The Relics of Sainte-Chapelle are relics of Jesus Christ acquired by the French monarchy in the Middle Ages and now conserved by the Archdiocese of Paris. They were originally housed at Sainte-Chapelle in Paris, France and are now in the cathedral treasury of Notre-Dame de Paris.
Saint Louis (King Louis IX) built Sainte-Chapelle in the 13th century to house the Holy Crown , a fragment of the True Cross and other relics he had acquired from Baldwin II of Constantinople. This made the chapel itself an immense reliquary, housing the crown, the True Cross fragment, relics of the Virgin Mary (in particular her milk), the Holy Lance, the Holy Sponge and the Mandylion, a supposed image of Christ. [1] The seventeen other relics purchased from Constantinople were the Blood of Christ, the nappies of the infant Jesus, a chain, a stone from the Holy Sepulchre, a cross, a purple mantle, a reed, part of his funeral shroud, the towel with which he dried the Apostles' feet, the rod of Moses, part of John the Baptist's head, and the heads of Saint Blas, Saint Clement, and Saint Simeon. [2]
In the early modern era, the kings of France drained their treasury, sold rubies and melted down gold to supply their vast military spending needs, making all the chapel's ecclesiastical treasures into a monetary reserve that could be used if needed, as they had also been in the medieval era. This meant that under Henry IV of France (reigned 1589–1610) what was left of the treasure was reduced to the state it would retain until the French Revolution.
The Revolution meant a ban on conserving relics and all other sacred symbols linked to the kings, though this allowed for pieces judged to be of high artistic quality to be saved. These relics were handed over to the archbishop of Paris in 1804 and are still held in the cathedral treasury of Notre Dame, cared for by the Knights of the Holy Sepulchre and the cathedral chapter. The first Friday of every month at 3 PM, guarded by the Knights, the Holy Relics are exposed for veneration and adoration by the faithful before the cathedral's high altar. [3] Every Good Friday, this adoration lasts all day, punctuated by the liturgical offices. An exhibition entitled Le trésor de la Sainte-Chapelle was installed at the Louvre in 2001. After the April 2019 fire at Notre-Dame, the relics were moved for safekeeping first to the Paris city hall overnight, [4] and then to the Louvre. [5]
The Sainte-Chapelle is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France.
The Holy Lance, also known as the Lance of Longinus, the Spear of Destiny, or the Holy Spear, is the lance that is alleged to have pierced the side of Jesus as he hung on the cross during his crucifixion. As with other instruments of the Passion, the lance is only briefly mentioned in the Christian Bible, but later became the subject of extrabiblical traditions in the medieval church. Relics purported to be the lance began to appear as early as the 6th century, originally in Jerusalem. By the Late Middle Ages, relics identified as the spearhead of the Holy Lance had been described throughout Europe. Several of these artifacts are still preserved to this day.
The True Cross is said to be the real cross that Jesus of Nazareth was crucified on, according to Christian tradition.
The Musée de Cluny, officially Musée de Cluny-Musée National du Moyen Âge, is a museum of medieval art in Paris. It is located in the 5th arrondissement of Paris, bordered by square Samuel-Paty to the south, boulevard Saint-Michel to the west, boulevard Saint-Germain to the north, and rue Saint-Jacques to the east.
A number of alleged relics associated with Jesus have been displayed throughout the history of Christianity. While some individuals believe in the authenticity of Jesus relics, others doubt their validity. For instance, the sixteenth-century philosopher Erasmus wrote about the proliferation of relics, and the number of buildings that could be constructed from wooden relics claimed to be from the crucifixion cross of Jesus. Similarly, at least thirty Holy Nails were venerated as relics across Europe in the early 20th century. Part of the relics are included in the so-called Arma Christi, or the Instruments of the Passion.
The Holy Sponge is one of the Instruments of the Passion of Jesus. It was dipped in vinegar, most likely posca, a regular beverage of Roman soldiers, and offered to Jesus to drink from during the Crucifixion, according to Matthew 27:48, Mark 15:36, and John 19:29.
According to the New Testament, a woven crown of thorns was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew, Mark and John, and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter.
The Equestrian Order of the Holy Sepulchre of Jerusalem, also called Order of the Holy Sepulchre or Knights of the Holy Sepulchre, is a Catholic order of knighthood under the protection of the Holy See. The Pope is the sovereign of the order. The order creates canons as well as knights, with the primary mission to “support the Christian presence in the Holy Land.” It is an internationally recognised order of chivalry. The order today is estimated to have some 30,000 knights and dames in 60 lieutenancies around the world. The Cardinal Grand Master has been Fernando Filoni since 2019, and the Latin Patriarch of Jerusalem is ex officio the Order's Grand Prior. Its headquarters are situated at the Palazzo Della Rovere and its official church in Sant'Onofrio al Gianicolo, both in Rome, close to Vatican City.
A monstrance, also known as an ostensorium, is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament. A monstrance may also serve as a reliquary for the public display of relics of some saints. The word monstrance comes from the Latin word monstrare, while the word ostensorium comes from the Latin word ostendere. Either term, each expressing the concept of "showing", can refer to a vessel intended for the exposition of the Blessed Sacrament, but ostensorium has only this meaning.
The French Crown Jewels and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal or Imperial power between 752 and 1870. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.
A reliquary is a container for relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory or feretery.
Saint-Étienne-du-Mont is a church in Paris, France, on the Montagne Sainte-Geneviève in the 5th arrondissement, near the Panthéon. It contains the shrine of St. Geneviève, the patron saint of Paris. The church also contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery.
The Palace of Tau in Reims, France, was the palace of the Archbishop of Reims. It is associated with the kings of France, whose coronation was held in the nearby cathedral of Notre-Dame de Reims and the following coronation banquet in the palace itself. Because of its historical importance for the French monarchy, the Palace of Tau was inscribed on the UNESCO World Heritage List in 1991. Today, it serves to host cultural events for the city of Reims. In recent years it has been the setting for Sciences Po Paris's RIMUN association's annual gala.
Saint-Brieuc Cathedral is a Roman Catholic church located in the town of Saint-Brieuc, Brittany, France, and dedicated to Saint Stephen.
Louis-Ernest Dubois was a Roman Catholic Cardinal and Archbishop of Paris. He played a leading role in the period of adjustment to the separation of Church and State in France.
Goudji is a French sculptor and goldsmith of Georgian origin who was born in Soviet Georgia.
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry, to house a relic of the Crown of Thorns. The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest. It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse, or "in the round", which had been recently developed when the reliquary was made, to create a total of 28 three-dimensional figures, mostly in white enamel.
The Treasury of Saint-Denis, kept at the Basilica of Saint-Denis in Paris until the French Revolution, was the main repository of the regalia of the Kingdom of France, including the ancien régime portion of what are now known as the French Crown Jewels. Its surviving items are presently scattered between the Louvre, the Cabinet des Médailles of the French National Library, and other museums.
The scepter of Charles V, also known in the early modern period as scepter of Charlemagne, is one of the most prominent preserved regalia of the Kingdom of France. It was donated by Charles V to the abbey of Saint-Denis on 7 May 1380, shortly before his death. It has been used since for the coronation (sacre) of nearly all monarchs of France until Charles X, only excepting Charles VII and Henri IV. It has been kept at the Louvre since 5 December 1793.