Renaud de Cormont | |
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Occupation(s) | Architect and master-mason |
Years active | fl. 1240–1250 |
Notable work | Amiens Cathedral |
Parent |
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Renaud de Cormont was a French Gothic Era master-mason and architect who worked on the Cathedral of Notre-Dame in Amiens after his father, Thomas de Cormont, who is believed to have been a disciple of Robert de Luzarches. [1] [2]
Renaud continued his father's work on Notre-Dame of Amiens in the 1240s and is believed to have brought a form of architectural revolution to the upper transept and upper choir of the cathedral through his introduction of a glazed triforium, openwork flyers, and new decorative forms.
Renaud also altered the eastern wall of the transept and upper levels of the choir into an ornate glass box held by extremely thin flyers. However, this structure was not sound: the triforium had to be replaced, the tracery panels on the flyers crumbled and the transept roses failed. Of more concern was the fact that the entire eastern half of the building needed to be held up using wooden beams, iron chain, masonry spines and an additional rank of flyers. [3]
Art historians have likened Renaud to Icarus because his defective work on the upper transept and choir led to a near disaster. This is also likely a play on the fact that the center of the cathedral contains a labyrinth design on the floor and his father had worked on the cathedral before him and could be likened to Icarus' father, Daedalus. [4]
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
The flying buttress is a specific form of buttress composed of an arch that extends from the upper portion of a wall to a pier of great mass, in order to convey to the ground the lateral forces that push a wall outwards, which are forces that arise from vaulted ceilings of stone and from wind-loading on roofs.
Laon Cathedral is a Roman Catholic church located in Laon, Aisne, Hauts-de-France, France. Built in the twelfth and thirteenth centuries, it is one of the most important and stylistically unified examples of early Gothic architecture. The church served as the cathedral of the Diocese of Laon until 1802, and has been recognized as a monument historique since 1840.
Auxerre Cathedral is a Roman Catholic church, dedicated to Saint Stephen, located in Auxerre, Burgundy, France. It was constructed between the 13th and 16th centuries, on the site of a Romanesque cathedral from the 11th century, whose crypt is found underneath the cathedral. It is known for 11th century Carolingian frescoes found in the crypt, and for its large stained glass windows. Since 1823 it has been the seat of a diocese united with that of Sens Cathedral.
The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic church. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.
In French Gothic architecture, the Rayonnant style is the third of the four phases of Gothic architecture in France, as defined by French scholars. Related to the English division of Continental Gothic into three phases, it is the second and larger part of High Gothic.
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Metz Cathedral, is the cathedral of the Catholic Diocese of Metz, the seat of the bishops of Metz. It is dedicated to Saint Stephen. The diocese dates back at least to the 4th century and the present cathedral building was begun in the early 14th century. In the mid-14th century, it was joined to the collegiate church of Notre-Dame, and given a new transept and late Gothic chevet, finished between 1486 and 1520. The cathedral treasury displays a rich collection assembled over the long centuries of the history of the Metz diocese and include sacred vestments and items used for the Eucharist.
The Cathedral of Our Lady, or Tournai Cathedral, is a Roman Catholic cathedral, see of the Diocese of Tournai in Tournai, Belgium. It has been classified both as a Wallonia's major heritage since 1936 and as a World Heritage Site since 2000.
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French Gothic architecture is an architectural style which emerged in France in 1140, and was dominant until the mid-16th century. The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral. Its main characteristics are verticality, or height, and the innovative use of the rib vault and flying buttresses and other architectural innovations to distribute the weight of the stone structures to supports on the outside, allowing unprecedented height and volume. The new techniques also permitted the addition of larger windows, including enormous stained glass windows, which fill the cathedrals with light.
Évreux Cathedral, otherwise the Cathedral of Our Lady of Évreux, is a Catholic church located in Évreux, Normandy, France. The cathedral is a national monument and is the seat of the Bishop of Évreux.
Robert of Luzarches was a 13th-century French architect who worked on the cathedral of Notre Dame in Amiens.
Jeande Chelles was a master mason and sculptor who was one of the architects at the Cathedral of Notre-Dame de Paris. On the exterior wall of the south transept a stone plaque is signed Johanne Magistro and dated February 1257, documenting the initiation of alterations to the transept and its portal. On his death in 1265, he was succeeded by Master Pierre de Montreuil.
High Gothic followed Early Gothic architecture and was succeeded in France by Late Gothic in the form of the Flamboyant style. This timetable is not used by French scholars; they divide Gothic architecture into four phases, Primary Gothic, Classic Gothic, Rayonnant Gothic and Flamboyant Gothic. Therefore, in French terms, a few first examples of High Gothic are Classic, but most examples are Rayonnant. High Gothic is often described as the high point of the Gothic style.
Early Gothic is a term for the first phase of Gothic style, followed by High Gothic and Late Gothic, dividing the whole Gothic era into three periods. It is defined as a style that used some principle elements of Gothic, but not all. Especially, it had no fine tracery. It marks the first phase of a division of Gothic style into three periods. If it is used for all countries, it has to be regarded that there may be special terms for the styles of single countries, such as Early English in England.
Notre-Dame de Reims, known in English as Reims Cathedral, is a Roman Catholic cathedral in the French city of the same name, the archiepiscopal see of the Archdiocese of Reims. The cathedral was dedicated to the Virgin Mary and was the traditional location for the coronation of the kings of France. Reims Cathedral is considered to be one of the most important pieces of Gothic architecture. The cathedral, a major tourist destination, receives about one million visitors annually. It became a UNESCO World Heritage Site in 1991.
Thomas de Cormont was a French Gothic Era master-mason and architect who worked on the Cathedral of Notre-Dame in Amiens following the death of its chief architect, Robert de Luzarches. There is speculation that Thomas may have been Robert's disciple.
Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.