Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s.
Carlo Bergonzi was an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he was above all associated with the operas of Giuseppe Verdi, including many of the composer's lesser known works he helped revive. He sang more than forty other roles throughout his career.
Leo Nucci is an Italian operatic baritone, particularly associated with Verdi and Verismo roles.
Nicola Martinucci is an Italian opera singer, particularly noted for his performances in the spinto tenor of roles Calaf in Turandot, Radamès in Aida, and the title role in Andrea Chénier.
Maria Antonietta Stella was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's Il trovatore, a year later at Rome Opera, as Leonora in La forza del destino, in 1954 at La Scala in Milan, as Desdemona in Otello, in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role.
Susanne Marsee is an American mezzo-soprano of note, particularly acclaimed as a singing-actress.
Cesare Valletti was an Italian operatic tenor, one of the leading tenore di grazia of the postwar era.
Aprile Millo is an American operatic soprano who is known for her interpretations of the works of Giuseppe Verdi. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera.
Erwin Schrott is an operatic bass-baritone, particularly known for his interpretation of the Title role in Mozart's Don Giovanni.
Alessandro Corbelli is an Italian baritone opera singer. One of the world's pre-eminent singers specializing in Mozart and Rossini, Corbelli has sung in many major opera houses around the world and won admiration for his elegant singing style and sharp characterizations, especially in comic roles.
Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".
Gianna D'Angelo was an American coloratura soprano, primarily active in the 1950s and 1960s.
Mario Sereni was an Italian baritone, who sang leading roles at the New York Metropolitan Opera for many years.
Dmitri Aleksandrovich Hvorostovsky was a Russian operatic baritone.
Anselmo Colzani was an Italian operatic baritone who had an international opera career from the late 1940s through 1980. He particularly excelled in the Italian repertory and was most associated with the works of Giuseppe Verdi and Giacomo Puccini. He began his career in Italy in 1947 where he quickly became a regular presence at that country's best opera houses, including La Scala. In the mid-1950s he began appearing at major opera houses throughout Europe and the United States. In 1960 he joined the roster at the Metropolitan Opera where he spent most of his time through 1978. Opera News commented that while his voice may have "lacked the sheer beauty [of other baritones], his performances had an Italianate urgency and forthright thrust that were unique, which established himself as a powerful, striking presence."
Marina Krilovici is an opera soprano of Romanian birth.
Rita Orlandi-Malaspina was an Italian operatic soprano who had a major international career from the 1960s through the 1980s. She drew particular acclaim for her portrayals of Verdi heroines. She also had a successful career as a concert soprano, particularly in performance of Verdi's Requiem and Ludwig van Beethoven's Symphony No. 9.
Kathryn Day is an American opera singer who has had an active international career spanning five decades. She began her career as a leading soprano under the name Kathryn Bouleyn in the 1970s and 1980s with companies like the New York City Opera, the San Francisco Opera, and the Opera Theater of Saint Louis. With the latter institution she created the role of Cora in the world premiere of Stephen Paulus' The Postman Always Rings Twice (1982).
James Peyton Atherton Jr was an American tenor and artistic director. Classically trained, he went on to sing with numerous American opera companies. He also performed on stage in Europe.
Jolanda Meneguzzer was an Italian lyric soprano who made regular appearances at leading opera houses in the 1960s.
