 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(January 2020) |
Rea Tajiri is an American video artist, filmmaker, and screenwriter, known for her personal essay film History and Memory: For Akiko and Takashige (1991).
Tajiri was born in 1958 in Chicago, Illinois. [1] [2] Tajiri's father, Vincent Tajiri, was the founding photo editor for Playboy Magazine. Her uncle, Shinkichi Tajiri, was a prominent sculptor who resided in the Netherlands. [3]
Tajiri attend the California Institute of the Arts (CalArts) where she earned her BFA and MFA degrees in post-studio art. [4] [5] She moved to New York in 1979, where she was involved with The Kitchen art center. [5]
Tajiri's video art has been included in the 1989, 1991, and 1993 Whitney Biennials. She has also been exhibited at The New Museum for Contemporary Art, The Museum of Modern Art, The Guggenheim Museum, The Walker Art Museum and the Pacific Film Archives. Tajiri is a 2015 recipient of the Pew Fellowship in the Arts.
History and Memory: For Akiko and Takashige (1991) was Tajiri's personal essay documentary about the Japanese American internment. It premiered at the 1991 Whitney Biennial and won the Distinguished Achievement Award from the International Documentary Association. It also was awarded a Special Jury Prize: "New Visions Category" at the San Francisco International Film Festival in 1992, and won "Best Experimental Video," Atlanta Film and Video Festival, 1992. In 1993 she made Yuri Kochiyama: Passion for Justice, a documentary about the Nisei Japanese American human rights activist. Tajiri co-produced the documentary with Pat Saunders.
She partnered with Japanese Canadian author, Kerri Sakamoto, to write a coming-of-age story about a Japanese American girl in 1970s Chicago, resulting in Strawberry Fields . It was shot in 1994 with funding from CPB, NEA, and ITVS. The film stars Suzy Nakamura, James Sie, Chris Tashima and Takayo Fischer, and was completed in 1997, screening at the San Francisco International Asian American Film Festival and the Los Angeles Film Festival. It also was selected to the Venice International Film Festival and won the Grand Prix at the Fukuoka Asian Film Festival.
Tajiri is an Associate Professor in Temple University's Division of Theater where she teaches documentary production. [6] Currently, Tajiri is working on a documentary feature entitled Wisdom Gone Wild, [7] a film which details her sixteen-year journey as a caregiver for her mother who had dementia.
Tajiri is credited as being a groundbreaking documentary filmmaker for brilliantly weaving together different narratives, taking from found footage but also her own history and experiences.
Directed by Rea Tajiri, '"Strawberry Fields" doesn't follow a straight narrative line. Instead, Tajiri opts for graceful and dreamlike forays into the collective memory of war-era Japanese Americans. By showing the audience grainy photos and films of a world that Irene can never know, director Tajiri heightens the sense of quest in this enigmatic film." Lynn Voedisch Chicago Sun Times [8]
"Tajiri often focuses her inquiry on the representation of Asian-Americans in popular media. In Off Limits (1988), she critiques Hollywood's portrayal of the Vietnam War and Vietnamese people, juxtaposing fragments from Easy Rider with her own text to give voice to a Vietnamese character. In History and Memory (1990), Tajiri examines the construction of history and the manipulation of collective memory through a powerful pastiche of personal reminiscences and mass media images of the internment of Japanese-Americans during World War II." Electronic Art Intermix [9]
An experimental film which reflects the memory of Tajiri's mother of the war period which she lived in. The plot is displayed through pieces of memory and known family history. Tajiri presents the film in four different parts: Events that happen in front of the camera, events that are restaged, events that are told through the memory of character conversation, and events that are known to have happened but not shown at all. As the narrator of this documentary, Tajiri uses text and verbal communication with her audience in order to enhance the purpose of the memory or images she gives to her audience. Through this film Tajiri has highlighted the absence of Japanese Americans among filmmaking. By upholding whatever deconstructed history and memory she may have of her family's experience, Tajiri is praised for bringing attention to the culture of her family's past. Tajiri is also known to bring attention to a topic by using absence to declare presence. In History and Memory, absent characters share a significant presence since their memory is so vital to the film's message. This ability to highlight a character, topic, or event that is absent without confusion or misunderstanding is difficult to achieve for a filmmaker, but Tajiri certainly succeeds in doing so (Streamas). This documentary ultimately awarded Tajiri with the Distinguished Achievement Award from the International Documentary association and a Special Jury Award from the San Francisco International Film Festival (Dorsey). Tajiri's way of filming is most recognized in History and Memory where she distorts the camera in order to show the recollection of memory.
