kibler, original text edited by Sarah Kay (1996)
- Li Romans de Raoul de Cambrai et de Bernier, ed. E. le Clay (Paris, 1840)
- Raoul de Cambrai, ed. Paul Meyer and Auguste Longnon (Paris, Société des anciens textes français, 1882)
- J. M. Ludlow, Popular Epics of the Middle Ages (London and Cambridge, 1865)
- G. Gröber, Grundriss der romanischen Philologie (ii. pp. 567 seq.).
- This article incorporates text from a publication now in the public domain : Chisholm, Hugh, ed. (1911). "Raoul de Cambrai". Encyclopædia Britannica . Vol. 22 (11th ed.). Cambridge University Press. p. 898.
