The Red Horse of Tysoe was a hill figure in the parish of Tysoe, South Warwickshire, England, cut into the red clay below the escarpment of Edgehill. It gave its name to the surrounding area, which is still known as the Vale of Red Horse or Red Horse Vale. The figure was first recorded in 1607, and in its earliest form was nearly 100 yards long. [1] Various dates have been suggested for its creation, ranging from the Anglo-Saxon period to the 15th century.
It was recut several times over the next two centuries in widely differing forms and locations, giving a total of at least five different horse figures in the Vale. The last Red Horse was finally covered over around 1910 or 1914.
Although the cartographer John Speed refers to Red Horse Vale in 1606, [2] the first clear mention of the Red Horse of Tysoe occurs in the 1607 edition of William Camden's Britannia. [3] Camden wrote:
a great part of the very Vale is thereupon termed the Vale of Red Horse, of the shape of a horse cut out in a red hill by the country people, hard by Pillerton.
A second mention of the Red Horse was made in 1612 by the Warwickshire poet Michael Drayton, [1] while another more explicit account was given by antiquary William Dugdale, who was given the task of recording features of interest around the country in case the Parliamentarians should seek to destroy them. In his Antiquities of Warwickshire Illustrated (1656), he wrote:
Within the precinct of the Mannour of Tishoe now belonging to the Earl of Northampton [...] there is cut upon the side of Edgehill the proportion of a Horse in a very large forme; which by reason of the ruddy colour of the earth is called the Red Horse, and giveth denomination to that fruitful and pleasant country thereabouts, commonly called the Vale of the Red Horse: the trenches of which ground where the shape of the said Horse is so cut out, being yearly scoured by a Freeholder in this Lordship, who holds certain lands there by that service.
Dugdale added that the figure was located "in the Red Horse ground, opposite the east window of Tysoe church". [4]
Whenever it was first cut, it appears that this first horse (called the "Great Horse" by its later researchers Carrdus and Miller) did not survive long after the 1650s. [5] Later soil surveys clearly indicated a second, smaller horse (the "Foal") overlapping and adjacent to the "Great Horse", possibly identifiable with a figure seen by Celia Fiennes some thirty years after Dugdale: "a red horse cut on some of the hills about [the Vale], and the Earth all looking red the horse lookes so as that of the white horse vale". [6] [7] It has also been suggested that the "Foal" and the larger horse were a group of figures representing a mare and her foal. [8]
A third, substantially smaller figure, facing in the opposite direction (South) to the earlier horses, was extant in the 18th century, when there was much discussion of the figure by local antiquarians. Reverend Francis Wise put forward a theory, based on local tradition, that the horse had been scoured annually on Palm Sunday to commemorate Richard Neville, 16th Earl of Warwick's participation in the Battle of Towton, [9] while a Reverend William Asplin ridiculed Wise for his theories on this (and other) hill-figures. [10] This incarnation of the horse was both confirmed on contemporary maps and in 1772 measured fairly exactly by Richard Gough, who described it (in an 1806 reference) as "croup to chest, 34 feet; shoulder to ears, under jaw to bottom of chest, 10 feet; shouder to ground, 16 feet or 57 hands; length of off foreleg, 12 feet; length of near foreleg, 9 feet; hindlegs, 10 feet; belly, 19.5 feet; sheath, 8 feet; tail (more like a lion's), 18 feet; width of each leg 1 foot; diameter of the eye, 1 foot 2 inches long". [11] It was acknowledged at the time that this was much smaller than the earlier "colossal" horse. [12]
The third Red Horse was eventually destroyed when a Mr Simon Nicholls, the landlord of nearby inn the Sun Rising, had it ploughed up around the time of the enclosures. [13] However, Nicholls found that the ending of the annual fair or wake associated with the 'scouring' of the Red Horse affected his takings, and subsequently arranged for a fourth horse, even smaller, to be cut near Sunrising Covert around the beginning of the 19th century. [14]
Nicholls' Horse, which was regarded as having no antiquarian interest, had vanished by 1910. A possible fifth Red Horse was cut on Spring Hill, some distance from the original site, subsequent to the cutting of the fourth, but this final version had disappeared sometime shortly after 1914, although some elderly residents interviewed in the 1960s claimed to remember having seen it. [5]
Evidence for the earlier horses was uncovered in the 1960s by local historians K. A. Carrdus and G. W. Miller using a combination of aerial and other photographs, historical research, fieldwork and soil resistivity surveys; some of their findings were published as The Red Horse of Tysoe in 1965. [2] In particular, they located the site of the first and largest Red Horse (along with the second and third) on a hillside called "the Hangings" – referred to as "Red Horse Hill" on an enclosure map – using aerial photographs to confirm the original figure to have been a galloping horse around 285 feet (87 m) long and 95 feet (29 m) high. [15] Further excavations in 1968 confirmed the figure's outline and the presence of a red clay infill. [11]
The site of the Red Horse was planted with trees in the late 1960s.
