Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Light in the Darkness is a 1941 Italian drama film directed by Mario Mattoli and starring Fosco Giachetti, Alida Valli and Clara Calamai. The film's sets were designed by the art director Ottavio Scotti. It was shot at the Palatino Studios in Rome.
Life Begins Anew is a 1945 Italian melodrama film directed by Mario Mattoli and starring Alida Valli, Fosco Giachetti and Eduardo De Filippo. It was the third most popular Italian film during 1945-46 after Roberto Rossellini's Rome, Open City and Partenza ore 7, a comedy always directed by Mattoli.
Bengasi is a 1942 Italian war film directed by Augusto Genina and starring Fosco Giachetti, Maria von Tasnady and Amedeo Nazzari. The film was shot at Cinecittà in Rome. The film was a propaganda work, designed to support the Fascist regime of Benito Mussolini. It portrays Allied atrocities in "Bengasi Italiana", such as the murder of a peasant by a group of drunken Australian soldiers.
Il processo di Verona is a 1963 Italian historical drama film directed by Carlo Lizzani. The film tells of the final phases of the Italian fascist regime, in particular the affair of the 1944 Verona trial, in which Galeazzo Ciano, Emilio De Bono, Giovanni Marinelli and other eminent Fascist officials were sentenced to death and almost immediately executed by a shooting detachment, while Tullio Cianetti was sentenced to 30 years imprisonment.
Telefoni bianchi is a 1976 Italian comedy film directed by Dino Risi. For this film Agostina Belli was awarded with a Special David di Donatello for her performance. The title refers to the White Telephone comedies of the 1930s and 1940s. The film is a comic portrayal of the Italian film industry during the Fascist era in which an ambitious young woman briefly rises to become a film star.
Malombra is a 1942 Italian drama film directed by Mario Soldati and starring Isa Miranda, Andrea Checchi and Irasema Dilián. It is based on the novel Malombra by Antonio Fogazzaro, which had previously been adapted into a 1917 silent film of the same title. It was made at Cinecittà with sets designed by Gino Brosio. It was produced by Riccardo Gualino's Lux Film. It belongs to the movies of the calligrafismo style.
The Old Guard is a 1934 Italian drama film directed by Alessandro Blasetti and starring Gianfranco Giachetti, Mino Doro, and Franco Brambilla. It was one of several pro-Fascist films made by Blasetti during the era. The film is set in a small Italian town in 1922, where a local group of Fascist blackshirts battle against rival socialists who have called a strike at the hospital. Mario, the young son of Doctor Cardini, is killed in the fighting. The film ends with the March on Rome that brought Benito Mussolini to power.
Like the Leaves is a 1935 Italian drama film directed by Mario Camerini and starring Isa Miranda, Mimì Aylmer and Nino Besozzi. It was based on a play by Giuseppe Giacosa. The film radically altered the image of Miranda from her previous film Everybody's Woman (1934) in which she had played a glamorous film star. In this case she appeared as a modest middle-class woman. Miranda was widely praised for her performance, further enhancing her status as the leading Italian actress.
Alfredo Guarini (1901–1981) was an Italian screenwriter, film producer and director. Guarini is noted in particular for his management of the career of the Italian actress Isa Miranda, who he eventually married. In the mid-1930s he was responsible for persuading her to work in a variety of different countries to build up a greater international profile after her breakthrough success in Everybody's Woman (1934).
Document Z-3 is a 1942 Italian spy film directed by Alfredo Guarini and starring Isa Miranda, Claudio Gora and Luis Hurtado. It was shot at the Fert Studios in Turin and on location at an airfield which later became Turin Airport. The films sets were designed by the art director Boris Bilinsky. It was one of three Miranda films directed by Guarini that helped re-establish her in Italian cinema following her return from a largely unsuccessful spell in Hollywood. Many critics were not impressed with the film, feeling that Miranda had not recovered the spontaneity of her pre-Hollywood films. This is considered the first production on which Federico Fellini worked, uncredited, as a screenwriter.
The Castiglioni Brothers is a 1937 Italian "white-telephones" comedy film directed by Corrado D'Errico and starring Camillo Pilotto, Ugo Ceseri and Amedeo Nazzari. It was based on a play of the same title by Alberto Colantuoni. The film's sets were designed by the art director Guido Fiorini.
Ginevra degli Almieri is a 1935 Italian historical drama film directed by Guido Brignone, starring Elsa Merlini and Amedeo Nazzari. Merlini had spotted Nazzari during a stage play, and lobbied for his casting in his film debut. Nazzari went on to be a leading star of Italian cinema. It is set in Florence in the fifteenth century.
Three Lucky Fools is a 1933 French-Italian comedy film directed by Mario Bonnard and starring Tito Schipa, Eduardo De Filippo, and Fred Pasquali. It marked the film debut of Assia Noris, who went on to be a leading Italian star.
Filippo Scelzo was an Italian stage, film and television actor. He appeared in more than forty films including Red Passport in which he played the male lead.
The Lie of Nina Petrovna is a 1937 French drama film directed by Viktor Tourjansky and starring Isa Miranda, Fernand Gravey and Aimé Clariond. It is a remake of the 1929 silent film The Wonderful Lies of Nina Petrovna with the setting moved from the Russian Empire to Imperial Vienna. The film's sets were designed by the art director Guy de Gastyne.
The Ungrateful Heart is a 1951 Italian melodrama film directed by Guido Brignone and starring Carla Del Poggio, Frank Latimore and Gabriele Ferzetti. It takes its name from the Neapolitan song "Core 'ngrato". It was released in West Germany in 1953.
The Opera Singer is a 1932 Italian musical film directed by Nunzio Malasomma and starring Gianfranco Giachetti, Germana Paolieri and Isa Pola.
Backstage is a 1939 Italian comedy film directed by Alessandro Blasetti and starring Filippo Romito, Elisa Cegani and Camillo Pilotto. It is part of the tradition of White Telephone films, popular in Italy during the era.
