Ravida Din | |
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Born | |
Occupation | Film Producer |
Ravida Din is a Canadian film producer who formerly served with the National Film Board of Canada (NFB) as a producer, executive producer, then as its Director General of English-language production, from February 11, 2013, to February 26, 2014. [1] [2]
Her producing credits with the NFB included the documentary films Status Quo? The Unfinished Business of Feminism in Canada , Up the Yangtze , Reel Injun , Pink Ribbons, Inc. [3] and Payback . Prior to working in production, Din served in a variety of positions at the NFB in marketing and management, including serving as the assistant director general for NFB English Program under Tom Perlmutter. In 2010, she was named to Playback magazine's "10 To Watch" list. [4] [1]
For Pink Ribbons, Inc., Din approached director Léa Pool after having researched and lived with the subject of breast cancer for six years. A breast cancer survivor, Din had been diagnosed at approximately the same time as she first read Samantha King's book Pink Ribbons Inc.: Breast Cancer and the Politics of Philanthropy and Barbara Ehrenreich’s autobiographical essay, Welcome to Cancerland. [5] [6]
It was Din who approached author Margaret Atwood to adapt Payback: Debt and the Shadow Side of Wealth as a documentary film. Atwood reports that they jointly settled on Jennifer Baichwal as director. [7]
In 2009, working in collaboration with Studio XX, Din executive produced First Person Digital, a training and production program for women exploring new approaches to storytelling.
Din was born in Nairobi and raised in a Muslim family. She is a feminist. [8] [9]
The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
Sarah Ellen Polley is a Canadian actress, writer, director, producer and political activist. Polley first garnered attention as a child actress for her role as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books. Subsequently this led to her role as Sara Stanley in the Canadian television series Road to Avonlea (1990–1996). She has starred in many feature films, including The Adventures of Baron Munchausen (1988), Exotica (1994), The Sweet Hereafter (1997), Guinevere (1999), Go (1999), The Weight of Water (2000), No Such Thing (2001), My Life Without Me (2003), Dawn of the Dead (2004), Splice (2009), and Mr. Nobody (2009).
The pink ribbon is an international symbol of breast cancer awareness. Pink ribbons, and the color pink in general, identify the wearer or promoter with the breast cancer brand and express moral support for women with breast cancer. Pink ribbons are most commonly seen during National Breast Cancer Awareness Month.
Gerry Rogers is a Canadian documentary filmmaker and politician. She was leader of the Newfoundland and Labrador New Democratic Party from 2018 until 2019. She served in the Newfoundland and Labrador House of Assembly as NDP MHA for the electoral district of St. John’s Centre from 2011 to 2019. She became the party's leader after winning the April 2018 leadership election. She resigned as party leader prior to the 2019 provincial election and did not seek re-election.
Payback: Debt and the Shadow Side of Wealth is a non-fiction book written by Margaret Atwood, about the nature of debt, for the 2008 Massey Lectures. Each of the book's five chapters was delivered as a one-hour lecture in a different Canadian city, beginning in St. John's, Newfoundland, on October 12 and ending in Toronto on November 1. The lectures were broadcast on CBC Radio One's Ideas November 10–14. The book was published by House of Anansi Press, both in paperback and in a limited edition hardcover.
Tom Perlmutter is a Canadian film and digital media writer and producer who was the 15th Government Film Commissioner and Chairperson of the National Film Board of Canada, from May 17, 2007 to December 31, 2013.
Wolf Koenig was a Canadian film director, producer, animator, cinematographer, and a pioneer in Direct Cinema at the National Film Board of Canada.
Payback is a 2012 documentary film from Jennifer Baichwal based on Margaret Atwood's Payback: Debt and the Shadow Side of Wealth, which investigates the concept of debt in societies across the world.
Pink Ribbons, Inc. is a 2011 National Film Board of Canada (NFB) documentary about the pink ribbon campaign, directed by Léa Pool and produced by Ravida Din. The film is based on the 2006 book Pink Ribbons, Inc: Breast Cancer and the Politics of Philanthropy by Samantha King, associate professor of kinesiology and health studies at Queen's University.
Jennifer Baichwal is a Canadian documentary filmmaker, writer and producer.
Margaret Atwood: Once in August is a 1984 documentary film about Canadian writer Margaret Atwood, directed by Michael Rubbo and produced by the National Film Board of Canada (NFB). The film was made in Rubbo's trademark style of self-conscious documentary filmmaking or metafilm, with Rubbo foregrounding the creative process in making the film, including his frustrated attempts to uncover autobiographical influences in Atwood's work. It was his last film with the NFB.
Breast cancer survivors' dragon boating is an international movement inspired by the research of Canadian sports medicine specialist Don McKenzie. Survivors of breast cancer join together to paddle dragon boats to the benefit of their physical health and social wellbeing. It is supported internationally by the International Breast Cancer Paddlers' Commission (IBCPC), an Associate Member of the International Dragon Boat Federation.
The SCAR Project is a series of large-scale portraits of young breast cancer survivors shot by fashion photographer David Jay.
Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). The film explores her family's secrets—including one intimately related to Polley's own identity. Stories We Tell premiered August 29, 2012 at the 69th Venice International Film Festival, then played at the 39th Telluride Film Festival and the 37th Toronto International Film Festival. In 2015, it was added to the Toronto International Film Festival's list of the top 10 Canadian films of all time, at number 10. It was also named the 70th greatest film since 2000 in a 2016 critics' poll by BBC.
Karen Cho is a Chinese-Canadian documentary filmmaker in Montreal, Quebec, Canada. Her credits include the 2004 National Film Board of Canada (NFB) documentary In The Shadow Of Gold Mountain, documenting the effects of the Chinese Exclusion Act in Canada; the 2009 InformAction documentary Seeking Refuge; and the 2012 NFB documentary Status Quo? The Unfinished Business of Feminism in Canada, which was named best documentary at the Whistler Film Festival.
Status Quo? The Unfinished Business of Feminism in Canada is a 2012 documentary film about the state of feminism in Canada, directed by Karen Cho and produced by Ravida Din for the National Film Board of Canada.
Highrise is a multi-year, multimedia documentary project about life in residential highrises, directed by Katerina Cizek and produced by Gerry Flahive for the National Film Board of Canada (NFB). The project, which began in 2009, includes five web documentaries—The Thousandth Tower, Out My Window, One Millionth Tower, A Short History of the Highrise and Universe Within: Digital Lives in the Global Highrise—as well as more than 20 derivative projects such as public art exhibits and live performances.
Kathleen Shannon was a Canadian film director and producer. She is best known as the founder and first executive producer of Studio D of the National Film Board of Canada, the first government-funded film studio in the world dedicated to women filmmakers.
Parabola Films is a Montreal-based Canadian cinema production company founded by Sarah Spring and Selin Murat, a documentary filmmaker. Parabola Films focuses on the production of videos which demonstrate the role of cinema in social change. The company collaborates with other film-making organizations who emphasize storytelling.
Albert Kish was a Hungarian-Canadian film director and editor.