Strawberry Fields was produced by Open City Films and ITVS. It was first premiered in Europe at the Venice International Film Festival and the film also was the recipient of the Grand Prix at the Fukuoka Asian Film Festival (Dorsey).
Tajiri focuses on the recognition of the Asian American identity in her films, which is different than the Asian American culture. Tajiri goes against societal norms in Strawberry Fields, where protagonist Irene, a third generation Japanese American woman, publicly flaunts her inner rage. In the majority of Tajiri's filmmaking she is constantly bringing attention to societal issues, like in History and Memory, where she highlights Asian Americans, Latinos, or Black people not being able to immerse themselves within the white American population shank. [10]
Her work is studied as part of the curriculum in many University's documentary and women's cinema programs. Tajiri brought attention to identity within filmmaking, displaying cultural tensions and curiosities in order to educate her audience through the story she is telling within specific films.[ citation needed ]
Kerri Sakamoto is a Canadian novelist. Her novels commonly deal with the experience of Japanese Canadians.
Yuri Kochiyama was an American civil rights activist. Influenced by her Japanese-American family's experience in an American internment camp, her association with Malcolm X, and her Maoist and Islamic beliefs, she advocated for many causes, including black separatism, the anti-war movement, reparations for Japanese-American internees, and the rights of political prisoners.
Alan Berliner is an American independent filmmaker. The New York Times has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life."
Sonali Gulati is an Indian American independent filmmaker, feminist, grass-roots activist, and educator.
Suzy Nakamura is an American actress and improv comedian. She is known for her many guest appearances on sitcoms such as According to Jim, Half and Half, 8 Simple Rules, Curb Your Enthusiasm and How I Met Your Mother and her recurring role in the early seasons of the drama The West Wing as assistant to the Sam Seaborn character, as well as Dr. Miura in the ABC sitcom Modern Family. She had leading roles in the television shows Dr. Ken and Avenue 5.
Shelly Silver is an American artist who works with film, video, and photography. Her art has been exhibited and broadcast throughout the U.S., Europe and Asia. She is Associate Professor of Visual Arts at Columbia University School of the Arts.
Visual Communications –– is a community-based non-profit media arts organization based in Los Angeles. It was founded in 1970 by independent filmmakers Robert Nakamura, Alan Ohashi, Eddie Wong, and Duane Kubo, who were students of EthnoCommunications, an alternative film school at University of California, Los Angeles. The mission of VC is to "promote intercultural understanding through the creation, presentation, preservation and support of media works by and about Asian Pacific Americans."
Strawberry Fields is a 1997 independent feature film directed by Japanese American filmmaker Rea Tajiri and co-written by Tajiri and Japanese Canadian author Kerri Sakamoto.
Renee Tajima-Peña is an American filmmaker whose work focuses on immigrant communities, race, gender and social justice. Her directing and producing credits include the documentaries Who Killed Vincent Chin?, No Más Bebés, My America...or Honk if You Love Buddha, Calavera Highway, Skate Manzanar, Labor Women and the 5-part docuseries Asian Americans.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Celine Parreñas Shimizu is a filmmaker and film scholar. She is well known for her work on race, sexuality and representations. She is currently Dean of the Arts Division at the University of California at Santa Cruz.
Tami Kashia Gold is a documentary filmmaker, visual artist and educator. She is also a professor at Hunter College of the City University of New York in the Department of Film and Media Studies.
Leslie Thornton is an American avant-garde filmmaker and artist.
Phyllis Baldino is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York.
Jane Jin Kaisen is a visual artist and filmmaker based in Copenhagen, Denmark.
