Sarah Kay

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Sarah Kay is a professor of French at New York University.

Contents

Education

Kay was a student in the UK at the University of Oxford.

Career

She started her teaching career at the University of Liverpool then moved to the University of Cambridge. She was head of department at Cambridge from 1996 until 2001 and Director of Studies at Girton College, Cambridge, from 2003 to 2005. Kay has been a fellow of the British Academy since 2004 and was awarded a D.Litt. (Cambridge) in 2005. [1]

Publications

Related Research Articles

Andreas Capellanus, also known as Andrew the Chaplain, and occasionally by a French translation of his name, André le Chapelain, was the 12th-century author of a treatise commonly known as De amore, and often known in English, somewhat misleadingly, as The Art of Courtly Love, though its realistic, somewhat cynical tone suggests that it is in some measure an antidote to courtly love. Little is known of Andreas Capellanus's life, but he is presumed to have been a courtier of Marie de Champagne, and probably of French origin.

<span class="mw-page-title-main">Troubadour</span> Composer and performer of lyric poetry during the High Middle Ages

A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz.

<span class="mw-page-title-main">Courtly love</span> Medieval European literary conception of love

Courtly love was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice.

<span class="mw-page-title-main">Lyric poetry</span> Formal type of poetry

Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which was principally limited to song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara, a seven-stringed lyre. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature.

<span class="mw-page-title-main">Bernart de Ventadorn</span> French troubadour (c. 1130–40 – c 1190–1200)

Bernart de Ventadorn was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the trobar leu style, and for his prolific cançons, which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity.

<i>Trobairitz</i> Occitan female troubadours of the 12th and 13th centuries

The trobairitz were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. Trobairitz is both singular and plural.

<span class="mw-page-title-main">Brian Davies (philosopher)</span> British philosopher

Brian Evan Anthony Davies is a British philosopher, Roman Catholic priest, and friar. He is Distinguished Professor of Philosophy, Fordham University, and author of An Introduction to the Philosophy of Religion, now in its fourth English edition, which has been translated into five languages.

<span class="mw-page-title-main">Peirol</span> French troubadour

Peirol or Peiròl was an Auvergnat troubadour who wrote mostly cansos of courtly love in the late twelfth and early thirteenth centuries. Thirty-four surviving poems written in Occitan have been attributed to him; of these, seventeen have surviving melodies. He is sometimes called Peirol d'Auvergne or Peiròl d'Auvèrnha, and erroneously Pierol.

<span class="mw-page-title-main">Peire d'Alvernhe</span> French troubadour

Peire d'Alvernhe or d'Alvernha was an Auvergnat troubadour with twenty-one or twenty-four surviving works. He composed in an "esoteric" and "formally complex" style known as the trobar clus. He stands out as the earliest troubadour mentioned by name in Dante's Divine Comedy.

<span class="mw-page-title-main">Guiraut de Calanso</span>

Giraut or Guiraut de Calanso or Calanson was a Gascon troubadour in the Occitan language. Of his lyric works that remain five are cansos, two descorts, a congé, a planh, and a vers. He also wrote a mock ensenhamen entitled Fadet juglar.

<span class="mw-page-title-main">Elias de Barjols</span>

Elias de Barjols was a bourgeois Aquitainian troubadour who established himself in Provence and retired a monk. Eleven of his lyrics survive, but none of his music.

Alegret was a Gascon troubadour, one of the earliest lyric satirists in the Occitan tongue, and a contemporary of Marcabru. One sirventes and one canso survive of his poems. Nonetheless, his reputation was high enough that he found his way into the poetry of Bernart de Ventadorn and Raimbaut d'Aurenga. The work of Alegret is also intertextually and stylistically related to that of Peire d'Alvernhe.

Bieiris de Roman(s) was a trobairitz of the first half of the thirteenth century. Her birthplace was Romans near Montélimar. Other than her name, which includes her place of birth, nothing is known of the details of her life, which has led to a significant gap in knowledge for scholarship analyzing her work. She left behind one canso, "Na Maria, pretz e fina valors", addressed to another woman named Mary. The poem is written in the typical troubadour style of courtly love and has been consequently analyzed as a lesbian poem. Bieiris may, however, be simply writing from the masculine point of view, fully immersing herself in the masculinity of the genre. Nonetheless, the certain ascription of the poem to a woman makes it unlikely that there was any attempt to "fool" the audience: the poem is consequently emasculated. The Na Maria of the poem has even been interpreted as the Virgin Mary, and the sincerity and innocence of the lyrics do not disqualify it.

<span class="mw-page-title-main">Guilhem de Montanhagol</span>

Guilhem de Montanhagol was a Provençal troubadour, most likely active in Toulouse, but known in the courts of Provence, Toulouse, Castile, and Aragon. Guilhem left behind seven cansos and six sirventes. He also left behind one tenso with Sordello and his total surviving output comes to fourteen pieces.

<span class="mw-page-title-main">Garin lo Brun</span>

Garin lo Brun or le Brun was an early Auvergnat troubadour.

<span class="mw-page-title-main">Galician-Portuguese lyric</span> Lyric and poetic movement

In the Middle Ages, the Galician-Portuguese lyric, also known as trovadorismo in Portugal and trobadorismo in Galicia, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or lírica profana. At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, The Wise King. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of poetic history in both countries and in Medieval Europe. Modern Galicia has seen a revival movement called neotrobadorismo.

Sylvia Huot is a professor of Medieval French Literature at the University of Cambridge and fellow of Pembroke College. She is the author of several internationally renowned books on Medieval French Literature and the leading expert on the manuscripts of Roman de la Rose, having published extensively on its iconography.

Simon Gaunt (1959-2021) was a professor of French literature at King's College London, where he was Head of the French Department and Head of the School of Humanities. He was past president of the Society for French Studies (2006-8), a Fellow of King's College, London from 2015 and an Honorary Fellow of St. Catharine's College, Cambridge from 2016.

Ardis Butterfield is a scholar of medieval music and literature. She is the Marie Borroff Professor of English, and Professor of Music and French at Yale University United States.

<span class="mw-page-title-main">Virginia Jackson</span>

Virginia Walker Jackson is UCI Endowed Chair in Rhetoric at the University of California, Irvine. She is one of the founders of historical poetics and of the new lyric studies, and is credited with "energiz[ing] criticism" about Emily Dickinson in the twenty-first century. She is more recently credited with revising the racialized history of American poetics, as the poet Terrance Hayes writes, “If there is a kind of ‘poet’s poet,’ might there also be a kind of ‘poet’s scholar,’ someone a poet reads for lucid, explosive doses of insight and history? Yes: Virginia Jackson. Actually, she’s more than a poet’s favorite scholar, she is a poet’s favorite pathfinding detective. Her brilliant Before Modernism is a radical reorientation of American lyric literary assumptions. Virginia Jackson unearths the overlooked, undervalued Black poets at the root of modern American poetry, and every branch of contemporary poetry trembles with new fruit.” Her research includes nineteenth-century American poetry, the history of American poetry, comparative literature, lyric theory, the history of criticism, the history of poetics, and genre theory.

References

  1. medieval-studies.rutgers.edu http://medieval-studies.rutgers.edu/events/kay.html . Retrieved 7 September 2008.{{cite web}}: Missing or empty |title= (help)