The Sainte-Chapelle is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France.
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
An archivolt is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself. Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for.
The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Catholic cathedral. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.
Rouen Cathedral is a Catholic church in Rouen, Normandy, France. It is the see of the Archbishop of Rouen, Primate of Normandy. It is famous for its three towers, each in a different style. The cathedral, built and rebuilt over a period of more than eight hundred years, has features from Early Gothic to late Flamboyant and Renaissance architecture. It also has a place in art history as the subject of a series of impressionist paintings by Claude Monet, and in architecture history as from 1876 to 1880, it was the tallest building in the world.
Saint-Julien-le-Pauvre, in full Église Saint-Julien-le-Pauvre, is a Melkite Greek Catholic parish church in Paris, France, and one of the city's oldest religious buildings. Begun in Romanesque style during the 12th century, most of its architecture is Primary Gothic. It is situated in the 5th arrondissement, on the Left Bank of the Seine River, about 500 meters away from the Musée de Cluny and in the proximity of the Maubert-Mutualité Paris Métro station. It shares a city block with the Square René Viviani.
The Church of Saint-Germain l'Auxerrois is a medieval Roman Catholic church in the 1st arrondissement of Paris, directly across from the Louvre Palace. It was named for Saint Germanus of Auxerre, a medieval bishop of Auxerre, who became a papal envoy and met Saint Genevieve, the patron saint of Paris, on his journeys. Genevieve is reputed to have converted queen Clotilde and her husband, French king Clovis I to Christianity at the tomb of Saint Germain in Auxerre.
The Church of Saint-Merri or Église Saint-Merry) is a parish church in Paris, located near the Centre Pompidou along the rue Saint Martin, in the 4th arrondissement on the Rive Droite. It is dedicated to the 8th century abbot of Autun Abbey, Saint Mederic, who came to Paris on pilgrimage and later died there in the year 700. In 884 Mederic was declared patron saint of the Right Bank.
Notre-Dame la Grande is a Roman Catholic church in Poitiers, France. Having a double status, collegial and parochial, it forms part of the Catholic diocese of Poitiers. The west front adorned with statuary is recognised as a masterpiece of Romanesque religious art. The walls inside the church are painted.
Located at 6, rue Notre-Dame-des-Victoires, in the 2nd arrondissement of Paris, The Basilica of Notre-Dame-des-Victoires is one of ten minor basilicas located in the Île-de-France region of France. It was begun as an Abbey church, and constructed between 1629 and 1740 in the French classical style. Its name was given by King Louis XIII, who dedicated it to his victory over the Protestants at La Rochelle in 1628 during the French Wars of Religion. Notre-Dame-des-Victoires is famous for the ex voto offerings left there by the faithful. Over 37,000 devotional plaques, silver and gold hearts, as well as military decorations, have been left at the basilica. The closest Métro station is 'Bourse'.
The Virgin of Jeanne d'Evreux, is a Gothic sculpture created sometime between the years 1324 and 1339. This figure stands at 68 cm tall and is made from gilded silver, stones, pearls, and the earliest dated French translucent enamels. The piece itself was donated to the abbey of Saint-Denis by Jeanne d'Evreux in 1339 as inscribed in the pedestal. Currently, this sculpture is on display within the Louvre in France.
Notre-Dame-de-Lorette is a Roman Catholic church located in the 9th arrondissement of Paris, It was built between 1823 and 1836 in the Neo-classical architectural style by architect Louis-Hippolyte Lebas, in a neighbourhood known as the New Athens, for its many artistic and scholarly residents in the 19th century, including George Sand, Pierre-Auguste Renoir, and Alexandre Dumas. While the exterior is classical and austere, the church interior is known for its rich collection of paintings, sculpture, and polychrome decoration.
The Basilica of Our Lady of l'Épine, also known as Notre-Dame de l'Épine, is a Roman Catholic basilica in the small village of L'Épine, Marne, near Châlons-en-Champagne and Verdun. It is a major masterpiece in the Flamboyant Gothic style.
