Renaissance of the Celtic Harp | ||||
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Studio album by | ||||
Released | 1972 | |||
Recorded | at Studio Des Dames, Paris by Paul Haudebinr & Philippe Lerichomme | |||
Genre | Celtic music / Celtic fusion New-age / World music Breton traditional music Irish traditional music Welsh traditional music Scottish traditional music Manx traditional music | |||
Length | 37:32 | |||
Label | Fontana/Philips | |||
Producer | Franck Giboni | |||
Alan Stivell chronology | ||||
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Renaissance de la Harpe Celtique or Renaissance of the Celtic Harp is a 1972 [1] [2] record album by the Breton master of the Celtic harp Alan Stivell that revolutionised the connection between traditional folk music, modern rock music and world music. [3]
The release of this album with its fusion of classical, traditional folk and rock music, its mixture of instruments (cello, harp, electric guitar, traditional and modern drums) and its evocation of a utopian atmosphere and vision of humans in harmony with nature, immediately set it as a benchmark in the Celtic music revival of the 1970s. [4]
The album influenced many harpists, Bretons like Myrdhin or Cécile Corbel [5] but also Jo Morrison, Loreena McKennitt, Deborah Henson-Conant, Charles de Lint, Australian Robert Hart and Louisa John-Krol, Russian Anastasia Papisova , Italian Vincenzo Zitello, Norwegian Kristian Nordeide, New York musicians Steven Halpern and Ben Kettlewell. By the time of his second album, in one year, the number of harps sold in France had reached into the thousands. [6]
Music critic Bruce Elder wrote:
People who hear this record are never the same again. Renaissance of the Celtic Harp, one of the most beautiful and haunting records ever made by anybody, introduced the Celtic harp to many thousands of listeners around the world. To call this music gorgeous and ravishing would be the height of understatement—indeed, there aren't words in the English language to describe this record adequately.
The opening work, Ys, is a piece inspired by the legend of the 5th century capital of the kingdom of Cornwall, [most versions of the legend place the city in the Douarnenez Bay on the coast of Brittany] which was engulfed by a flood as punishment for its sins. (Debussy wrote one of his finest works, "The Engulfed Cathedral," later adapted by the group Renaissance into "The Harbor" on Ashes Are Burning, based on the same legend). The reflective "Marv Pontkellec" is every bit as sublimely beautiful, but the highlight of this record is "Gaeltacht," a 19 minute musical journey by Stivell's harp across the Gaelic lands of Ireland, Scotland, and the Isle of Man. [7] [8]
Side A:
Side B:
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids.
Ys, also spelled Is or Kêr-Is in Breton, and Ville d'Ys in French, is a mythical city on the coast of Brittany that was swallowed up by the ocean. Most versions of the legend place the city in the Baie de Douarnenez.
Since the early 1970s, Brittany has experienced a tremendous revival of its folk music. Along with flourishing traditional forms such as the bombard-biniou pair and fest-noz ensembles incorporating other additional instruments, it has also branched out into numerous subgenres.
The Celtic Revival is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and Celtic art—what historians call insular art. Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "Æ" Russell, Edward Martyn, Alice Milligan and Edward Plunkett stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century.
Alan Stivell is a Breton and Celtic musician and singer, songwriter, recording artist, and master of the Celtic harp. From the early 1970s, he revived global interest in the Celtic harp and Celtic music as part of world music. As a bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. A precursor of Celtic rock, he is inspired by the union of the Celtic cultures and is a keeper of the Breton culture.
Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.
Celtic rock is a genre of folk rock, as well as a form of Celtic fusion which incorporates Celtic music, instrumentation and themes into a rock music context. It has been prolific since the early 1970s and can be seen as a key foundation of the development of successful mainstream Celtic bands and popular musical performers, as well as creating important derivatives through further fusions. It has played a major role in the maintenance and definition of regional and national identities and in fostering a pan-Celtic culture. It has also helped to communicate those cultures to external audiences.
Manau is a Breton hip hop band formed in 1998, known for their fusing of traditional Celtic melodies with modern hip hop beats. It was initially composed of Martial Tricoche, Cédric Soubiron, and Hervé "R.V." Lardic until Lardic's departure and replacement by Gregor Gandon. Although the band is currently based in Paris, all of the members can trace their roots back to Brittany. The group's name comes from the old Gaelic name for the Isle of Man.
Dan Ar Braz is a Breton guitarist-singer-composer and the founder of L'Héritage des Celtes, a 50-piece Pan-Celt band. Leading guitarist in Celtic music, he recorded as a soloist and with Celtic harp player Alan Stivell. He represented France in the Eurovision Song Contest 1996.
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
Symphonie Celtique, subtitled "Tir na nOg", a folk-rock album by Alan Stivell, originally released as a double LP in 1980 by CBS France, catalogue number CBS 88487. In 1987, it was published by Rounder Records in CD 11523. Digitally remastered and reissued on CD by Disques Dreyfus, catalogue number FDM 36196–2.
Chemins de Terre is a folk rock album by Alan Stivell, originally released in 1973. It was produced by Franck Giboni. It was retitled From Celtic Roots... in the United Kingdom and Celtic Rock in Germany.
In Dublin is a folk/rock album by Alan Stivell, recorded live at the National Stadium, Dublin, on 26 and 27 November 1974, and originally released in 1975.
Gaelic folk music or Gaelic traditional music is the folk music of Goidelic-speaking communities in Ireland, Scotland, and the Isle of Man, often including lyrics in those languages. Characteristic forms of Gaelic music include sean-nós and puirt à beul singing, piobaireachd, jigs, reels, and strathspeys.
Cécile Corbel is a French and Breton singer, harpist, and composer. She has released five albums of original music and worked for Studio Ghibli as a composer for its 2010 film, The Borrower Arrietty. Corbel sings in many languages including French, Italian, Breton, and English and has done songs in Spanish, German, Japanese, Irish, and Turkish. Her lifelong partner is songwriter Simon Caby, who is also her co-composer.
À l'Olympia was Stivell's first live album, recording at L'Olympia. It was released by Fontana in 1972.
Pop-Plinn is a traditional air of a Breton dance transformed into pop music by Alan Stivell. The "Dañs Plinn" is a fast and physical dance where the dancer makes two small jumps by holding the arm of his neighbors.
AMzer – Seasons is the 24th album by Breton musician Alan Stivell, released on 2 October 2015 through WorldVillage in France and other countries. "NEw' AMzer" was the first single to be released from it. This track was also released as a promotional video.
Emerald is the 23rd album by Breton musician Alan Stivell, released in 2009. The album celebrates Stivell's 40-year career since 1970's Reflets (Reflections), his first album as a singer. It's a return to the roots, a return to the violin and to folk-rock, and both an ever innovative approach, playing on electric harp and bagpipes prototypes and in musical arrangements that are as eclectic as they are original.
"Me zo ganet e kreiz ar mor" is an autobiographical poem by the Breton-language writer Yann-Ber Kalloc'h which celebrates the island of Groix, where he was born, and describes his parents' struggles and his own. In a setting by Jef Le Penven it has become one of the most popular Breton-language songs, performed by Alan Stivell, Yann-Fañch Kemener, Julie Fowlis and others. The title has several variants, including Me zo ganet e kreiz er mor and Me zo gañnet é kreiz er mor.