| Reel to Real | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1974 | |||
| Recorded | 1974 | |||
| Studio | Record Plant (Los Angeles) | |||
| Length | 34:05 | |||
| Label | RSO | |||
| Producer | Skip Taylor, John Stronach, Arthur Lee | |||
| Love chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| Christgau's Record Guide | B+ [2] |
| The Encyclopedia of Popular Music | [3] |
| Exclaim! | 5/10 [4] |
Reel to Real is the seventh and final studio album by the American rock band Love, released in 1974 by RSO Records.
Reel to Real was the first official Love album in four years, and bandleader Arthur Lee recorded the album with studio musicians after dismissing all previous band members. It follows the release of Lee's solo album Vindicator in 1972 and two different Love albums that had been recorded but never released.
Reel to Real featured the same musicians that played on the unreleased Black Beauty and was originally intended as part of a two-album deal with Robert Stigwood's RSO Records. A long-time admirer of Arthur Lee, Skip Taylor approached the label and convinced Stigwood to give the previously commercially unsuccessful Lee the largest advance he would ever receive, followed by the biggest touring opportunity any incarnation of Love would ever embark on, opening for acts such as Lou Reed and Eric Clapton.[ citation needed ]
The album was reissued by High Moon Records with new liner notes, archival photos and bonus tracks on CD and digital in 2015 and LP in 2016.
In retrospective reviews, PopDose opined that "A vitally important band – and performer like Arthur Lee – needs to be held in the light for their amazing catalog", and that later albums such as Reel to Real should "not be overlooked". [5] Mark Deming of AllMusic called it "An album with more than its share of great moments." [6] Daniel Sylvester of Exclaim! noted that Lee "comes off sounding nothing short of subdued, toothless and aimless," adding that the record "is lovingly assembled and digitally enhanced, but nonetheless, shouldn't be mistaken for an essential release." [4]
All tracks written and arranged by Arthur Lee, except where noted.
Side 1
Side 2
2015 CD bonus tracks
Musicians
Technical
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