The Bodilis Parish close of Bodilis is located in the arrondissement of Morlaix in Finistère department of Brittany in north-western France. Apart from the parish church, the Église Notre-Dame, the enclosure at Bodilis includes a perimeter wall with three entrance gates and a simple crucifixion cross. The ossuary was destroyed in 1825. The church is a listed historical monument since 1910. The choir and central nave date to 1567 and the bell tower was added in 1570. The porch was added in 1601 and the sacristy in 1682. From the beginning of the 16th century, Bodilis' burgeoning linen industry boosted the town's wealth. An important fair was staged there and there were frequent pilgrimages to the town to secure "pardons" from the Virgin Mary. Much of the wealth generated was channeled into enhancing the parish church and, as a result, it shows elements of Gothic, Renaissance, Classical and Baroque styles. The bell tower porch is of the late Gothic style and is forty metres high. The church also has a 1564 chevet built in the Beaumanoir style.
Trémaouézan Parish close is located at Trémaouézan in the arrondissement of Brest in Brittany in north-western France. The enclosure includes the Notre-Dame church, ossuary, and calvary. The church was built in the 15th Century and much enlarged in 1597 when the chapel was added. The Renaissance porch, located on the south side of the church, was added in 1610 with statues of the apostles. The calvary separates the church from the ossuary. Inside the church are a notable baptismal font and a number of wood carvings dating to the 17th century. The bell tower is of the "léonard" style. It was hit by lightning in 1702 but restored in 1714. There is a note in the church archives dated 1713, recording that many women sold their rings to help fund the reconstruction. It is a listed historical monument.
The Pencran Parish close is located at Pencran in the arrondissement of Brest in Brittany in north-western France. The Notre-Dame church, the sacristy, the two calvaries, the ossuary and the surrounding wall are a listed historical monument since 1990. Records show that there has been a religious building in Pencran since the 14th century, and in 1353 there was mention of a chapel dedicated to the Virgin Mary. Until the French Revolution the parish of Ploudiry covered an area from Loc-Eguiner to Pencran, but it was in 1801 that Pencran became an independent parish.
The Lampaul-Guimiliau Parish close is located at Lampaul-Guimiliau in the arrondissement of Morlaix in Brittany in north-western France. It is a monumental churchyard belonging to the Église Notre-Dame in that town. This church was built in the late 16th century to replace an older one. The structures in the parish close date to the 16th and 17th century. It is a listed historical monument since 1910.
The Brasparts Parish close is located at Brasparts within Brittany's Châteaulin arrondissement in north-western France. The church is named the Église paroissial Notre-Dame-et-Saint-Tugen. Building started in 1551, a date which appears over the church's west door. The church is often called the "Église de Brasparts"' and is a listed historical monument since 1914. The church is dedicated to the Virgin Mary and Saint Tugen, the Breton saint, and is for the most part built in the Gothic style. It has a double galleried "léonard" style bell-tower with a conical side tower which contains a stairway to access the bells. The porch has statues of the twelve apostles. The north window of the choir dates to 1543. Two niches in the choir area depict the parish's two saints and protectors, the Virgin Mary and Saint Tujan or Tugan.
The Basilique Notre Dame du Bon Secours, Marie Auxiliatrice is a Roman Catholic minor basilica in Bonsecours near Rouen, Seine—Maritime, France. It is the first church in France to be built in the Gothic Revival style. The basilica is highly ornately decorated with windows, sculptures and other elements often carrying the name or coat of arms of a patronal donor.
Notre-Dame-de-la-Compassion is a Roman Catholic Church located on Place du Général Koenig in the 17th arrondissement in Paris. It was originally built in 1842–43 as a memorial chapel to Ferdinand Philippe, Duke of Orléans, the heir to King Louis-Philippe of France, who was killed in a road accident in 1842. It was built in the Neo-Byzantine style, with elements of Gothic, Baroque and other styles, and was originally called the Chapelle Royale Saint-Ferdinand. In 1970 it was moved stone by stone from its original location a short distance away to make space for the new Palais des Congrès. It became a parish church in 1993. Its notable decoration includes stained glass windows designed by Jean-Auguste-Dominique Ingres, and sculpture by Henri de Triqueti. It was designated a French historic monument in 1929.
