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Red Herring is an artists' collective based in Brighton and Hove, England, founded in 1984. It is a non-profit making company, the group was set up to provide affordable Studio space for artists with the aim of increasing public awareness of the visual arts. In keeping with its aims the group has always sought to achieve a balance of varied practises across the arts and crafts, and a balance of gender.
Red Herring was founded in 1984 and opened its first studios in 1985. [1]
As part of its stated aims, Red Herring Studios has provided affordable studio space for professional artists. This has been achieved by renting available industrial and commercial premises (previously, often identified for redevelopment) and dividing the space provided into working areas. In the past, in order to encourage cross disciplinary discussion, interaction and collaboration individual artists' spaces have been kept open and interconnected.
In 1993 the studio group became an Industrial and provident society with charity-like structure and aims. The studio group is funded by its members, in the form of subscriptions for the use of space and is run on a voluntary basis by the members.
Throughout the first decade the Red Herring ran a gallery space within its premises, this was discontinued when several members set up Fabrica, an artist-run contemporary art gallery and commissioner of new work, housed in the former Holy Trinity Church in Brighton City centre.
In 2017 Red Herring were faced with eviction from their Westerman Complex home in Hove, when plans were made to demolish it and build houses on the site. [2] They found a new site in the suburb of Portslade in January 2019. [1]
From its inception in 1985, Red Herring moved between different premises in Brighton & Hove and the membership consequently varied in number, from approximately 33 to 16. Over the years it has housed several hundred artists as members.
The term "Red Herring Artists" refers both to individual members and the Artists group as a whole. As a group Red Herring Artists have been involved in countless collaborations and group projects, many of which are public art projects and festival events.
In October 2020 Red Herring artists designed and created a mural in Wish Park, Hove, celebrating the work of NHS staff during the COVID-19 pandemic. [3]
Brighton is a seaside resort and one of the two main areas of the City of Brighton and Hove in the county of East Sussex, England. It is located 47 miles (76 km) south of London.
A.I.R. Gallery is the first all female artists cooperative gallery in the United States. It was founded in 1972 with the objective of providing a professional and permanent exhibition space for women artists during a time in which the works shown at commercial galleries in New York City were almost exclusively by male artists. A.I.R. is a not-for-profit, self-underwritten arts organization, with a board of directors made up of its New York based artists. The gallery was originally located in SoHo at 97 Wooster Street, and was located on 111 Front Street in the DUMBO neighborhood of Brooklyn until 2015. In May 2015, A.I.R. Gallery moved to its current location at 155 Plymouth St, Brooklyn, NY 11201.
The New England Quarter is a mixed-use development in the city of Brighton and Hove, England. It was built between 2004 and 2008 on the largest brownfield site in the city, adjacent to Brighton railway station. Most parts of the scheme have been finished, but other sections are still being built and one major aspect of the original plan was refused planning permission.
An Artists Open House is a special example of an Open Studio whereby the studio is a residential venue, usually a house or a garden. The format of an Open House is very similar to an Open Studio, but the significantly lower cost of exhibiting in a residential venue than a studio or gallery provides more artists an opportunity to exhibit their work.
The Mobius Artists Group is an interdisciplinary group of artists, founded in 1977 by Marilyn Arsem in Boston, Massachusetts as Mobius Theater. It is known for incorporating a wide range of visual, performing and media arts into live performance, video, installation and intermedia works. The members of the group create projects individually and in collaboration with members of the group and other artists. Mobius, Inc. is an artist-run 501(c)3 non-profit organization for experimental work in all media. From 1983 to 2003, the group ran an alternative art center at 354 Congress Street in Boston, later moved to a space at 725 Harrison Avenue and are currently located across the river at 55 Norfolk Street in Cambridge, MA. Founded by members of the Mobius Artists Group in 1983, the art center is a laboratory for artists experimenting at the boundaries of their disciplines.
The former Holy Trinity Church is a closed Anglican church in the centre of Brighton, part of the English city of Brighton and Hove. Established in the early 19th century by Thomas Read Kemp, an important figure in Brighton's early political and religious life, it was originally an independent Nonconformist chapel but became an Anglican chapel of ease when Kemp returned to the Church of England. The church closed in 1984, but was converted into a museum and later an art gallery. Reflecting its architectural and historical importance, it has been listed at Grade II since 1981.
Brighton Voice was an alternative or underground newspaper published in Brighton, England in the 1970s and 1980s.
The Glasgow Society of Lady Artists was founded in 1882 by eight female students of the Glasgow School of Art with the aim of affording due recognition to women in the field of art. It has been described by Jude Burkhauser as "the first residential club in Scotland run by and for women". In the early days of the club, they met at 136 Wellington Street, Glasgow.
The Townhouse Gallery was established in 1998 as an independent, non-profit art space in Cairo, Egypt, with a goal of making contemporary arts accessible to all without compromising creative practice. The Townhouse supports artistic work in a wide range of media through exhibitions, residencies for artists and curators, educational initiatives and outreach programs. By establishing local and international relationships, as well as diversifying both the practitioners and audiences of contemporary art, the Townhouse aims to support and expand the knowledge, appreciation and practice of contemporary arts in Egypt and the region.