The Battle of Towton took place on 29 March 1461 during the Wars of the Roses, near Towton in North Yorkshire, and "has the dubious distinction of being probably the largest and bloodiest battle on English soil". Fought for ten hours between an estimated 50,000 soldiers in a snowstorm on Palm Sunday, the Yorkist army achieved a decisive victory over their Lancastrian opponents. As a result, Edward IV deposed the Lancastrian Henry VI and secured the English throne.
The Uffington White Horse is a prehistoric hill figure, 110 m (360 ft) long, formed from deep trenches filled with crushed white chalk. The figure is situated on the upper slopes of White Horse Hill in the English civil parish of Uffington, some 16 km (10 mi) east of Swindon, 8 km (5.0 mi) south of the town of Faringdon and a similar distance west of the town of Wantage; or 2.5 km (1.6 mi) south of Uffington. The hill forms a part of the scarp of the Berkshire Downs and overlooks the Vale of White Horse to the north. The best views of the figure are obtained from the air, or from directly across the Vale, particularly around the villages of Great Coxwell, Longcot, and Fernham.
The Vale of White Horse is a local government district of Oxfordshire in England. It was historically a north-west projection of Berkshire. The area is commonly referred to as the 'Vale of the White Horse'. It is crossed by the Ridgeway National Trail in its far south, across the North Wessex Downs AONB at the junction of four counties. The northern boundary is defined by the River Thames. The name refers to Uffington White Horse, a prehistoric hill figure.
Kineton is a village and civil parish on the River Dene in south-east Warwickshire, England. The village is part of Stratford-on-Avon district, and in the 2001 census it had a population of 2,278, increasing to 2,337 at the 2011 Census.
The Kilburn White Horse, grid reference SE516813, is a hill figure cut into the hillside in the North York Moors National Park near Kilburn in North Yorkshire, England. The figure is 318 feet (97 m) long by 220 ft (67 m) high and covers about 1.6 acres (6,475 m2) and said to be the largest and most northerly hill figure in England.
Shotover is a hill and forest in Oxfordshire, England. The hill is 3 miles (4.8 km) east of Oxford. Its highest point is 557 feet (170 m) above sea level.
Sanderson Miller was an English pioneer of Gothic revival architecture and landscape designer. He is noted for adding follies or other Picturesque garden buildings and features to the grounds of an estate.
The Vale of Red Horse, also called the Vale of the Red Horse or Red Horse Vale, is a rural district in southern Warwickshire, England, lying between the escarpment of Edgehill and the northern Cotswolds around the valley of the Stour. Early gazetteers noted the Vale as a rich corn-growing area, and it is still relatively sparsely populated: its main settlements are Kineton and Shipston-on-Stour. The Fosse Way runs through the area and the Battle of Edgehill was fought on its fringes in October 1642.
The Long Man of Wilmington or Wilmington Giant is a hill figure on the steep slopes of Windover Hill near Wilmington, East Sussex, England. It is 6 miles (9.7 km) northwest of Eastbourne and 1⁄3 mile (540 m) south of Wilmington. Locally, the figure was once often called the "Green Man". The Long Man is 235 feet (72 m) tall, holds two "staves", and is designed to look in proportion when viewed from below.
A hill figure is a large visual representation created by cutting into a steep hillside and revealing the underlying geology. It is a type of geoglyph usually designed to be seen from afar rather than above. In some cases trenches are dug and rubble made from material brighter than the natural bedrock is placed into them. The new material is often chalk, a soft and white form of limestone, leading to the alternative name of chalk figure for this form of art.