Janice Tanaka is a Japanese-American media artist born in Hollywood, California[date?] known for making experimental videos. Tanaka is best known for Memories from the Department of Amnesia, an experimental documentary about the death of her mother, and Who's Going to Pay for These Donuts Any, which chronicles the life of her father, who was interned in camps during World War II.
History and Memory: For Akiko and Takashige is a 1991 documentary film by Rea Tajiri. In her film, Tajiri recalls her family's experience of the American internment of the Japanese during World War II.
Chi Jang Yin is an American filmmaker, photographer, curator and educator. She is best known for her experimental films that explore displacement, alienation, the absence of representation, and narrative memory. Yin left China in the latter part of The Cultural Revolution. Her mother, an artist from an aristocratic family, first led the family to Taiwan, and then to Canada. Yin received her undergraduate and graduate degrees at The School of the Art Institute of Chicago, where she studied with Yvonne Rainer and Shellie Fleming. She was the Head of Media Art at the Department of Art, Media, and Design at DePaul University. Currently, Yin is an associate professor at The School of Cinematic Arts at the Jarvis College of Computing and Digital Media. Her research methodology focuses on intersectionality, information literacy, and how digitalization of the arts and humanities can be a form of advocacy. In 2020, she was named the 2020-2021 Presidential Faculty Fellow at DePaul University. Yin is a trained facilitator at The National SEED Project on Inclusive Curriculum, founded by Peggy McIntosh and has received certifications in conflict resolution from the Program on Negotiation at Harvard Law School and in negotiation at the Professional Development Programs from the School of Professional Studies at Northwestern University.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Barbara Sykes into a family of artists, designers and inventors. Since childhood, she has produced work in a variety of different art forms. In 1974, she became one of Chicago's pioneering video and new media artists and, later to include, independent video producer, exhibition curator and teacher. Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her early works broke new grounds in Chicago's emerging New Media Art scene, and continue to inspire women to explore experimental realms. With a passion for community, she fostered significant collaborations with many institutions that include but are not limited to University of Illinois, School of the Art Institute of Chicago, Columbia College, Center for New Television, and (art)n laboratory. These collaborations became exemplary for the showcasing of new media work. The wave of video, new media and computer art that she pioneered alongside many other seminal early Chicago New Media artists persists as a major influence for artists and educators today. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, Metropolitan Museum of Art , Museum of the Art Institute (Chicago), The Metropolitan Museum of Art and SIGGRAPH. Sykes's tapes have been broadcast in Sweden, Italy, Puerto Rico and extensively throughout in the US, including "The Independents", PBS national broadcast, 1985, and national cablecast, 1984. Media Burn has an online selection of her tapes and over 200 of her raw footage, master edits, dubs and compilation tapes in their Independent Video Archives @ Barbara Sykes https://mediaburn.org/collections/videomakers-page/barbara-sykes/. Select grants include a National Endowment for the Arts and American Film Institute Regional Fellowship, Evanston Art Council Cultural Arts Fund and several Illinois Arts Council grants. In 2017, Sykes began to paint. In 2020, as the recipient of an Evanston Art Center Individual Artist Exhibition Award, Ethereal Abstractions, Sykes's first solo watercolor exhibition premiered 81paintings and she gave an online Artist Talk. Her paintings are lyrical, colorful abstractions reminiscent of organic shapes, ethereal forms and underwater landscapes - evocative impressions of spiritual and elemental worlds. They evoke the spontaneity and themes that have evolved from her previous body of time-based and digital artwork. In 2021, she moved to Florida. Her 2022 painting exhibitions/reviews include Forces of Nature showcased on the cover of Estero Life Magazine and she is in the article, Beholding Beauty: Artists of Estero Exhibit at COCO Art Gallery, the Florida Watercolor Society's 2022 Online Show, the 36th Annual All Florida Exhibition and Connections Art in Flight exhibit at the Southwest Florida International Airport, June 2022 to June 2023. She paints under the name of Barbara L. Sykes.
| International | |
|---|---|
| National | |
| Artists | |
