Two Riders on the Beach | |
---|---|
German: Zwei Reiter am Strand | |
Artist | Max Liebermann |
Year | 1901 |
Medium | Oil on canvas |
Dimensions | 71 cm× 91 cm(28 in× 36 in) |
Location | Private collection |
Two Riders on the Beach (German: Zwei Reiter am Strand) is the title of two similar paintings by the German artist Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas.
One of the paintings in the 1930s belonged to the collection of Jewish factory owner and art collector David Friedmann in Wrocław, then Breslau, Silesia. It was seized by the Nazi authorities shortly after the anti-Jewish Kristallnacht pogrom in 1938 and in 1942, one of Hitler's official art dealers, Hildebrand Gurlitt, acquired Two Riders on the Beach from "Aryan" auctionneer Hans W. Lange. [1] [2]
After World War II the painting was seized by Allied Monuments Men along with other works from Gurlitt's collection, and Gurlitt was investigated for his role in Nazi art looting by the Art Looting Investigation Unit. [3]
"Amazingly," Susan Ronald wrote in Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures,
Gurlitt engineered the release of some of his sequestered artwork after he made a final statement under oath regarding the buying and sellng of art during the war. Of course, the fact that he declared that much of his collection had been verbrannt (burned) in the bombings of Hamburg and Dresden is now known to be utter fiction. Somehow he had made Edwin Rae, the chief of the Monument's, Fine Arts and Archives section in Munich, believe that four of his paintings in fact belonged to his cousin Brigitta.
— Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures [4]
In 2012, in an event that made headlines around the world, Hildebrand Gurlitt' son, Cornelius Gurlitt, was discovered to have a secret stash of paintings. The 2012 Munich artworks discovery led to the rediscovery of Two Riders on the Beach. The surviving family of David Friedman recognized the looted painting and demanded its return, which took place in 2015. "David Toren remembers staring at Max Liebermann’s Two Riders on a Beach as his great-uncle signed over his estate to a Nazi general. Now his family has it back." [5] [6]
The painting was sold at Sotheby's by £1.865 millions ($2.92 millions) in June 2015. [7]
The other painting was part of a private collection in New York City before it was sold at Sotheby's in 2009. The new owner was again a private collector. The paintings are very similar; one difference is that the one that was part of Friedmann's collection shows both forelegs of the second horse.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
Paul Rosenberg was a French art dealer. He represented Pablo Picasso, Georges Braque and Henri Matisse. Both Paul and his brother Léonce Rosenberg were among the world's major dealers of modern art.
The Lentos Art Museum is a museum of modern art in Linz, Austria, which opened in May 2003 as the successor to the Neue Galerie der Stadt Linz.
Wolfgang Gurlitt was a German art dealer, museum director and publisher whose art collection included Nazi-looted art.
The Bavarian State Painting Collections, based in Munich, Germany, oversees artwork held by the Free State of Bavaria. It was established in 1799 as Centralgemäldegaleriedirektion. Artwork includes paintings, sculptures, photographs, video art and installation art. Pieces are on display in numerous galleries and museums throughout Bavaria.
Wilhelm Peter Bruno Lohse was a German art dealer and SS-Hauptsturmführer who, during World War II, became the chief art looter in Paris for Hermann Göring, helping the Nazi leader amass a vast collection of plundered artworks. During the war, Göring boasted that he owned the largest private art collection in Europe.
Hildebrand Gurlitt was a German art historian and art gallery director who dealt in Nazi-looted art as one of Hitler's and Goering's four authorized dealers for "degenerate art".
The Gurlitt Collection was a collection of around 1,500 art works inherited by Cornelius Gurlitt, the son of one of Hitler's official art dealers, Hildebrand Gurlitt (1895–1956), and which was found to have contained several artworks looted from Jews by the Nazis.
Rolf Nikolaus Cornelius Gurlitt was a German art collection owner. The son of Hildebrand Gurlitt, an art gallery director and Nazi-era dealer of looted art who worked for Adolf Hitler and Hermann Göring, Gurlitt inherited from his father a collection of over 1,400 artworks known as the Gurlitt trove or Gurlitt Collection, a small number of which were subsequently demonstrated to have been looted from Jews by Nazis. Upon its public discovery, the collection was impounded by the Augsburg Prosecutor's Office as evidence in a possible case for tax evasion that was never mounted; the works were not returned to Gurlitt's estate until after his death. In his will, Gurlitt left the entire collection, minus any works that turned out to be looted, to a lesser known gallery in Switzerland, the Museum of Fine Arts Bern, apparently in reaction over his perceived poor treatment by the German authorities.
Franz Skarbina was a German impressionist painter, draftsman, etcher and illustrator.
Karl Haberstock was a Berlin art dealer who trafficked in Nazi-looted art. Haberstock's name appears 60 times in the Art Looting Investigation Unit (ALIU) Reports 1945–1946 and ALIU Red Flag Names List and Index.
Mary MacPherson Lane is an American non-fiction writer and journalist specializing in Western European art and history.
Kurt Freiherr von Behr headed the Nazi art looting organisation, Einsatzstab Reichsleiter Rosenberg (ERR), in Paris and was involved in the M-Action which looted the home furnishings of French Jews.
Karl Buchholz was one of Hitler's Nazi art dealers specialized in selling looted "Degenerate Art".
Hermann Voss was a German art historian and museum director appointed by Hitler to acquire art, much of it looted by Nazis, for Hitler's planned Führermuseum in Linz, Austria.
Erhard Göpel was a German art historian and high level Nazi agent who acquired art, including looted art, for Hitler’s Führermuseum.
Horses in Landscape is a watercolour with pencil on paper by the German painter Franz Marc, executed in 1911. It is probably a study, which was thought to be lost, for the painting Blue Horses (1911). The painting became known worldwide on the occasion of the Schwabing art discovery in November 2013. It was one of the first eleven works to be shown at a press conference by the Augsburg public prosecutor. The small-format work measures 12.1 × 19.6 cm.
David Friedmann was a German entrepreneur and art collector.
Gurlitt, Hildebrandt. Schloss Poellnitz, Aschbach (nr Bamberg). One of the chief official Paris agents for Linz, 1943-45. Partly Jewish, he had difficulties with the Party and was also placed in a difficult position as an agent for Linz. He therefore used Hermssen as his front. (Hermssen died late in 1944.) Under house arrest on the estate of Baron von Poellnitz.
Most of David Toren's family died in the Holocaust and he, then a teenager, only survived because his father got him to safety via the Kindertransport. Now Toren has spoken of the emotion of being reunited with a painting the Nazis seized more than 75 years ago. "I felt the sense of victory – the second victory against the Nazis," he told the Guardian. Toren, now 90, was 13 when he last saw Two Riders on a Beach, an early 20th-century masterpiece by the German painter Max Liebermann, at the home of his great-uncle, David Friedmann, a passionate art collector, patron and prominent society figure in Breslau.