Cherhill White Horse is a hill figure on Cherhill Down, 3.5 miles east of Calne in Wiltshire, England. Dating from the late 18th century, it is the third oldest of several such white horses in Great Britain, with only the Uffington White Horse and the Westbury White Horse being older. The figure is also sometimes called the Oldbury White Horse.
Tysoe is a civil parish in the Stratford-on-Avon District of Warwickshire, England. The parish is on the boundary with Oxfordshire, about 7+1⁄2 miles (12 km) northwest of Banbury. The parish includes the contiguous villages of Middle and Upper Tysoe and the separate hamlet of Lower Tysoe. The 2011 Census recorded the parish population as 1,143.
The Cerne Abbas Giant is a hill figure near the village of Cerne Abbas in Dorset, England. 55 metres (180 ft) high, it depicts a standing nude male with a prominent erection and wielding a large club in its right hand. Like many other hill figures it is outlined by shallow trenches cut in the turf and backfilled with chalk rubble. It is listed as a scheduled monument of England; the site is now owned by the National Trust.
Marlborough White Horse, also called the Preshute White Horse, is a hill figure on Granham Hill, a fairly shallow slope of the downland above the hamlet of Preshute, southwest of Marlborough in the county of Wiltshire, England. Dating from 1804, it is one of several such white horses to be seen around Great Britain, and one of nine in Wiltshire.
Alton Barnes White Horse is a chalk hill figure of a white horse located on Milk Hill some 1,000 metres north of the village of Alton, Wiltshire, England. The horse is approximately 180 feet high and 160 feet long, and was cut in 1812 under the commission of local farmer Robert Pile. Pile instructed inn sign painter John Thorne to design and cut the horse, although Thorne conned Pile by leaving with his advance sum while employing local resident John Harvey to cut the horse instead. It is based on another white horse hill figure in Wiltshire, the Cherhill White Horse, and is the second-biggest of nine white horses in Wiltshire.
Pewsey White Horse is a hill figure of a white horse near the village of Pewsey, Wiltshire, England. Cut of chalk in 1937, it replaces an earlier horse that had disappeared under the grass and is one of eight remaining white horses in Wiltshire. It measures 66’ by 45’, making it the smallest of the eight canonical white horses in Wiltshire.
Devizes White Horse, officially known as the Devizes Millennium White Horse, is a chalk hill figure of a horse located on Bank Field, an escarpment at Roundway Hill, on the outskirts of the town of Devizes above the hamlet of Roundway, Wiltshire, England; it is about ½ mile north of Roundway. It was cut in 1999 to celebrate the forthcoming third millennium, and is based on a design of another white horse hill figure, which was also known as Devizes White Horse, or sometimes The Snobs Horse, which was very close to the present horse as it was also on Roundway Hill beneath the Oliver's Castle hill fort. Traces of the Snobs Horse can still be seen under the right conditions.
Broad Town White Horse is a hill figure of a white horse located in the village of Broad Town, Wiltshire, England. One of eight canonical hill figures in Wiltshire depicting a white horse, it is carved into a 45° slope above Little Town Nursery Farmhouse and is visible for 20 miles. The horse is 80 by 60 feet in size and composed of fine compacted chalk with well defined edges. Although its origin is uncertain, according to William Plenderleath, writing in 1885, it was cut in 1864 by a William Simmonds, who held the farm then. Simmonds claimed later that it had been his intention to enlarge the horse gradually over the years, but he had to give up the farm and so did not have the opportunity.
Hackpen White Horse is a chalk hill figure of a white horse on Hackpen Hill, located below The Ridgeway on the edge of the Marlborough Downs, two miles south east of Broad Hinton, Wiltshire, England. It is one of nine white horse hill figures located in Wiltshire. It is also known as the Broad Hinton White Horse due to its near location to Broad Hinton. Supposedly cut by local parish clerk Henry Eatwell in 1838 to commemorate the coronation of Queen Victoria, the horse is 90 square feet (8.4 m2). The horse is regularly scoured and maintained.
The Litlington White Horse is a chalk hill figure depicting a horse, situated on Hindover Hill in the South Downs, looking over the River Cuckmere to the west of the village of Litlington and north of East Blatchington in East Sussex, England.