Redeemer | |
---|---|
Studio album by Wheat Chiefs | |
Released | July 4, 1996 |
Recorded | 1992, 1994 |
Genre | Alternative rock |
Label | BangOn Records, Hom Wreckerds Music |
Producer | Marek Forysinski, Dave Ogilvie, Vinnie Gatti |
Redeemer is an album from the Canadian punk-influenced alternative rock band the Wheat Chiefs. The album is a collection of songs from three separate recording sessions held between 1992 and 1994, and was released by BangOn Records, a subsidiary of the Canadian label Cargo Records, [1] and the band's own Hom Wreckerds Music imprint. It is the only official release by the Wheat Chiefs.
Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels and other informal channels.
Alternative rock is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s. In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music. The term's original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock. Although the genre evolved in the late 1970s and 1980s, music anticipating the sound of the genre can be found as early as the 1960s, with bands such as The Velvet Underground.
The Wheat Chiefs were a Canadian melodic rock band with punk rock influence formed in 1990 in Edmonton, and later relocated to Vancouver. The group featured several members of SNFU and one from Jr. Gone Wild. They released their only album, Redeemer, in 1996, before disbanding two years later.
The Wheat Chiefs formed early in 1990 by guitarists and twin brothers Marc and Brent Belke after the demise of their previous band, SNFU. Their first recording session came that June, when they cut a demo tape at Technical Difficulties Studio in Edmonton. [2] Two of these songs would later appear on Redeemer in re-recorded form. [2] The band circulated this demo among record executives, to no avail.
Marc Belke is a Canadian musician and former radio personality. He played guitar in the punk and alternative rock bands SNFU and The Wheat Chiefs, and sang lead vocals in the latter. He was later an on-air personality with Rogers based in Victoria, British Columbia.
Brent Belke is a Canadian guitarist and composer. After playing in the punk and alternative rock bands SNFU and The Wheat Chiefs between 1981 and 1998, Belke began a career composing music for film and television.
SNFU is a Canadian hardcore punk band. They formed in 1981 in Edmonton, and relocated to Vancouver in 1992. The band has released ten full-length albums and have been a formative influence on the skate punk subgenre. Their work has on occasion been included in rankings of the best Canadian music.
Bassist Trenth Buhler and drummer Dave Rees quit the band in early 1992. [3] With new bassist Rob Johnson and drummer Ed Dobek, the group recorded numerous tracks later that year with producer Marek Forysinski, including seven that would later appear on Redeemer. [3] The band recorded "Joe Murphy", a song about the Edmonton Oilers hockey player of the same name with producer Dave Ogilvie later that year. [3] In 1994, the band recorded "Everything" and "Redeem" with Rees returning as a guest drummer, producer Forysinski, and engineer Vince Gotti. [4]
David Rees is an American-Canadian musician and television editor currently based in Montreal, Quebec, Canada. Rees played drums in the punk rock band SNFU and the alternative rock band Wheat Chiefs, and served for a time as the touring drum tech for Bad Religion.
Robert Arthur Johnson is a Canadian musician currently based in Vancouver, British Columbia. He played bass guitar in the punk and alternative rock bands SNFU and the Wheat Chiefs, in addition to recording his own hip hop and hard rock music in various incarnations.
The Edmonton Oilers are a professional ice hockey team based in Edmonton, Alberta. They are members of the Pacific Division of the Western Conference of the National Hockey League (NHL).
Despite receiving an offer from Mercury Records in 1993, [3] the Wheat Chiefs had not signed a record deal. In 1996, they decided to release a selection of recordings as their debut album. [4] Forysinski oversaw the final mixing process. [4]
Mercury Records is an American record label owned by Universal Music Group. In the United States, it operates through Island Records; in the UK, it is distributed by Virgin EMI Records.
The band signed a distribution deal with Cargo Records, [4] who had previously released two SNFU records. Redeemer was released in 1996.
Cargo Records was a Canadian independent record label and distributor, active in the 1980s and 1990s. Based in Montreal, the company both released albums directly as a label, and distributed albums on behalf of many other small independent labels, making it one of the largest and most influential Canadian record companies of the alternative rock era.
