En plein air, or plein-air painting, is the act of painting outdoors.
Pieter Hendricksz. de Hooch, was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Meindert Lubbertszoon Hobbema was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis, shows a different type of scene.
Jacob van Campen was a Dutch artist and architect of the Golden Age.
Isaac Lazarus Israëls was a Dutch painter associated with the Amsterdam Impressionism movement.
Daubigny's Garden, painted three times by Vincent van Gogh, depicts the enclosed garden of Charles-François Daubigny, a painter whom Van Gogh admired throughout his life.
Jacob Cornelisz van Oostsanen was a Northern Netherlandish designer of woodcuts and painter. He was one of the first important artists working in Amsterdam, at a time when it was a flourishing and beautiful provincial town.
Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings.
Frans Janszoon Post was a painter during the Dutch Golden Age. He was the first European artist to paint landscapes of the Americas, during and after the period of Dutch Brazil. In 1636 he traveled to Dutch Brazil in northeast of South America at the invitation of the governor Johan Maurits van Nassau-Siegen. His works were widely collected in The Netherlands, Europe, and Brazil, with the works showing an idealized vision of Dutch colonial rule.
Scène d'été, Summer Scene, or The Bathers is an oil-on-canvas painting by the French artist Frédéric Bazille from 1869. It is now in the Fogg Art Museum in Cambridge, Massachusetts. The Impressionist painting depicts young men dressed in swimsuits having a leisurely day along the banks of the Lez river near Montpellier. Bazille composed the painting by first drawing the human figures in his Paris studio and then transporting the drawings to the outdoor setting. Like his earlier painting Réunion de famille (1867), Scène d'été captured friends and family members in the outdoors. Scène d'été was exhibited at the Paris Salon in 1870.
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains.
A regents group portrait, is a group portrait of the board of trustees, called regents or regentesses, of a charitable organization or guild. This type of group portrait was popular in Dutch Golden Age painting during the 17th century, and in the 18th century. They were intended to be hung in the regentenkamer, the regents' meeting room, or another prominent location in the institution.
A Dutch Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch Golden Age painter Pieter de Hooch. The original resides in the collection of the National Gallery of Art in Washington, D.C. A later, altered replica also exists, part of the collection of the Mauritshuis Museum in The Hague.
Company in a Courtyard Behind a House (1663–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Woman with Basket of Beans a Kitchen Garden (1661) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the Kunstmuseum Basel in Switzerland. The painting is notable for its depiction of Dutch almshouse architecture and its inclusion of a portrait on a window shutter, which has sparked debate about its meaning and De Hooch's possible social commentary.
View of Bentheim Castle is an oil on canvas painting of Burg Bentheim by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.
View of Haarlem from the Northwest, with the Bleaching Fields in the Foreground is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.
Bleaching on the Lawn is an oil-on-canvas painting executed in 1882–83 by the German painter Max Liebermann. It depicts a scene that takes place in a Dutch cottage garden in Zweeloo, in the province of Drenthe, in North Holland, where several washerwomen are laying out large white linen towels to dry and bleach. The painting is in the collection of the Wallraf-Richartz-Museum, in Cologne.
The Twelve-Year-Old Jesus in the Temple is an oil-on-canvas painting by German painter Max Liebermann, created in 1879. It is held at the Hamburger Kunsthalle.
