The Official Story is a 1985 Argentine drama historical film directed by Luis Puenzo and written by Puenzo and Aída Bortnik. It stars Norma Aleandro, Héctor Alterio, Chunchuna Villafañe and Hugo Arana. In the United Kingdom, it was released as The Official Version.
Norma Aleandro is an Argentine actress. She is considered one of the most celebrated and prolific Argentine actresses of all time and is recognized as a cultural icon in her home country.
Daniel Burman is an Argentine film director, screenplay writer, and producer.
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
Alejandro Agresti is an Argentine film director, writer and producer. A prominent filmmaker in his country, he also directed The Lake House with Hollywood actors Sandra Bullock and Keanu Reeves in 2006.
Lucrecia Martel is an Argentine film director, screenwriter and producer whose feature films have frequented Cannes, Venice, Berlin, Toronto, and many other international film festivals. Film scholar Paul Julian Smith wrote in 2015 that she is "arguably the most critically acclaimed auteur in Spanish-language art cinema outside Latin America" and that her "transnational auteurism and demanding features have earned her a hard-won reputation in the world art cinema festival circuit". Similarly, film scholar Haden Guest has called her "one of the most prodigiously talented filmmakers in contemporary world cinema", and film scholar David Oubiña has called her body of work a "rare perfection". In April 2018, Vogue called her "one of the greatest directors in the world right now".
Bolivia is a 2001 Argentine and Dutch drama film directed by Israel Adrián Caetano, his first feature-length film. The screenplay is written by Caetano, based upon the Romina Lafranchini story, about his wife. The motion picture features Freddy Flores and Rosa Sánchez, among others.
Israel Adrián Caetano, known as Adrián Caetano, is an Uruguayan film director, producer and screenwriter.
Un oso rojo is a 2002 Argentine, Spanish, and French neo-Western action drama film directed by Israel Adrián Caetano.
Waiting for the Messiah is a 2000 Argentine, Spanish, and Italian comedy drama film directed by Daniel Burman. The film features Daniel Hendler, Enrique Piñeyro, Héctor Alterio, Melina Petriella, Stefania Sandrelli, Imanol Arias and Dolores Fonzi, among others.
Olympic Garage is a 1999 Argentine drama film, directed by Marco Bechis.
Crane World is a 1999 Argentine film, written and directed by Pablo Trapero. The film was produced by Lita Stantic and Pablo Trapero. It features Luis Margani, Adriana Aizemberg, Daniel Valenzuela, among others.
Martín Rejtman is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. His documentary Riders won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival in 2020.
The Blonds is a 2003 Argentine and American documentary/drama film, directed by Albertina Carri, and written by Carri and Alan Pauls.
Eduardo Montes-Bradley is an Argentine documentary filmmaker. His most recent works are Daniel Chester French: American Sculptor and Black Fiddlers.
Camila is a 1984 Argentine drama film directed by María Luisa Bemberg, based on the story of the 19th-century Argentine socialite Camila O'Gorman. The story had previously been adapted in 1910 by Mario Gallo, in the now considered lost film Camila O'Gorman. It was nominated for the Academy Award for Best Foreign Language Film, marking the second time an Argentine film was nominated for this award.
Kris Niklison is an Argentina-born performance artist.
Mariano Raffo is an Argentine film director. He has made short films, music videos and documentaries.
Marcelo Mosenson is the founder and executive director of the film production company Nomade Films.
Pablo César is an Argentine film director, film producer, screenwriter and film professor. He began his filmmaking career in the Buenos Aires independent short film scene shot in the Super 8 format, making more than twenty works between the 1970s and 1980s, among which Del génesis (1980), Ecce civitas nostra (1984)—co-directed with Jorge Polaco—and Memorias de un loco (1985) stand out. In 1983, César directed his first feature film De las caras del espejo, shot in Super-8. He turned to the 35 mm film format from his second feature onwards, La sagrada familia (1988), an ironic film that works as a critique of the abuse of power, as well as an allegory of the era of the last civic-military dictatorship in Argentina.
