Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s.
Carlo Bergonzi was an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he was above all associated with the operas of Giuseppe Verdi, including many of the composer's lesser known works he helped revive. He sang more than forty other roles throughout his career.
Joseph, Baron Van Damme, known as José van Dam, is a Belgian bass-baritone, described as having "a magnificent resonant and expressive voice" and being "an excellent actor".
Nicola Martinucci is an Italian opera singer, particularly noted for his performances in the spinto tenor of roles Calaf in Turandot, Radamès in Aida, and the title role in Andrea Chénier.
Susanne Marsee is an American mezzo-soprano of note, particularly acclaimed as a singing-actress.
Cesare Valletti was an Italian operatic tenor, one of the leading tenore di grazia of the postwar era.
Aprile Millo is an American operatic soprano who is known for her interpretations of the works of Giuseppe Verdi. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera.
Erwin Schrott is an Uruguayan operatic bass-baritone, particularly known for the title role of Mozart's Don Giovanni.
Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".
Gabriel Bacquier was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.
Gianna D'Angelo was an American coloratura soprano, primarily active in the 1950s and 1960s.
Mario Sereni was an Italian baritone, who sang leading roles at the New York Metropolitan Opera for many years.
Dmitri Aleksandrovich Hvorostovsky was a Russian operatic baritone.
Anselmo Colzani was an Italian operatic baritone who had an international opera career from the late 1940s through 1980. He particularly excelled in the Italian repertory and was most associated with the works of Giuseppe Verdi and Giacomo Puccini. He began his career in Italy in 1947 where he quickly became a regular presence at that country's best opera houses, including La Scala. In the mid-1950s he began appearing at major opera houses throughout Europe and the United States. In 1960 he joined the roster at the Metropolitan Opera where he spent most of his time through 1978. Opera News commented that while his voice may have "lacked the sheer beauty [of other baritones], his performances had an Italianate urgency and forthright thrust that were unique, which established himself as a powerful, striking presence."
Marina Krilovici is an opera soprano of Romanian birth.
Rita Orlandi-Malaspina was an Italian operatic soprano who had a major international career from the 1960s through the 1980s. She drew particular acclaim for her portrayals of Verdi heroines. She also had a successful career as a concert soprano, particularly in performance of Verdi's Requiem and Ludwig van Beethoven's Symphony No. 9.
Douglas Ahlstedt was an American operatic tenor who had an international performance career with major opera houses from the 1970s through the 1990s. He was a member of the Metropolitan Opera and of the Deutsche Oper am Rhein, performing leading roles of the lyric tenore repertoire, and also many supporting roles. He was professor of voice at Carnegie Mellon University from 1998 until 2020.
Kathryn Day is an American opera singer who has had an active international career spanning five decades. She began her career as a leading soprano under the name Kathryn Bouleyn in the 1970s and 1980s with companies like the New York City Opera, the San Francisco Opera, and the Opera Theatre of Saint Louis. With the latter institution she created the role of Cora in the world premiere of Stephen Paulus' The Postman Always Rings Twice (1982).
James Peyton Atherton Jr was an American tenor and artistic director. Classically trained, he went on to sing with numerous American opera companies. He also performed on stage in Europe.
Jolanda Meneguzzer was an Italian lyric soprano who made regular appearances at leading opera houses in the 1960s.