Brighton and Hove, a city on the English Channel coast in southeast England, has a large and diverse stock of buildings "unrivalled architecturally" among the country's seaside resorts. The urban area, designated a city in 2000, is made up of the formerly separate towns of Brighton and Hove, nearby villages such as Portslade, Patcham and Rottingdean, and 20th-century estates such as Moulsecoomb and Mile Oak. The conurbation was first united in 1997 as a unitary authority and has a population of about 253,000. About half of the 20,430-acre (8,270 ha) geographical area is classed as built up.
The Van Alen Building is a modern apartment and penthouse block on the seafront in Brighton, part of the English city of Brighton and Hove. It was named after William Van Alen, the architect of New York City's Chrysler Building and is designed as a 21st-century interpretation of the Art Deco and Streamline Moderne styles. It was completed in 2001.
Thomas Lainson, FRIBA was a British architect. He is best known for his work in the East Sussex coastal towns of Brighton and Hove, where several of his eclectic range of residential, commercial and religious buildings have been awarded listed status by English Heritage. Working alone or in partnership with two sons as Lainson & Sons, he designed buildings in a wide range of styles, from Neo-Byzantine to High Victorian Gothic; his work is described as having a "solid style, typical of the time".
Carlton Hill is an inner-city area of Brighton, part of the English city and seaside resort of Brighton and Hove. First developed in the early and mid-19th century on steeply sloping farmland east of central Brighton, it grew rapidly as the town became a fashionable, high-class destination. Carlton Hill's population was always poor, though, and by the early 20th century the area was Brighton's worst slum: overcrowding, crime and disease were rife. Extensive slum clearance in the mid-20th century introduced high-density tower blocks, but some old buildings remain: in 2008, Brighton and Hove City Council designated part of Carlton Hill as the city's 34th conservation area. The area now has housing of various styles and ages, large offices and small-scale industry; there are also churches, a school and some open space.
The Living Art Museum (Nýló) is a not-for-profit, artist-run museum and exhibition platform for innovative and experimental contemporary art in Reykjavík, Iceland. The Living Art Museum is committed to presenting, collecting and preserving works by Icelandic and international artists and in engaging with the discourse on contemporary art practices.
The building at 20–22 Marlborough Place in the seaside resort of Brighton, part of the city of Brighton and Hove, is a 1930s office building originally erected for the Citizens' Permanent Building Society. The "elegant" Neo-Georgian premises were later occupied by a branch of the Allied Irish Bank, which opened in the 1980s; and in 2022 it was announced that the premises would be converted into a restaurant. Designed by John Leopold Denman, "master of this sort of mid-century Neo-Georgian", the three-storey offices contrast strikingly with their contemporary neighbour, the elaborate King and Queen pub. The building features a series of carved reliefs by Joseph Cribb depicting workers in the building trade—including one showing Denman himself. It is a Grade II Listed building.
S1 Artspace is a not-for-profit artist-led organisation based in Sheffield, England, presenting an annual programme of contemporary exhibitions, commissions, screenings and events. S1 Artspace also provides studio space for over twenty contemporary artists at varying stages in their careers, from recent graduates to established artists working at an international level. Based in a former industrial factory building in the centre of Sheffield, S1 Artspace is home to a 260sqm atrium-style gallery, an arts library and reading room.
The University of Brighton Design Archives centres on British and global design organisations of the twentieth century. It is located within the University of Brighton Grand Parade campus in the heart of Brighton and is an international research resource. It has many archival collections that were generated by design institutions and individual designers
Emilia Telese is an Italian artist whose practice includes performance, visual, site-specific and video art, interactive and body-responsive technology, installation, literature and public art. She lives and works between Brighton, UK, Foggia, Italy, and Reykjavik, Iceland. Telese graduated in 1996 with a BA (Honours) in painting from the Fine Arts Academy, Florence, focusing on 14th-century techniques, Arte Povera and political performance. In 1997 she studied acid-based printmaking techniques at the University of Brighton, where she continues to lecture. In addition she lectures at other institutions in the UK and internationally, specialising in the relationship between art, economics and professional practice. Her work Life Begins at Land's End (2013) was part of Rebirth Day, a concept organised by Michelangelo Pistoletto. Pistoletto named her a Third Paradise Ambassador, which is a small group of people chosen by him to embody the spirit of his Third Paradise concept. Her videos, along with works by other artists, were shown at the Musee du Louvre in Paris. Her most recent exhibition was Modern Women (2015) at Airspace Gallery in Stoke-on-Trent, with artist Binita Walia.
Brighton Photo Biennial (BPB), now known as Photoworks Festival, is a month-long festival of photography in Brighton, England, produced by Photoworks. The festival began in 2003 and is often held in October. It plays host to curated exhibitions across the city of Brighton and Hove in gallery and public spaces. Previous editions have been curated by Jeremy Millar (2003), Gilane Tawadros (2006), Julian Stallabrass (2008), Martin Parr (2010) and Photoworks (2012). Brighton Photo Biennial announced its merger with Photoworks in 2006 and in 2020 its name was changed to Photoworks Festival.
The scheme of revitalisation of industrial buildings was announced by the Government of Hong Kong in the 2009-2010 Policy address of Hong Kong. The aims of the scheme is to provide more floor spaces for suitable uses in order to meet Hong Kong’s changing social and economical needs. It aims to redevelop unused and affordable industrial buildings into space for new businesses, especially for the "six pillar industries".