Redtape (aka Red Tape) was one of the East Village zines of artistic expression published between 1980 and 1992. Published and edited by Michael Carter, Red Tape Magazine featured comics, fiction, poetry, fine art, graphic art and photography; thereby chronicling issues and feelings central the post-punk East Village art scene during the 80’s. These included gentrification, the threat of nuclear war, sexual freedom, squatting, AIDS, no wave art and music, and the prevalence of hard drugs. [1]
From 1982 to 1992 Redtape Magazine provided a venue for both established and emerging East Village artists and writers of the downtown New York scene. [2] Redtape communicated innovative artistic ideas of community by dividing its pages between literature and visual art. It specifically encouraged the collaboration of writers and visual artists.
Michael Carter, the editor and publisher of Redtape, said that the purpose of the magazine was "to explore new possibilities and forms of expression, to develop craft and technique without becoming sequestered in an intellectual or academic ivory tower."
Edition launch parties were often held at Danceteria or other downtown nightclubs. [3]
Redtape Magazine literary contributors included Patrick McGrath, Kathy Acker, Max Blagg, Gregory Corso, Constance DeJong [ disambiguation needed ], Lynne Tillman, John Farris, Miguel Piñero, and Ed Sanders. Visual art contributions were made by David Wojnarowicz, Mike Cockrill, Christof Kohlhofer, Kiki Smith, Kembra Pfahler, Barbara Ess, Joseph Nechvatal, Greer Lankton, Joe Coleman, James Romberger, and others. [4]
No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
John Nelson Sullivan was an American videographer who chronicled life in Downtown Manhattan’s arts and club scene from 1983 until his death. His hundreds of videos documented daily life in the city, wild nights out on the town, and private moments with his many famous friends — including RuPaul, Keith Haring, Sylvia Miles, Larry Tee, Susanne Bartsch, Tom Rubnitz, Lady Bunny, Phoebe Legere, Michael Musto, Ethyl Eichelberger, John Sex, and Michael Alig.
Richard Cory Kostelanetz is an American artist, author, and critic.
Punk visual art is artwork associated with the punk subculture and the no wave movement. It is prevalent in punk rock album covers, flyers for punk concerts and punk zines, but has also been prolific in other mediums, such as the visual arts, the performing arts, literature and cinema. Punk manifested itself "differently but consistently" in different cultural spheres. Punk also led to the birth of several movements: new wave, no wave, dark wave, industrial, hardcore, queercore, etc., which are sometimes showcased in art galleries and exhibition spaces. The punk aesthetic was a dominant strand from 1982 to 1986 in the many art galleries of the East Village of Manhattan.
Between C & D (1983–1990) was a Lower East Side quarterly literary magazine, edited by Joel Rose and Catherine Texier. The name of the magazine references the apartment where Rose and Texier lived and produced the magazine, which was located between Avenue C and Avenue D in the East Village. However, it has also been suggested that the title is short for "between coke and dope," giving an indication of the transgressive content and ethos. The tagline of the magazine was "Sex. Drugs. Danger. Violence. Computers."
Ron Kolm is an American poet, writer, editor, archivist, and bookseller based in New York City. Known as "one of the mainstays of the downtown (literary) scene," Kolm is also a founder of the Unbearables, a "ragtag bunch of downtown poet-troublemakers."
New York University's Fales Library and Special Collections is located on the third floor of the Elmer Holmes Bobst Library at 70 Washington Square South between LaGuardia Place and the Schwartz Plaza, in the Greenwich Village neighborhood of Manhattan, New York City. It houses nearly 200,000 volumes, and 10,000 feet (3,000 m) of archive and manuscript materials. It contains the Fales Collection of rare books and manuscripts in English and American literature, the Downtown Collection, the Food and Cookery Collection, and the general Special Collections from the NYU Libraries.
