Erroll Louis Garner was an American jazz pianist and composer known for his swing playing and ballads. His instrumental ballad "Misty", his best-known composition, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra, and played a prominent part in the 1971 motion picture Play Misty for Me.
Ahmad Jamal was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz. He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans, recorded in two sessions during September 1956 for Riverside Records.
Piano Improvisations Vol. 1 is a studio album by American jazz pianist Chick Corea, recorded over two days in April 1971 and released on ECM later that year. The session also produced Piano Improvisations Vol. 2 (1972), released the following year.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
The Amazing Bud Powell is a ten-inch LP by American jazz pianist Bud Powell, recorded on August 8, 1949, and May 1, 1951, and released on Blue Note in April 1952. In the first session, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, Powell performed in trio with Curley Russell and Max Roach, and solo.
Solo Concerts: Bremen/Lausanne is a live solo triple album by jazz pianist Keith Jarrett recorded at the Salle de Spectacles d'Epalinges in Lausanne, Switzerland and the Kleiner Sendesall in Bremen, Germany on March 20 and July 12, 1973, respectively and released on ECM November that same year—Jarrett's debut solo live album for the label.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until January 1980. It was his final album for Fantasy Records, making the title quite appropriate.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Alone (Again) is a solo piano album by American jazz pianist Bill Evans, recorded in December 1975. A follow-up to his earlier solo album Alone, it was released in 1977 on Fantasy Records and reissued on CD in 1994 by Original Jazz Classics. At the time it was recorded, Evans had been playing an increasing number of solo dates and was inspired after hearing Marian McPartland play solo in Monterey. Evans's manager Helen Keane commented:
As much as Bill enjoyed playing alone at home, and although by this time he regularly included a solo section in his concert program, he found recording in this context very difficult. It was probably the only area he felt insecure about musically, and the fact that he'd gotten a Grammy for Alone didn't seem to help.
Extensions is the eleventh album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970, but not released until January 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
Doin' the Thing is a live album by jazz pianist Horace Silver, released on the Blue Note label in 1961. It was the only live album released featuring the "classic" Horace Silver Quintet.
Eastbourne Performance is a live album by the American pianist, composer and band leader Duke Ellington, featuring his concerts at the Congress Theatre in Eastbourne, England, in December 1973. It was released on the RCA label in 1975. It is his last concert to have been commercially released.
Blowing In from Chicago is a studio album by the American jazz saxophonists Clifford Jordan and John Gilmore. It was released through Blue Note Records in July 1957. The recording was made on March 3, 1957 and the quintet assembled for the session features rhythm section Horace Silver, Curly Russell and Art Blakey.
The Awakening is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1970 for the Impulse! label.
Freeflight is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Montreux Jazz Festival in 1971 for the Impulse! label. Additional performances from this concert were released as Outertimeinnerspace in 1972. It was also the first album to have Jamal play electric piano. The Rhodes Piano was given to him by somebody living in Switzerland, and Jamal said he would continue to play the instrument in the future as well as his standard acoustic piano.
The Ahmad Jamal Trio: Volume IV is a 1958 jazz album by pianist Ahmad Jamal. The album was recorded live on location at the Spotlight Club in Washington, DC, on September 6, 1958. The LP was released as Argo Records LP-636. This was Jamal's first recording following his surprise hit record, At the Pershing: But Not for Me.
Alive is a live album by French jazz pianist Jacky Terrasson recorded on 14 June 1997 in the Iridium Jazz Club and released on 5 May 1998 by Blue Note label.
Togetherness is a live album by trumpeter Don Cherry. It was recorded in the spring and summer of 1965 in Paris, France, and was released on LP in 1966 by Durium Records. On the album, which features a five-movement composition titled "Togetherness," Cherry is joined by saxophonist Gato Barbieri, vibraphonist Karl Berger, bassist Jean-François Jenny-Clark, and drummer Aldo Romano. In 1976, the album was reissued by Inner City Records with the title Gato Barbieri & Don Cherry.
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