The Wheat Chiefs filmed a promotional video for the song "Refuse". The video was directed by Mina Shum, a noted Canadian filmmaker and girlfriend of guitarist Brent Belke. [1] The video was nominated for a Pacific Music Industry Association award and received modest airtime on MuchMusic. [1]
Mina Shum is an independent Canadian filmmaker. She is a writer and director of award-winning feature films, numerous shorts and has created site specific installations and theatre. Her features, Double Happiness and Long Life, Happiness & Prosperity both premiered in the US at the Sundance Film Festival and Double Happiness won the Wolfgang Staudte Prize for Best First Feature at the Berlin Film Festival and the Audience Award at Torino. She was director resident at the Canadian Film Centre in Toronto. She was also a member of an alternative rock band called Playdoh Republic.
The album received little attention, but was received well by critics who reviewed it. SNFU biographer Chris Walter describes the album, packing a "solid wallop," as commercially viable although it did not chart. [1] In a positive review for Drop D magazine, critic Paul Watkin praises the album's melodicism and the Belke brothers' "cool guitar work." [5] A writer for Discorder magazine praised the album for its "singalong" appeal and likened the material to that of the Doughboys and Big Drill Car. [6]
FYULABA is the sixth studio album by Canadian punk rock band SNFU. The album was released in 1996 by Epitaph Records. Its name is an acronym for Fuck You Up Like a Bad Accident. The album was the last of three albums released by SNFU on Epitaph. Eight years would pass before the proper followup, In the Meantime and In Between Time, was issued in 2004.
If You Swear, You'll Catch No Fish is the second full-length album by the Canadian hardcore punk band SNFU. It was recorded in April 1986 at Power Zone Studio in Edmonton, Alberta, although the album's liner notes claim the studio is located in Istanbul, Turkey, and was released on BYO Records in 1986. More diverse than their debut album, If You Swear, You'll Catch No Fish helped solidify SNFU's status in the North American hardcore punk community and influenced the formation of the skate punk subgenre.
...And No One Else Wanted to Play is the first full-length album from Canadian punk band SNFU. It was released on BYO Records in 1985. The album was engineered by David Ferguson, produced by BYO and SNFU, and recorded at Track Record Studios in Hollywood, California, United States.
The One Voted Most Likely to Succeed is the fifth studio album by Canadian punk rock band SNFU. The album was released in 1995 on Epitaph Records, their second of three albums on Epitaph.
Something Green and Leafy This Way Comes is the fourth studio album by Canadian punk rock band SNFU. The album was released in 1993 on Epitaph Records, the first of three SNFU releases on this label. Despite being released during the height of the third wave of punk rock by the revival's best-selling independent label, the album was not commercially successful.
The Last of the Big Time Suspenders is a compilation album by the Canadian punk rock band SNFU. The album is composed of live recordings, demos, compilation and EP tracks, and studio outtakes. It was released in 1991, two years after SNFU's first breakup, to satisfy the band's two-album contract with Cargo Records. The group reformed to tour behind the album, leading to a full reunion.
Better Than a Stick in the Eye is the third album by Canadian punk rock band SNFU. The album was released in 1988 by Cargo Records. It marked a return to a direct and unadorned sound following its comparatively experimental predecessor, If You Swear, You'll Catch No Fish. It would also be the group's last studio album for five years, as they disbanded months after the record's release before again reforming in 1991.
The Ping Pong EP is an EP by Canadian punk rock band SNFU. Its tracks were taken from the 1996 recording sessions for the band's FYULABA album. It was released in 2000 on the Alternative Tentacles imprint.
Let's Get It Right the First Time is a live album by Vancouver, British Columbia punk rock band SNFU. The album was released in 1998. Although the record was billed as a live album and reportedly recorded at The Starfish Room in Vancouver in late 1997, SNFU biographer Chris Walter notes that the album was tracked almost entirely in the recording studio.
In the Meantime and In Between Time is the seventh studio album by Canadian punk rock band SNFU, released in 2004. The record was the band's first full-length studio album since FYULABA in 1996, and would be the last to feature founding guitarist Marc Belke. The band released the album on Belke's own Rake Records imprint.
Curtis Creager is an American-Canadian bass guitarist, best known as a former member of the punk rock band SNFU and alternative rock band the Wheat Chiefs.
Beautiful, Unlike You and I is an EP by Vancouver punk rock band SNFU. It was recorded in 1993 while the band was recording demo material for their Something Green and Leafy This Way Comes album. It was released on the Hom Wreckerds Music label.
She's Not on the Menu is an EP by Edmonton, Alberta-based punk rock band SNFU. It was self-released by the band in 1986. The EP contains a 1986 studio re-recording of a song from the band's debut album on Side A and two demo tracks originally recorded in 1982 on Side B.