Jeffrey Cyphers Wright is an American lyric poet, writer and publisher. Wright graduated from West Virginia University before coming to New York. Beginning in 1976, Wright studied with Ted Berrigan and Alice Notley at St. Mark's Church in-the-Bowery. He also studied with Allen Ginsberg at Brooklyn College and received an MFA in poetry from there.
Carlo McCormick is an American culture critic and curator living in New York City. He is the author of numerous books, monographs and catalogues on contemporary art and artists.
Exit Art was a non-profit cultural center that ran from 1982 to 2012 that exhibited contemporary visual art, installation, video, theater, and performance in New York City, United States. In its last location in Hell's Kitchen, Manhattan, it was a two-story gallery.
Jaime Davidovich was an Argentine-American conceptual artist and television-art pioneer. His innovative artworks and art-making activities produced several distinct professional reputations including painter, installation artist, video artist, Public-access television cable TV producer, activist, and non-profit organizer. He is the creator of legendary downtown Manhattan cable television program The Live! Show (1979–1984). Billed as "the variety show of the avant-garde", The Live! Show was an eclectic half-hour of live, interactive artistic entertainment inspired by the Dada performance club Cabaret Voltaire and the anarchic humor of American television comedian Ernie Kovacs.
April Palmieri is an American photographer and musician who performed with a 12-piece all-woman percussion band, Pulsallama. During the early 1980s, the band played at such venues as the Mudd Club, the Pyramid, Danceteria, and Club 57 in New York's East Village. Palmieri's photography from this era, including of Keith Haring and John Sex, has been included in an exhibition at the Tate Liverpool and an exhibition at the Museum of Modern Art (MoMA).
Café Nicholson was a New York City restaurant that operated from 1948 to 1999. The establishment became a gathering place for members of the artistic, literary and cultural elite.
Arleen Schloss is an American performance artist, video/film artist, sound poet, director and curator of the lower Manhattan art, video, performance art and music scenes. Schloss began her influence through A's – an interdisciplinary loft space in New York City that became a hub for music, exhibitions, performance art, films and videos. Artists and performers such as Jean-Michel Basquiat, Eric Bogosian, Phoebe Legere, Sonic Youth, Liquid Liquid, Carolee Schnemann, Alan Vega, Martin Wong, and Aei Wei Wei performed, exhibited and got their start at A's. In the 1990s A's became A's Wave where website works and other forms of digital media were shown.
Gordon Stokes Kurtti was an American artist, writer, illustrator and performer. He was a seminal figure in the early East Village art scene of New York City's Lower East Side.
Margia Kramer is an American documentary visual artist, writer and activist living in New York. In the 1970s and 1980s, Kramer recontextualized primary texts in a series of pioneering, interdisciplinary multi-media installations, videotapes, self-published books, and writings that focused on feminist, civil rights, civil liberties, censorship, and surveillance issues.
Eric Mitchell is a French born writer, director, and actor who moved to downtown New York City in the early 1970s. He has acted in many No Wave films such as Permanent Vacation (1980) by Jim Jarmusch, but is best known for his own films that are usually written and directed by him: Kidnapped, Red Italy, Underground U.S.A. and The Way It Is or Eurydice in the Avenues, starring Steve Buscemi, Vincent Gallo, Mark Boone Junior and Rockets Redglare. Mitchell worked out of New York City's sordid East Village area in conjunction with Colab and other performance artists and noise musicians. There he created a series of scruffy, deeply personal, short Super 8mm and 16mm films in which he combined darkly sinister images to explore the manner in which the individual is constrained by society.
Michael Carter is an American poet and publisher, known for having produced Redtape Magazine between 1980 and 1992.
GoNightclubbing is a collaboration between video artists Pat Ivers and Emily Armstrong, who worked together to document the New York punk rock scene beginning in 1977. Ivers had previously worked with Metropolis Video from 1975 until their dissolution in 1977. Originally, Ivers and Armstrong were known as Advanced TV, but they incorporated as GoNightclubbing in 2001.
The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.
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