Requiem for What's His Name | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1992 | |||
Recorded | 1992 | |||
Genre | Experimental music | |||
Length | 50:51 | |||
Label | Les Disques du Crepuscule | |||
Producer | Marc Ribot | |||
Marc Ribot chronology | ||||
|
Requiem for What's His Name is the second album by Marc Ribot & The Rootless Cosmopolitans which was released by the Belgian label Les Disques du Crepuscule in 1992. [1] [2]
The album was recorded in New York City at Sound on Sound Recording except "Commit a Crime" which was recorded live at Desi Stadtteilzentrum in Nuremberg, Germany. Ribot stated "On the next record, Requiem for What’s His Name, the focus moved towards composition. It’s almost impossible to get hold of it. I was interested in Balkan music at the time, certain ritual music ... in finding stuff I could do without ironic distance. For example, on Requiem for What’s His Name, I covered “Sometimes I Feel like a Motherless Child,” one of the sadder songs in the world. I couldn’t do it without distance, but I wanted to make that distance painful, bring it to some kind of breaking point". [3]
The Allmusic review by Brian Beatty awarded the album 4 stars, stating, "On his second release as a bandleader, guitarist Marc Ribot is joined by players familiar from his gigs as a hired sideman, including saxophonist Roy Nathanson of the Lounge Lizards and the Jazz Passengers and multi-reed player Ralph Carney from Tom Waits' touring band. Though less swinging and fresh than 1990's Rootless Cosmopolitans, this album's original compositions and renditions of Duke Ellington and Howlin' Wolf tunes still leave plenty of room for Ribot's discordant guitar stylings". [4]
Review scores | |
---|---|
Source | Rating |
Allmusic | [4] |
All compositions are by Marc Ribot, except where indicated otherwise.
Marc Ribot is an American guitarist and composer.
The Lounge Lizards were an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in-cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie's sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group.
Cruel Smile is a 2002 album by Elvis Costello and the Imposters. It consists of B-sides and leftover material from the When I Was Cruel sessions.
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
Yo! I Killed Your God is a concept album by Marc Ribot, recorded live between 1992 and 1994. It was released May 18, 1999 on Tzadik Records.
Attack & Release is the fifth studio album by American rock duo The Black Keys. It was produced by Danger Mouse and was released on April 1, 2008. The sessions saw the band transitioning away from their "homemade" ethos to record-making; not only was it the first time that the band completed an album in a professional studio, but it was also the first time they hired an outside producer to work on a record.
Roy Jay Nathanson is an American saxophonist, composer, bandleader, actor and teacher. He became the leader and principal composer of the Jazz Passengers, a six piece group that he founded with Curtis Fowlkes in 1987. They have toured Europe many times and played at major festivals in Finland, Germany, Italy, France and Switzerland, as well as the J.V.C. Festival in New York, the Du Maurier Festival in Canada and toured throughout the United States and Canada. The band has recorded eight albums since their debut release.
Scelsi Morning is a 2003 album by Marc Ribot released on Tzadik Records.
Soundtracks Volume 2 is a 2003 album of film music by Marc Ribot released on Tzadik Records.
Shoe String Symphonettes is a 1997 album of film music by Marc Ribot released on Tzadik Records.
Don't Blame Me is a 1995 solo guitar album Marc Ribot and released on the Japanese DIW label.
Rootless Cosmopolitans is the debut solo album by American guitarist Marc Ribot, released by Antilles in 1990.
Freak In is the 20th album by trumpeter Dave Douglas. It was released on the RCA Bluebird label in 2003 and features performances by Douglas, Jamie Saft, Marc Ribot, Karsh Kale, Joey Baron, Romero Lubambo, Brad Jones, Ikue Mori, Seamus Blake, Chris Speed, Craig Taborn, Michael Sarin, with Stephanie Stone contributing vocals on one track.
Liberian Suite is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1947. The album was Ellingon's second 10" LP album and one of his earlier works on the Columbia label. The suite represents one of Ellington's early extended compositions and was commissioned for the Liberian centennial. The Liberian Suite was released on CD as bonus tracks on Ellington Uptown in 2004.
It Don't Mean a Thing If It Ain't Got That Swing is a studio album by American pianist, composer and bandleader Duke Ellington and singer Teresa Brewer originally released on Bob Thiele's Flying Dutchman label in 1973. It features the final studio recordings by Ellington.
The Carnegie Hall Concerts: December 1944 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1944 and released on the Prestige label in 1977.
The Carnegie Hall Concerts: January 1946 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1946 and released on the Prestige label in 1977.
The Carnegie Hall Concerts: December 1947 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1947 and released on the Prestige label in 1977.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
I Could've Been a Drum is an album by the pianist Anthony Coleman and the saxophonist Roy Nathanson, released on the Tzadik label in 1997.